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Vince

KI-Kunst von Vince auf PixAI. Erstellt mit Tsubaki.3 Flash.

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Vince

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horror (theme), 4girlz, four girls, full bodies, standing, en pointe, golden egyptian ballet pointe shoes, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, emo/scene makeup, stone pale skin, pale skin, arms behind back, bound, arms tied behind back, rope around arms and shoulders, bound neck, noose around neck, gallows, backs curved, chests pushed upward, dancing, open mouth, tongue out, sharp tongues, fangs, scary angry faces, glowing red spiral-only eyes, bulging eyes, shrunken pupils, hypnosis, possessed, vengeful spirits, undead, demonic tails, twitching, asphyxiation, body horror, booby trap, surrounding and trapping urban explorers, cursed egyptian temple at night, from below, wide shot, dutch angle, low angle, dramatic perspective, glowing red, cold moonlight, tomb interior, chains, rope, stone, dark From a low, tilted dutch angle near the temple floor, the full bodies of four goth girls fill the frame in a wide shot, arranged in a broken ring around a single huddled figure crouched at the center — an urban explorer in a mud-stained jacket and headlamp, back pressed to a fallen column, headlamp beam swinging uselessly across the walls. The four girls stand en pointe on golden Egyptian ballet pointe shoes, toes needled into the cracked flagstones, heels lifted high, ankles trembling with the strain. Each wears a tight ancient Egyptian leotard cut high on the hip, its panels crawling with carved hieroglyphics that catch the light like inlaid lapis and gold, sheer pantyhose sheathing the legs, long elbow gloves rising past the elbows, and a ribbon collar knotted at the throat. Their stone pale skin is matte and chalky, cracked faintly at the knuckles and collarbones, and heavy emo/scene makeup — black liner smeared into wings, dark lips, glittering shadow — sits stark against it. Rope coils around their arms and shoulders, cinching the elbows together behind their backs, arms bound tight so the shoulders wrench backward and the chests push upward, spines curved into a trembling arch. A rough noose of braided hemp sits around each neck, its tail rising to a heavy timber gallows frame erected over the center of the chamber, beams lashed with rope and hung with a booby-trap of counterweighted stone blocks and rusted iron spikes poised above the explorer's head. Their demonic tails curl and lash behind their hips, thin and barbed, twitching in sharp involuntary jerks that send little motion lines skittering around them. Their jaws hang open, tongues lolling long and sharp and forked, fangs bared, faces contorted into scary angry snarls — brows crushed down, noses wrinkled. The eyes are the horror: bulging from their sockets, pupils shrunken to pinpricks, each iris a glowing red spiral winding inward without end, casting a faint red bloom on their own cheekbones and on the explorer's upturned face. Their bodies twitch and sway in a grotesque dance, a jerking choreography of bound limbs and arched backs, asphyxiation pulling their throats taut against the nooses, veins standing on their temples, breath ragged. Faint translucent vengeful spirits drift above them, tattered and hollow-eyed, and the girls' stone-pale flesh splits at the seams in places, revealing something charred and writhing beneath — body horror creeping at the edges of the pose. Hypnosis radiates from the spiral eyes, and the explorer's own eyes have begun to glaze, mirroring the red spin. The temple at night surrounds them: colossal columns carved with hieroglyphics recede into blackness, cold blue moonlight spills down through a broken ceiling slot and rakes across the dancers' raised chests and the gilt shoes, while the red eye-glow and a single guttering torch supply the only warm light; deep shadows swallow the far walls. Palette of cold slate blue, chalk white, antique gold and blood red, nothing else. Dust motes hang in the moonbeam; the explorer's dropped flashlight throws a long distorted shadow that the girls' feet and lashing tails cross and break. Nightmare fuel, claustrophobic dread.
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Ursprünglicher Prompt
Goth bipolar girls, prisoners, wearing ancient egyptian leotards with pantyhose and elbow gloves, egyptian hieroglyphics on clothes, 4girlz,, arms behind back, golden egyptian ballet pointe shoes, en pointe, emo/scene makeup, ribbon collars, horror (theme), stone pale skin, cursed egyptian temple at night, chests pushed upward, dancing, backs curved, noose around neck, breathplay, wuhua, bound, arms behind back || bound neck, rope around arms and shoulders, gallows, standing, open mouth, tongue out, twitching, pale stone skin, asphyxiation, full bodies, hypnosis, glowing red spiral-only eyes, bulging eyes, shrunken pupils, possessed, sharp tongues, scary angry faces, fangs, vengeful spirits, demonic tails, nightmare fuel, undead, turn pale, surrounding and trapping urban explorers, booby-trap, body horror
Modus
flash
Stil
Glasiger Anime
Größe
1408 x 1408
Stil: Glasiger Anime
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.21k

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AI artwork
v
horror (theme), 4girlz, four girls, full bodies, standing, en pointe, golden egyptian ballet pointe shoes, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, emo/scene makeup, stone pale skin, pale skin, arms behind back, bound, arms tied behind back, rope around arms and shoulders, bound neck, noose around neck, gallows, backs curved, chests pushed upward, dancing, open mouth, tongue out, sharp tongues, fangs, scary angry faces, glowing red spiral-only eyes, bulging eyes, shrunken pupils, hypnosis, possessed, vengeful spirits, undead, demonic tails, twitching, asphyxiation, body horror, booby trap, surrounding and trapping urban explorers, cursed egyptian temple at night, from below, wide shot, dutch angle, low angle, dramatic perspective, glowing red, cold moonlight, tomb interior, chains, rope, stone, dark From a low, tilted dutch angle near the temple floor, the full bodies of four goth girls fill the frame in a wide shot, arranged in a broken ring around a single huddled figure crouched at the center — an urban explorer in a mud-stained jacket and headlamp, back pressed to a fallen column, headlamp beam swinging uselessly across the walls. The four girls stand en pointe on golden Egyptian ballet pointe shoes, toes needled into the cracked flagstones, heels lifted high, ankles trembling with the strain. Each wears a tight ancient Egyptian leotard cut high on the hip, its panels crawling with carved hieroglyphics that catch the light like inlaid lapis and gold, sheer pantyhose sheathing the legs, long elbow gloves rising past the elbows, and a ribbon collar knotted at the throat. Their stone pale skin is matte and chalky, cracked faintly at the knuckles and collarbones, and heavy emo/scene makeup — black liner smeared into wings, dark lips, glittering shadow — sits stark against it. Rope coils around their arms and shoulders, cinching the elbows together behind their backs, arms bound tight so the shoulders wrench backward and the chests push upward, spines curved into a trembling arch. A rough noose of braided hemp sits around each neck, its tail rising to a heavy timber gallows frame erected over the center of the chamber, beams lashed with rope and hung with a booby-trap of counterweighted stone blocks and rusted iron spikes poised above the explorer's head. Their demonic tails curl and lash behind their hips, thin and barbed, twitching in sharp involuntary jerks that send little motion lines skittering around them. Their jaws hang open, tongues lolling long and sharp and forked, fangs bared, faces contorted into scary angry snarls — brows crushed down, noses wrinkled. The eyes are the horror: bulging from their sockets, pupils shrunken to pinpricks, each iris a glowing red spiral winding inward without end, casting a faint red bloom on their own cheekbones and on the explorer's upturned face. Their bodies twitch and sway in a grotesque dance, a jerking choreography of bound limbs and arched backs, asphyxiation pulling their throats taut against the nooses, veins standing on their temples, breath ragged. Faint translucent vengeful spirits drift above them, tattered and hollow-eyed, and the girls' stone-pale flesh splits at the seams in places, revealing something charred and writhing beneath — body horror creeping at the edges of the pose. Hypnosis radiates from the spiral eyes, and the explorer's own eyes have begun to glaze, mirroring the red spin. The temple at night surrounds them: colossal columns carved with hieroglyphics recede into blackness, cold blue moonlight spills down through a broken ceiling slot and rakes across the dancers' raised chests and the gilt shoes, while the red eye-glow and a single guttering torch supply the only warm light; deep shadows swallow the far walls. Palette of cold slate blue, chalk white, antique gold and blood red, nothing else. Dust motes hang in the moonbeam; the explorer's dropped flashlight throws a long distorted shadow that the girls' feet and lashing tails cross and break. Nightmare fuel, claustrophobic dread.
Vince
AI artwork
v
horror (theme), 4girlz, four girls, full bodies, standing, en pointe, golden egyptian ballet pointe shoes, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, emo/scene makeup, stone pale skin, pale skin, arms behind back, bound, arms tied behind back, rope around arms and shoulders, bound neck, noose around neck, gallows, backs curved, chests pushed upward, dancing, open mouth, tongue out, sharp tongues, fangs, scary angry faces, glowing red spiral-only eyes, bulging eyes, shrunken pupils, hypnosis, possessed, vengeful spirits, undead, demonic tails, twitching, asphyxiation, body horror, booby trap, surrounding and trapping urban explorers, cursed egyptian temple at night, from below, wide shot, dutch angle, low angle, dramatic perspective, glowing red, cold moonlight, tomb interior, chains, rope, stone, dark From a low, tilted dutch angle near the temple floor, the full bodies of four goth girls fill the frame in a wide shot, arranged in a broken ring around a single huddled figure crouched at the center — an urban explorer in a mud-stained jacket and headlamp, back pressed to a fallen column, headlamp beam swinging uselessly across the walls. The four girls stand en pointe on golden Egyptian ballet pointe shoes, toes needled into the cracked flagstones, heels lifted high, ankles trembling with the strain. Each wears a tight ancient Egyptian leotard cut high on the hip, its panels crawling with carved hieroglyphics that catch the light like inlaid lapis and gold, sheer pantyhose sheathing the legs, long elbow gloves rising past the elbows, and a ribbon collar knotted at the throat. Their stone pale skin is matte and chalky, cracked faintly at the knuckles and collarbones, and heavy emo/scene makeup — black liner smeared into wings, dark lips, glittering shadow — sits stark against it. Rope coils around their arms and shoulders, cinching the elbows together behind their backs, arms bound tight so the shoulders wrench backward and the chests push upward, spines curved into a trembling arch. A rough noose of braided hemp sits around each neck, its tail rising to a heavy timber gallows frame erected over the center of the chamber, beams lashed with rope and hung with a booby-trap of counterweighted stone blocks and rusted iron spikes poised above the explorer's head. Their demonic tails curl and lash behind their hips, thin and barbed, twitching in sharp involuntary jerks that send little motion lines skittering around them. Their jaws hang open, tongues lolling long and sharp and forked, fangs bared, faces contorted into scary angry snarls — brows crushed down, noses wrinkled. The eyes are the horror: bulging from their sockets, pupils shrunken to pinpricks, each iris a glowing red spiral winding inward without end, casting a faint red bloom on their own cheekbones and on the explorer's upturned face. Their bodies twitch and sway in a grotesque dance, a jerking choreography of bound limbs and arched backs, asphyxiation pulling their throats taut against the nooses, veins standing on their temples, breath ragged. Faint translucent vengeful spirits drift above them, tattered and hollow-eyed, and the girls' stone-pale flesh splits at the seams in places, revealing something charred and writhing beneath — body horror creeping at the edges of the pose. Hypnosis radiates from the spiral eyes, and the explorer's own eyes have begun to glaze, mirroring the red spin. The temple at night surrounds them: colossal columns carved with hieroglyphics recede into blackness, cold blue moonlight spills down through a broken ceiling slot and rakes across the dancers' raised chests and the gilt shoes, while the red eye-glow and a single guttering torch supply the only warm light; deep shadows swallow the far walls. Palette of cold slate blue, chalk white, antique gold and blood red, nothing else. Dust motes hang in the moonbeam; the explorer's dropped flashlight throws a long distorted shadow that the girls' feet and lashing tails cross and break. Nightmare fuel, claustrophobic dread.
Vince
AI artwork
v
horror (theme), 4girlz, four girls, full bodies, standing, en pointe, golden egyptian ballet pointe shoes, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, emo/scene makeup, stone pale skin, pale skin, arms behind back, bound, arms tied behind back, rope around arms and shoulders, bound neck, noose around neck, gallows, backs curved, chests pushed upward, dancing, open mouth, tongue out, sharp tongues, fangs, scary angry faces, glowing red spiral-only eyes, bulging eyes, shrunken pupils, hypnosis, possessed, vengeful spirits, undead, demonic tails, twitching, asphyxiation, body horror, booby trap, surrounding and trapping urban explorers, cursed egyptian temple at night, from below, wide shot, dutch angle, low angle, dramatic perspective, glowing red, cold moonlight, tomb interior, chains, rope, stone, dark From a low, tilted dutch angle near the temple floor, the full bodies of four goth girls fill the frame in a wide shot, arranged in a broken ring around a single huddled figure crouched at the center — an urban explorer in a mud-stained jacket and headlamp, back pressed to a fallen column, headlamp beam swinging uselessly across the walls. The four girls stand en pointe on golden Egyptian ballet pointe shoes, toes needled into the cracked flagstones, heels lifted high, ankles trembling with the strain. Each wears a tight ancient Egyptian leotard cut high on the hip, its panels crawling with carved hieroglyphics that catch the light like inlaid lapis and gold, sheer pantyhose sheathing the legs, long elbow gloves rising past the elbows, and a ribbon collar knotted at the throat. Their stone pale skin is matte and chalky, cracked faintly at the knuckles and collarbones, and heavy emo/scene makeup — black liner smeared into wings, dark lips, glittering shadow — sits stark against it. Rope coils around their arms and shoulders, cinching the elbows together behind their backs, arms bound tight so the shoulders wrench backward and the chests push upward, spines curved into a trembling arch. A rough noose of braided hemp sits around each neck, its tail rising to a heavy timber gallows frame erected over the center of the chamber, beams lashed with rope and hung with a booby-trap of counterweighted stone blocks and rusted iron spikes poised above the explorer's head. Their demonic tails curl and lash behind their hips, thin and barbed, twitching in sharp involuntary jerks that send little motion lines skittering around them. Their jaws hang open, tongues lolling long and sharp and forked, fangs bared, faces contorted into scary angry snarls — brows crushed down, noses wrinkled. The eyes are the horror: bulging from their sockets, pupils shrunken to pinpricks, each iris a glowing red spiral winding inward without end, casting a faint red bloom on their own cheekbones and on the explorer's upturned face. Their bodies twitch and sway in a grotesque dance, a jerking choreography of bound limbs and arched backs, asphyxiation pulling their throats taut against the nooses, veins standing on their temples, breath ragged. Faint translucent vengeful spirits drift above them, tattered and hollow-eyed, and the girls' stone-pale flesh splits at the seams in places, revealing something charred and writhing beneath — body horror creeping at the edges of the pose. Hypnosis radiates from the spiral eyes, and the explorer's own eyes have begun to glaze, mirroring the red spin. The temple at night surrounds them: colossal columns carved with hieroglyphics recede into blackness, cold blue moonlight spills down through a broken ceiling slot and rakes across the dancers' raised chests and the gilt shoes, while the red eye-glow and a single guttering torch supply the only warm light; deep shadows swallow the far walls. Palette of cold slate blue, chalk white, antique gold and blood red, nothing else. Dust motes hang in the moonbeam; the explorer's dropped flashlight throws a long distorted shadow that the girls' feet and lashing tails cross and break. Nightmare fuel, claustrophobic dread.
Vince
AI artwork
v
4girlz, full bodies, 4 girls, goth girls, prisoners, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, noose around neck, rope around arms and shoulders, bound, arms behind back, golden egyptian ballet pointe shoes, en pointe, emo/scene makeup, stone pale skin, demonic tails, sharp tongues, fangs, glowing red eyes, spiral-only eyes, shrunken pupils, bulging eyes, possessed, scary angry faces, open mouth, tongue out, twitching, thrashing, strangling, choking, asphyxiation, breathplay, hypnosis, cursed egyptian temple at night, gallows, booby-trap, body horror, nightmare fuel, vengeful spirits, undead, crouching, backs curved, chests pushed upward, surrounding urban explorers, sitting on top of urban explorers, from below, wide shot, dutch angle, low angle, horror (theme), pale, no extra people beyond the four girls and the explorers beneath them, The camera crouches low among fallen debris and tilts a few degrees off level, looking up so the four girls tower over the lens in full body; above them the temple's broken ceiling opens onto a narrow band of black night sky and the gallows beam crosses that opening. The temple interior is a drowned green-and-pale-lime murk — pale chartreuse plaster eaten by turquoise verdigris stains running in long vertical streaks down the columns, a few bleached paper-white bands where moonlight cuts through, deep charcoal-green in every recess, one long rusted-crimson sash of old linen hanging from the gallows arm, and warm sand-gold catching the gilt on the shoes and the ropes' fibers. A massively thick wooden gallows frame stands at the center of the hall, its beam cracked and its post carved with hieroglyph bands, ropes dropping from it in four separate nooses. Each of the four girls is a distinct silhouette, all four kneeling-crouched on the shoulders and backs of the explorers pinned flat on the flagstones beneath them — knees and pointe shoes bearing down on the fallen bodies, backs arched hard so their chests push upward, both arms wrenched behind their backs and lashed at the elbows and forearms with coarse sand-gold rope that also binds across shoulders and around each upper arm. Their nooses ride snug at the throat above the ribbon collars — black and blood-crimson ribbons tied in a bow at the front of each neck, the rope of the noose crossing directly over the bow. Their ancient Egyptian leotards are high-cut, deep charcoal-green, paneled down the front and around the hips with bands of pale sand-gold hieroglyph figures, cartouches, eyes and reeds stamped in worn gilt, the glyphs distorted where the fabric stretches over the arched spine; sheer pale hose covers both legs from the leotard's high cut to the ankles, and long elbow gloves of matte charcoal-green climb past the elbow, cinched where the rope bites. Each foot is fully en pointe, balanced on the flat squared tip of a golden Egyptian pointe shoe — gilt uppers with hieroglyph tooling and a painted eye on the toe box, ribbons lacing up the ankle. Their skin is stone pale, chalky and matte, faint hairline cracks at the shoulders and along the forearms. The leftmost girl is caught mid-thrash, head snapped to the side, her long black scene hair with a bleached streak whipped across her cheek, violet-and-black emo makeup smeared in a ring around one eye, one eye squeezed shut and the other bulging wide with a glowing red spiral spinning in it, pupil shrunk to a pinprick; her jaw is wrenched open, a long forked tongue lolling out past her fangs, jagged white twitch marks flicking off her shoulder and hip. Beside her the second girl leans far forward over the explorer beneath her, bent spine deepening, her head tipped down at the viewer with a furious scowl, brows crushed together, fangs bared, her red spirals fixed on the lens; her demonic tail whips out behind her in a black arrow-tipped curve. The third girl is twisting her torso away while her head wrenches back toward the gallows, wet cough-shaped choke in her open mouth, tongue curling, both feet rocking on pointe as she strains against the noose, her tail coiling tight around one of her own bound thighs. The fourth crouches lowest and closest to the lens, arms bound so taut her shoulders cant forward, chest thrust up, her face split in a wide hateful grin with both red spirals boring straight out of the frame and a thin line of drool strung from her chin. The explorers beneath them are four ordinary figures in modern climbing jackets and headlamps, crushed flat on their bellies among the flagstones, only their backs, splayed hands and the sides of their faces visible under the girls' knees; one headlamp still burns, throwing a hard white wedge that rakes across a girl's shin and dies against the wall, and the light catches every grain of the rope fibers, every crack in the pale skin, and the wet shine of each tongue and each bulging eye. The girls' own red spirals are the only other light, glowing and casting nothing, ringed in shadow; a drift of dust and a single disturbed hieroglyph tile knocked loose by a thrashing foot skitters across the floor and settles — the only motion in the frame. Along the temple walls, faint chalk-white hieroglyph bands glow and seem to crawl where the moonlight touches them, and the ropes from the gallows pull visibly taut at each girl's neck as though something above is drawing them up. Sketchy colored-pencil texture over visible paper grain, loose rough linework, layers of hatched shading holding it all together — lurid, dread-soaked
Vince

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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