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AI art "一期一振 - ニューヨーク地下鉄開業" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
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一期一振 - ニューヨーク地下鉄開業

Wettbewerbseinreichung
2nd "Favorite Work" Contest
#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri A square 1:1 illustration set on the opening day of the New York City subway in 1904. Ichigo Hitofuri is a delighted first-time visitor at the curved platform of the original City Hall station. The historic subway car and the vivid reaction on his face share the visual focus. Frame him from the top of his head to the upper thighs, a little left of center. The camera is at face height, facing him from his front-right, with the train doorway on his right and enough of the station arch visible above his other shoulder. His whole head, both elbows and the supporting hand remain in the crop. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His eyebrows rise openly and his lips part into a spontaneous, delighted smile. His gaze settles on the open train doorway and the polished rail immediately beside it, rather than on the viewer. He leans toward the entrance, curiosity drawing his upper body forward while the other shoulder stays naturally lowered. He wears a period-appropriate dark bottle-green wool overcoat over a charcoal wool waistcoat, an ivory shirt and straight dark trousers. The overcoat has a narrow notched lapel with a deep green facing, and its front edges hang separately from the chest to the cropped lower edge. Beneath that opening, a dark waistcoat fastens with a vertical row of small horn buttons over an ivory shirt with a stiff pointed collar and a narrow black necktie. The waistcoat closes firmly at the natural waist above straight dark trousers. The overcoat's sleeves end in plainly turned cuffs; its right sleeve gathers into slanting creases at the raised elbow, while the left side falls in heavy vertical folds. The dry wool, smooth cotton collar, dark horn buttons and polished train hardware react differently to the light. His right hand curls naturally around the fixed vertical brass grab rail at the car entrance, just below shoulder height. That rail joins the wooden doorway and the stationary car body; his right forearm runs uninterrupted from the sleeve to the contact. His left arm hangs comfortably beside the open coat. His torso is angled toward the carriage, with its threshold and the curved platform meeting at his feet outside the lower crop. The carriage has dark varnished wood trim around rectangular glazed windows, a narrow threshold step and vertical panel seams. Its scale and rail positions remain those of a full-sized early electric subway car. Behind him, the platform follows a wide curve beneath the characteristic shallow Guastavino-tile vaults of City Hall station. Cream tile fields have dark green and brown tiled borders; part of a leaded-glass ceiling light and a suspended brass fixture remain visible without competing with his face. The curved platform edge continues toward the car, connecting his position and the entrance. Electric station lamps provide warm light from the upper left. Pale tiles reflect a cooler, weaker fill onto his shaded cheek, and tight reflections define the brass rail and glass while soft shadows describe the wool folds. The tiled arch, carriage and visitor form one continuous underground space. masterpiece, best quality, minimalistic anime illustration, clean line art, flat colors, simple shading, expressive faces, playful atmosphere, sketchy minimalist anime style, watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors
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Ursprünglicher Prompt
A square 1:1 illustration set on the opening day of the New York City subway in 1904. Ichigo Hitofuri is a delighted first-time visitor at the curved platform of the original City Hall station. The historic subway car and the vivid reaction on his face share the visual focus. Frame him from the top of his head to the upper thighs, a little left of center. The camera is at face height, facing him from his front-right, with the train doorway on his right and enough of the station arch visible above his other shoulder. His whole head, both elbows and the supporting hand remain in the crop. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His eyebrows rise openly and his lips part into a spontaneous, delighted smile. His gaze settles on the open train doorway and the polished rail immediately beside it, rather than on the viewer. He leans toward the entrance, curiosity drawing his upper body forward while the other shoulder stays naturally lowered. He wears a period-appropriate dark bottle-green wool overcoat over a charcoal wool waistcoat, an ivory shirt and straight dark trousers. The overcoat has a narrow notched lapel with a deep green facing, and its front edges hang separately from the chest to the cropped lower edge. Beneath that opening, a dark waistcoat fastens with a vertical row of small horn buttons over an ivory shirt with a stiff pointed collar and a narrow black necktie. The waistcoat closes firmly at the natural waist above straight dark trousers. The overcoat's sleeves end in plainly turned cuffs; its right sleeve gathers into slanting creases at the raised elbow, while the left side falls in heavy vertical folds. The dry wool, smooth cotton collar, dark horn buttons and polished train hardware react differently to the light. His right hand curls naturally around the fixed vertical brass grab rail at the car entrance, just below shoulder height. That rail joins the wooden doorway and the stationary car body; his right forearm runs uninterrupted from the sleeve to the contact. His left arm hangs comfortably beside the open coat. His torso is angled toward the carriage, with its threshold and the curved platform meeting at his feet outside the lower crop. The carriage has dark varnished wood trim around rectangular glazed windows, a narrow threshold step and vertical panel seams. Its scale and rail positions remain those of a full-sized early electric subway car. Behind him, the platform follows a wide curve beneath the characteristic shallow Guastavino-tile vaults of City Hall station. Cream tile fields have dark green and brown tiled borders; part of a leaded-glass ceiling light and a suspended brass fixture remain visible without competing with his face. The curved platform edge continues toward the car, connecting his position and the entrance. Electric station lamps provide warm light from the upper left. Pale tiles reflect a cooler, weaker fill onto his shaded cheek, and tight reflections define the brass rail and glass while soft shadows describe the wool folds. The tiled arch, carriage and visitor form one continuous underground space. masterpiece, best quality, minimalistic anime illustration, clean line art, flat colors, simple shading, expressive faces, playful atmosphere, sketchy minimalist anime style, watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors
Modus
pro
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﹝Prompts﹞
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992 x 992
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lowres, worst quality, low quality, bad anatomy, explicit
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Style: watercolor sketch - AI Model cover image

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Style: watercolor sketch
878
Clean line art_himi - AI Model cover image

Benutzer-LoRA

Clean line art_himi
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リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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