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hitdress
Parameter anzeigen
- Ursprünglicher Prompt
- persona 5 art style, persona 5 promotional artwork, stylish Japanese graphic design, editorial magazine cover, graphic design illustration, 2D anime illustration, cel shading, crisp flat colors, bold black outlines, limited color palette, high contrast color blocking, vivid cyan, deep navy blue, pure white, vivid red accents, 1girl, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, stylish modern Japanese fashion, waist-up character illustration, character integrated into graphic layout, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, dynamic typographic hierarchy, diagonal text arrangement, overlapping text and character, geometric shapes, angular polygons, thick graphic lines, abstract blue shapes, cutout composition, layered flat shapes, asymmetric editorial layout, extreme scale contrast, negative space, screen print aesthetic, vector-like graphic elements, sharp edges, flat graphic shadows, minimal gradients, magazine art direction, bold visual rhythm, experimental typography, contemporary Japanese editorial design, iconic game key visual, stylish youth culture magazine, poster composition, clean graphic layout, striking silhouette, masterpiece
- Modus
- pro
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 1888 x 1056
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigencopyright: persona, persona_5
1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy.
Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned.
The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted.
Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
copyright: persona, persona_5
1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy.
Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned.
The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted.
Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
copyright: persona, persona_5
1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy.
Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned.
The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted.
Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
copyright: persona
asymmetrical composition, widescreen composition, vibrant cyan blue background, deep navy blue, black and white palette, vivid turquoise accents, hot pink accents, high contrast, geometric shapes, abstract angular shapes, diagonal lines, sharp edges, abstract patterns, oversized typography, bold sans-serif lettering, condensed typography, layered text elements, overlapping graphic elements, clean vector graphics, flat graphic shapes, cel shading, sharp shadows, crisp lineart, cinematic anime illustration, one girl, solo, dramatic placement, modern Japanese magazine aesthetic, contemporary editorial design, urban aesthetic, black hair, long hair, straight hair, black eyes, school uniform, blazer, white shirt, plaid skirt, thighhighs, from below, dutch angle, cowboy shot, looking at viewer, confident smirk, hand on hip, male silhouette in background, from behind
Widescreen cinematic anime key visual in the register of a modern Japanese game magazine spread, tilted low dutch angle, the frame dominated edge to edge by a saturated vibrant cyan blue field. A single girl with long straight black hair and black eyes stands off-centre to the right of frame, drawn in crisp lineart and flat cel shading, her school blazer rendered in deep navy blue over a white shirt, black plaid skirt and black thighhighs, each shape cut with sharp edges and one hard-edged black cast shadow thrown to her left by a light source high in the upper left. She is caught mid-turn with her weight on her back left leg, her right hip pushed out, right hand planted flat on her hip with fingers spread, her chin lifted and one brow arched, a confident smirk as her eyes look straight into the lens; her hair swings out to the left of her shoulder from the spin. Behind her, in the middle distance at a smaller scale, the flat black silhouette of a tall young man in a long coat stands with his back to the camera, shoulders squared, hands buried in his pockets, and the figure crosses in front of part of her swinging hair so that the hair disappears behind his shoulder and reappears on the other side.
The background is architecture stripped to flat vector geometry: deep navy blue rectangular slabs stacked and overlapped at diagonal angles, a wedge of black, a band of white running on a true diagonal from lower left to upper right. Turquoise accents appear only as thin outlines on two of the angular shapes and as a reflective sheen along the blazer's lit shoulder; hot pink appears in exactly three places, one small rectangle behind her elbow, the two accent stripes on her shoe soles, and the dot of the "i" in the largest lettering. A row of oversized condensed bold sans-serif white letters runs along the lower left corner, so large that they are cropped by the frame and read only as partial letterforms, and behind the girl's shoulder a second layer of deep navy text at a smaller scale overlaps the first; both are the abstract display lettering of the design, set in clean flat vector type with hard edges, and they sit beneath a thin turquoise rule line. The white plaid lines of her skirt curve with the fabric; the large lettering tilts with the dutch angle rather than lying flat.
Colour discipline: cyan, deep navy, black, white, with turquoise and hot pink admitted only in the places named. A single hard specular streak runs down the white shirt where it catches the high light, and the navy blazer goes almost black in its own shadow. Effortlessly stylish, ultra-modern.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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