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AI art "曲:ぞうきん" featuring #Putzlappen and #Recommended Music
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曲:ぞうきん

1991年にリリースし、ユニークソングとして話題になった、BAKU「ぞうきん」の歌詞で生成しました♪ この曲を初めて聞いた時は衝撃的だったなぁ(^_^;) 嘉門達夫の「鼻から牛乳」よりも衝撃的だったかも(⁠≧⁠▽⁠≦⁠) 雑巾の気持ちをここまで全力で歌うとは(笑) 歌詞「僕らの中で 1番タオル歴が古いのは 株式会社海山商事粗品タオルさん, もうかれこれ1〜2年 みんなの手を拭き足を拭き タオル生命 明日まで, 僕の体は もうボロボロで あとは雑巾として働くだけ, あんまり酷く絞るなよ 僕の体がよじれて切れる」

Wettbewerbseinreichung
Recommended Music🎶
#Putzlappen
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1 subject, solo, old worn towel, frayed threadbare fabric, towel body twisted from wringing, wringing, twisted cloth, strained fibers, snapping threads, worn holes, thin translucent patches, commercial giveaway towel, company name printed on the towel, "株式会社海山商事" printed in bold black type down the towel's length, faded print, 1-2 years of heavy use, hand towel and foot towel, sentient towel, anthropomorphized object, exhausted, weary, closed tired eyes, gritted fabric, small strained mouth formed in the weave, comically suffering expression, sweat drop, torn corner flapping, vibrant colors, intricate details, sharp focus, high detail, close-up, from above, dutch angle, dark wooden wash bucket, no humans, anime style with strong line art softened by watercolor washes, soft haze The view is a close-up from above, canted a few degrees off level, looking down into a dark wooden wash bucket at the single figure in the frame: an old giveaway towel wrung into a tight rope and caught at the last quarter-turn before it rips. It is anthropomorphized only by its face -- two drooping closed-lid eyes and a small puckered mouth pressed out of the weave near the top edge of the twist -- tilted back toward the lens with the unmistakable look of a creature being squeezed past endurance. The upper end of the towel is gripped and twisted clockwise by an unseen pair of hands at the top edge of the frame, only knuckles and thumbs visible, so the whole body of the cloth corkscrews: the vertical twists pull the fabric taut into a spiral of hundreds of individual thread lines, the central twist pinched narrow and pale where the dye has worn away, both ends splaying outward into a fan of frayed terry loops, loose string and lint. Where the cloth holds, water beads out along the crevices of the twist and hangs a fraction before it drips, and one thin thread at the pinch has already snapped and curls free, showing the strain the rest is under. The printing runs with the spiral, so "株式会社海山商事" arcs unevenly down the twisted band, its bold black strokes buckled and half-lost where the fibers have thinned; the border stripe near the hem is worn down to a ghost of itself, and thumbnail-sized holes open where the towel has been used through. Vibrant, saturated color discipline holds across the whole frame: the towel's faded teal-green ground, salmon-pink border band, cream-white worn core and black print, against the warm honey-brown of the wet wooden bucket and the cool blue-grey of the water. The light is a single soft overhead source, striking the top ridges of the twist in bright wet highlights and dropping each valley into deep shade, with fine caustic ribbons of reflected light on the bucket's inner wall and a small darker, softer reflection of the cloth on the water's surface. The bucket is cropped tight by the frame at all four sides, only a sliver of the surrounding floor reading as out-of-focus grey, so nothing else competes. Intricate texture is spent on thread count, lint, water and wear rather than on background. Comic tenderness, gloriously bedraggled.
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Ursprünglicher Prompt
僕らの中で 1番タオル歴が古いのは 株式会社海山商事粗品タオルさん, もうかれこれ1〜2年 みんなの手を拭き足を拭き タオル生命 明日まで, 僕の体は もうボロボロで あとは雑巾として働くだけ, あんまり酷く絞るなよ 僕の体がよじれて切れる , vibrant colors, intricate details, sharp focus on all elements, masterpiece, best quality, highres, ultra detailed,
Modus
pro
Stil
Leuchtender Waschstil
Qualitäts-Tag
﹝Prompts﹞
Größe
1056 x 1424
Sampling-Methode
Euler
Negativ
nsfw, (lowres:1.2), (worst quality:1.3), (low quality:1.3), error, blurry, watermark, signature, username, cropped, trimming, out-of-frame, underexposed, text BREAK bad anatomy, (bad body, deformed), bad hands, mutated hands and fingers, missing fingers, (extra digits:1.3), (six fingers:1.3), (too many fingers:1.3), (fused fingers:1.3), extra legs, (long fingers:1.3), extra arms, long neck, side-sighted, bad ratio, rough ratio, extra faces, (sharp chin:1.2), (pointed chin:1.2), visible ribs BREAK transparent clothing, (multicolored hair, streaked hair, two-tone hair:1.2), flat color, smooth skin, plastic skin, 2d skin paint, 2d shading, dull skin color, mature, tall, long legs, high head-to-body ratio, hyperrealistic face, realistic eyes, 3d, rendering
Stil: Leuchtender Waschstil
Prompt-Assistent

Verwendetes Modell und LoRA

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9:16 vertical composition, first-person POV, immersive environment background, standing inside the communal laundry area of an ancient Chinese martial arts sect, eye-level perspective as if the viewer is a disciple who has come to wash clothes. The foreground features a large rectangular stone washing basin positioned close to the viewer. Clear water fills the basin, with a wooden washboard leaning against its edge. A neatly folded pile of clean white and dark blue disciple garments rests on a nearby wooden bench. A bamboo basket containing folded clothes and a small wooden bucket are placed beside the basin. Several traditional wooden washing racks stand nearby, holding freshly washed garments and long cloth towels. Some dark blue martial arts robes and pale inner garments hang naturally from wooden poles, moving slightly in the breeze. A few wooden clothes pegs and bamboo poles are visible. Further into the area, multiple stone washing basins are arranged along the wall, each with wooden buckets and water jars. A covered wooden structure provides shade, supported by sturdy timber pillars. The floor is paved with gray stone slabs, with shallow drainage channels carrying excess water away. A small courtyard garden can be seen through the open side of the laundry area. Sunlight filters through nearby bamboo leaves, creating soft patterns of light and shadow across the stone floor. The setting feels practical and frequently used by the disciples. The atmosphere is ordinary, peaceful and domestic, showing an overlooked but essential part of daily life inside a large martial arts sect. The camera is positioned inside the laundry area at normal human eye level, close to the washing basin and folded garments. The washing equipment occupies the foreground, while the hanging clothes and additional washing stations extend naturally into the background. The viewer must feel physically present in the laundry area, not looking at it from outside. Traditional ancient Chinese communal laundry architecture, gray stone basins, dark wooden structures, bamboo baskets, hanging cloth garments, natural daylight, realistic fabric and water textures, detailed cinematic environmental concept art, high quality. No people, no characters, no silhouettes, no human body parts, no modern washing machines, no modern appliances, no readable text, no watermark. No exterior establishing shot, no distant overview, no aerial perspective.
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1boy, solo, adult man, around 30 years old, black hair, center-parted hair, slightly long hair, hair falling to either side of the forehead, parted bangs, droopy eyes, tareme, droopy eyebrows, yellow eyes, calm gentle expression, closed-mouth soft smile, happy, relaxed, eyes closed in contentment or half-closed, looking up, white towel, towel on head, slightly chubby, chubby arms, chubby belly, bare shoulders, bare chest, soaking in hot spring, onsen, steamy water, steam, rising steam, from above, three-quarter view, close-up, medium close-up, warm color palette, crisp lineart, flat colors, fluffy pop art style, clean bold outlines, cheerful, cozy The camera looks down at him from a high three-quarter angle, so the hot spring water fills the lower frame and the steam drifts up toward the lens. He is sunk to the chest in the milky pale-green water of the outdoor bath, shoulders and upper arms breaking the surface, both forearms resting on a dark wet rock ledge at the water's edge, elbows slightly out, hands loose and relaxed on the stone, fingertips just at the rim with a thin film of water beaded on them. His chest and the soft rounded curve of his slightly chubby belly show above the waterline, the belly catching the light where it emerges, and the water laps in a gentle broken line around his waist. A folded white towel sits rumpled on top of his head, its damp lower edge darkening where it touches his black hair, and the center-parted strands fall loose and slightly long past his ears, the ends curling faintly with the steam. His droopy eyebrows angle softly down at the outer edges and his droopy eyes are half-closed, lashes low, the yellow of his irises warm and glowing under the lid, gaze drifting up and off toward the drifting steam rather than at the viewer. A calm, gentle, thoroughly happy closed-lip smile softens his cheeks, a faint flush of heat high on his cheekbones. Behind him, rough dark boulders rim the bath, a few flat stones stacked in the midground, and beyond the rocks a blurred band of pale dawn sky and the suggestion of bamboo fence at the far edge; the background is simplified with pop flatness so the figure stays the focus. Warm light comes from the upper right, low and golden, striking the top of the towel, the right shoulder and the right side of his face, leaving soft cool blue-grey shadow under his jaw, beneath the towel brim and along his left arm; the steam glows where the light catches it. The water surface reflects him darker and softer than the man himself -- a muted broken yellow of his eyes and the white of the towel wavering in the ripples. Palette disciplined to warm cream, golden-orange light, milky green-white water, charcoal-black hair and deep umber rocks, with the white towel and yellow eyes as the two bright accents. Crisp uniform linework with clean flat color fills and a light fluffy pop texture in the steam. Serene, cozy.
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