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Tron Ghost Rider
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- Ursprünglicher Prompt
- Tron ghost rider, tron motorcycle, futuristic fires
- Modus
- flash
- Größe
- 1280 x 720
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Verwendetes Modell und LoRA
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MCU-Style Ghost Rider - Danny Ketch
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Rifa
1boy, solo, cyborg, chrome skull head, glowing red eyes, flames shooting from scalp, trailing flames, mechanical chrome exoskeleton, pistons, hoses, black leather biker gear, leather jacket over exoskeleton, chains over jacket, tactical harness over jacket, shotgun on back, two black desert eagle pistols in hip holsters, riding motorcycle, chopper-type motorcycle, heavily customized motorcycle, offroad motorcycle, reinforced tires, reinforced frame, from side, profile, dutch angle, cowboy shot, low angle, motion blur on road, blood red sunset, desolate desert highway, casual menace, :<, viewer
The camera sits low and close to the asphalt, tilted off level, tracking the rider in profile as he passes left to right: a single chrome cyborg rides a massively customized offroad chopper-type motorcycle down a two-lane desert highway, his weight leaned back with the machine, hips set into a deep bucketed saddle, both hands wrapped around the tall risers of the handlebars, one boot planted on a forward chrome peg and the other heel hooked on the footrest behind, torso turned just slightly out of the wind with the jacket hanging loose against the blast. His body is a mechanical chrome exoskeleton of bare polished plates and jointed armor, and large industrial pistons run down the outside of each arm and thigh, bolted across the shoulders and the back of the pelvis, with thick ribbed hoses looping from the neck collar out under the shoulders and back into the rib plates, flexing and sagging under vibration; a single greasy dark coolant line beads along one hose joint and drips back along the frame in the wind, running a faint oily track over the dust already caked on the pipes. The head is a gleaming chrome skull, polished to a hard mirror that catches the sunset in one clean hot smear along the dome and cheek, and inside the sockets two eyes glow a deep saturated ember red, throwing a faint red spill down the front of the skull and onto the nearest leather strap; the eye holds steady, level, pointed down the road ahead, chin slightly down, and the whole set of the jaw reads as a bored, unhurried threat rather than a charge. Flames erupt out of the top of the scalp where hair would be, a ragged orange and white-yellow jet streaming straight back and up over and behind the skull into the air, trailing long and thin behind him, its light licking hot highlights onto the chrome skull and the black leather of his shoulders while its smoke thins out into the red haze of the horizon.
He wears black leather biker gear: a heavy black leather jacket cut short over the exoskeleton, sleeves shoved up over the chrome forearms and the piston housings, the shoulders and collar scuffed pale and lined with dust, the hem whipping back off his ribs in the wind; the jacket hangs open at the sternum so the chrome chest plates and the harness bolts show through. Chains are draped over it low and loose, sagging in heavy blackened steel links across the right shoulder and along the flank, one coil swinging outward with the bike's lean, and a tactical harness straps over the top of everything, webbing bands crossing chest and shoulder with buckles and pouches cinched tight, pressed flat against the leather where the wind hits and lifting a corner where it doesn't. A heavy industrial shotgun is strapped diagonal across his back, its long reinforced barrel running up past his left shoulder blade, the muzzle breakout visible over the shoulder with a scuffed receiver and fat ribbed pump; the sling pulls a crease across the harness. On each hip a black Desert Eagle sits in a low strapped holster, the two long pistol barrels and heavy slides riding back off his thighs, angled with the wind and clattering against the harness straps.
The motorcycle is a chopped long-fork frame built for bad ground: a high stepped custom front end with extended forks, a fat knobby reinforced rear tire under a raised tail, a reinforced braced frame with gussets and a visible exposed spine of tube, a big exposed motor with pipes running back, a tall sissy bar, and bolt-on tactical rack bags and jerry cans lashed to the rear fender, plate armor skid on the cases, all of it dusty and road-used. The knobby tires carry packed sand in the tread and throw a low rooster tail of red-lit dust off the rear wheel; the front wheel's shadow runs out long across the cracked asphalt and the painted center line, and heat shimmer bends the far highway into water.
Around them the highway goes straight to the horizon, cracked and sun-bleached blacktop with faded white markings, one leaning telephone pole far ahead, sand-blasted guard posts sparingly spaced, and empty desert on both sides: low scrub, dry cracked flats, scoured mesa silhouettes, and a few distant rock spires, everything in deep red shadow except the lit faces of the rocks facing the setting sun. The sky burns blood red: a low sun on the horizon throwing a band of hot vermilion, an underlit shelf of cloud smeared with darker red, and orange fading to a bruise-purple-black overhead; the sun sits just off-frame at the horizon in the direction of travel, so the bike and rider read as near-silhouette with a hot rim running the chrome skull, the shoulders, the shotgun barrel and the tire edges, and the cast shadow throws long toward the camera. The palette is committed: blood red sky, black leather and road, hot flame orange, and hard polished chrome white. Wide-angle, deep-focus, dust and flame both sharp, casually menacing.
MalletMann
Rifa
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