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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

Veröffentlicht: Oct 27, 2026

U1574エイブラムス

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1boy, solo, male focus, black short hair, forehead exposed, yellow eyes, green skin, gyoza ears, cauliflower ears, angular square jaw, thick V-shaped eyebrows, intense gaze, powerful gaze, muscular, muscular male, broad shoulders, thick pectorals, hard six pack, strong arms, strong legs, karate gi top tied around waist, waist wrap, pants, hemp rope belt, barefoot, wrist wraps, hand wraps, ankle wraps, foot wraps, topless, from below, low angle, cowboy shot, standing on one leg, arms up, clenched fist, looking down at viewer, dutch angle, camphor tree, overcast sky, dark green palette, ochre palette, sakura petals The camera sits low and tilted a few degrees off level, looking up along the length of his body: his left leg carries all his weight, planted flat and gripping the ground, the toes of his wrapped right foot drawn up and hovering a hand's width above the grass, knee raised. Both arms are flung overhead, elbows bent, right hand knotted into a fist and left hand open and stiff as a blade, his torso stretched long so that the ridges of his abdomen pull taut and the wide shelf of his shoulders and the deep cut between his pectorals read as one rising diagonal. His chin is tilted down hard and his yellow eyes look straight down the line of the camera, brows drawn into a blunt V, jaw set, a muscle jumping at the corner of it -- a fighter at the top of a stance, daring the lens to blink first. The short black hair stands up off his exposed forehead in stiff wet spikes and one loosened strand drags at his temple. The karate gi top, no longer worn, is lashed around his hips by a coarse hemp rope knotted at the left hip, its frayed ends hanging stiff and pale against the dark cloth of the pants. White cotton tape is wound in overlapping bands around both wrists and forearms, ends slightly lifted and frayed; more of the same tape bands his ankles and heels and crosses the tops of his bare feet in a tight X over each instep, chalky against his green skin. Each coiled fold of the gyoza ears shows at the two ear masses where the hair is cut short, and the surface highlights pick them out cleanly. Behind him a huge old tree fills the upper half of the frame, its bark furrowed and dark with moisture, and the sky above is flat, pale and overcast. The light comes down from that sky as one broad cool sheet -- no hard shadows, only close soft shading in the hollows of his abdomen, beneath the pectorals, under the chin, and where the rope bites into the gi at his hip. The palette is held to three live colours: the deep green of his skin, the near-black of his hair and the folded gi at his waist, and the ochre of the hemp rope and the white of the tape, all against grey-green bark and a wet grey sky. Loose sakura petals drift down in the still air, and where one has come to rest on the grass the tiny circle beneath it is pressed darker than the ground around it. Still, coiled, unblinking.

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