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AI art "一期一振 - 歴史シミュレーションゲームの日" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - 歴史シミュレーションゲームの日

#Touken Ranbu#Ichigo Hitofuri
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A square 1:1 seated three-quarter composition of Ichigo Hitofuri absorbed in an early personal-computer historical strategy game in a fictional Japanese hobby room inspired by the early 1980s. His figure is on the right, cropped from the top of the head to the upper thighs. The bulky computer and its luminous screen occupy the left foreground, with its integrated keyboard at the center between him and the screen. The camera is slightly above desk height near his front-left side, allowing his three-quarter face, both forearms and a legible portion of the old monitor to occupy one convincing space. The moment is about his enjoyment of tactical thinking, not a documentary reconstruction of a particular machine or game screen. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). One brow lifts a little higher than the other as he recognizes a promising move in the imaginary battle. The inner brows remain attentive, and one mouth corner rises in an unmistakable, intrigued half-smile; his lips are slightly parted. He looks at one opposing unit marker on the monitor, his head inclined toward the screen. The shoulders are drawn forward by interest without collapsing his posture. His right index fingertip rests on a single rectangular keyboard key, with the hand supported by the nearby key bed. His left forearm rests along the wooden desk, and the relaxed left hand lies next to the computer rather than performing a second operation. The seat takes his weight, and the wrists and elbows form an unbroken, comfortable path toward their resting places. He wears a dark wine-colored wool-knit cardigan over a pale dove-gray cotton shirt. The cardigan has a broad folded shawl collar that follows the throat and lies above the open upper shirt collar. The uppermost cardigan button remains undone at the upper chest, while three small brown horn buttons close its overlapping front down to the natural waist. The gray shirt is visible inside the upper V-shaped opening, with its own top neck button undone. Narrow ribbed cuffs enclose his wrists, their knitted texture contrasting with the dry smooth shirt cuffs exposed just beyond them. A fine cable-knit strip follows either side of the cardigan opening; the rest of the garment is plain and dense. Dark charcoal wool trousers show across the upper thighs below the cardigan hem. The knit compresses softly at the seated waist and left elbow, while the raised right forearm pulls short diagonal folds from the upper sleeve. The computer has one thick beige housing that contains a deep, nearly square glass cathode-ray display above an integral sloped keyboard. The monitor's curved dark glass shows a simple green monochrome battlefield: a small rectangular grid, a river cutting across the middle, sparse block-like unit markers on opposite banks and a brighter square marking the specific opposing unit he is studying. These symbols are a fictional homage to early strategy software, not a claim about the exact screen of the 1981 game. Large rectangular keys lie beneath the screen, at the height of his hands. The entire computer sits flat on the wooden desk, its weight supported by the tabletop. A small red cardboard cassette-game package with a dark monochrome collage lies flat beside the machine, at an angle where its cover does not depend on readable lettering. The casing, keyboard and package remain distinct, with only this single computer in use. The backdrop is a modest early-1980s-inspired domestic room. A narrow section of beige wallpaper, a short wood-framed window with darkness beyond, and one low shelf holding a few plain cassette cases remain visible behind his shoulder. The shelf attaches to the same wall; the desk and chair occupy the foreground. A warm adjustable desk lamp on the far right casts the primary pool of light over his face, the cardigan cuffs and the keyboard. The green phosphor display adds a dim secondary reflection only on the nearest fingertips and beige case, without changing his visible golden iris color. The desk casts a consistent warm shadow under the computer, and the monitor glass reflects only a restrained fragment of the lamp. masterpiece, best quality, detailed illustration
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Modus
pro
Größe
992 x 992
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit

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