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イリヤスフィール・フォン・アインツベルン
Wettbewerbseinreichung
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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イリヤスフィール・フォン・アインツベルン
GT 2
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イリヤスフィール・フォン・アインツベルン
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イリヤスフィール・フォン・アインツベルン
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character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha
full body shot, 1girl, solo, running toward viewer, running, waving, raised arm, hand up, arm high in the air, huge radiant smile, open mouth, :d, joyful bright eyes, wide-eyed, looking at viewer, spotted someone, recognition, leaning forward mid-stride, white sleeveless shirt, collared shirt, bare shoulders, bare arms, navy blue necktie, navy blue shorts, navy blue thighhighs, wristwatch, long blonde hair, single braid, blue ribbon, hair flowing behind, hair lifted by motion, blue eyes, clear unmarked skin, no tattoo, morning train station plaza, soft morning light, sharp clean line art, anime style, dynamic pose, from below, full body, outdoors, day, lens flare, depth of field
Front-facing full-body view from a low camera angle, the lens almost at knee height so the morning plaza opens up behind her and the sky sits above her head -- a girl caught mid-stride running straight at the viewer, her whole body tilted forward along one committed diagonal from her raised right hand down through her hips to her trailing left foot. Her left foot is planted flat on the paving stones and bears all her weight, the leg braced; her right leg is swung back and bent at the knee, toe just leaving the ground, the navy thighhigh sock pulling taut over the calf. Her right arm is flung high above her head, elbow nearly straight, palm open and tilted toward the person she has just spotted, fingers spread and slightly cupped with the wrist turning in the middle of the wave; the wristwatch sits on that raised wrist, its round metal case catching the light on its upper rim, its band snug against the tendon. Her left hand is half-curled at hip height, pulled back as a runner's counterbalance.
Her white sleeveless shirt is untucked at the tail, one shoulder seam riding slightly, the bare shoulders and upper arms fully exposed to the cool air with no sleeve, strap or cloth crossing them; the collar is open around the navy blue necktie, which has come loose from its knot and swings out to her left, and the navy blue shorts crease at the hip where the stride pulls the fabric. The long blonde braid streams out behind her right shoulder, lifted and curved by her own forward speed, the blue ribbon at its tie fluttering loose with one tail pointing backward; strands have escaped the plait and cross her cheek. Her eyes are wide and bright with the whites catching the sky, her brows lifted high, her mouth open in a huge radiant open-lipped smile that shows her teeth and squeezes her eyes into crescents, a faint flush on her cheeks from the run. Every inch of her skin is smooth and completely clear, both shoulders, both arms and both thighs evenly bare and unmarked.
Behind her lies a medium-scale morning train station plaza: flat pale stone paving with long joint lines running back toward a low station canopy on the right, a departure board and a row of steel benches on the left, a couple of tiny distant commuters dissolved into soft bokeh, and a single young street tree at the left edge whose leaves are bright enough to catch the low sun. The light comes from low behind her right shoulder, cool and slightly hazy: it rims the top of her raised hand, her braid and the tail of her ribbon in a thin warm edge, throws a long soft shadow of her running legs forward and to the viewer's left across the stones, and leaves the front of her shirt and face in gentle open shade filled by the pale bounce of the plaza. The palette is built from white, navy blue and morning gold against the pale grey stone and a washed-out blue sky, nothing else admitted except the thin blue of her ribbon and the green of the young tree.
Her gaze is locked dead on the viewer as the person she has been waiting for, the whole body arriving at that look. Dynamic, sunlit, and completely overjoyed.
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