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- Ursprünglicher Prompt
- 二人の女の子の体が融合して一つになっている。右半身と左半身がくっついている。体のつなぎ目は、青白い四角のノイズで隠れている。うつろな表情を浮かべている。銃を構えている。背景は、荒廃した町。,yuuka (blue archive), noa (blue archive),
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character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive
2girls, fused, conjoined, single body, one girl, right half-body and left half-body joined, glitch, digital glitch effect, pale blue square noise, rectangular noise blocks covering the seam, hollow eyes, empty expression, expressionless, vacant stare, holding gun, aiming gun, aiming to the side, both hands on weapon, ruined town, destroyed city, rubble, crumbling buildings, post-apocalyptic, from below, dutch angle, cowboy shot, long hair, purple hair, purple eyes, white hair, very long hair, grey hair, jacket, white shirt, necktie, blue necktie, pleated skirt, pantyhose, ominous, cold light
The camera looks up at her from a low dutch angle, the horizon of the ruined town tilted so the collapsing shells of buildings lean over her from behind and the sky closes down at the top of the frame. She stands in the middle of a cracked street scattered with broken concrete, buckled rebar and gutted storefronts, one shared body made of two halves joined down the middle of the face, the chest and the hips: the right half bears a mass of long purple hair falling over a blue eye and a pale cheek, the left half bears very long white-grey hair sweeping past the shoulder, a purple eye, the bangs hanging heavier on that side; the two hairstyles meet and overlap at the centre of the skull. The seam between them — down the nose bridge, through the collar and the torso — is covered entirely by a band of pale bluish square noise blocks, flat pixel rectangles of differing sizes stacked along the join, an error in the image itself rather than on the skin, some of the squares hanging slightly proud of the body's edge and one or two displaced a hand's width to the side. Her face above the noise holds no expression at all: both eyes wide and unfocused, pupils fixed on nothing in the distance, mouth a slack straight line, brows level, eyelids motionless. She holds a long dark handgun in a two-handed grip, both forearms locked out toward the left edge of the frame, muzzle angled slightly up and off-frame, elbows braced and shoulders raised into the recoil that has not yet come; her weight is on the back foot, the front knee bent, torso twisted half a turn from the hips. Both eyes look past the front sight, past the frame, at something not in the picture. The right half's jacket sleeve and the left half's white jacket sleeve meet at the elbow pressed into the grip; the pleated skirt hangs in two different falls, trousers-smooth pantyhose on the left leg, bare shin on the right. Cold overcast daylight comes from a single high, veiled source behind the buildings, flattening the figure into a hard silhouette at the joined shoulder and dropping long soft shadows forward across the rubble; colour is drained — grey concrete, dull ochre dirt, and the only saturated thing in the frame is the pale cyan of the noise blocks. Dust hangs and does not settle. quiet dread
句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive
1girl, solo, fused body, two girls fused into one body, right half purple long hair, left half white very long hair, pale bluish-white square noise covering the seam, pixelated seam, glitch seam, hollow expression, empty eyes, vacant stare, aiming gun, holding gun, gun in both hands, ruined town, desolate city, rubble, from below, dutch angle, cowboy shot, looking to the side, glowing seam, half-closed eyes, jacket, white shirt, blue necktie, long sleeves, skirt, gloves, pantyhose, long hair, white hair, purple hair, purple eyes, blue eyes
A low, tilted dutch-angle cowboy shot looks up at a single fused body standing in the middle of a ruined town: the figure is one girl made of two halves, the right half with long vivid purple hair and one blue eye, the left half with very long white hair and one purple eye, both halves dressed alike in a white jacket, white shirt, blue necktie, long sleeves, skirt, with a glove on the right hand and a dark pantyhose-clad left leg. The two halves meet down the exact center of the torso and head, and that vertical seam is completely hidden under a band of pale bluish-white square noise — a blocky strip of glowing pixels that clings to the curved surface of the body, following the shape of the shoulders, the throat, and the crown of the head, brighter than the surrounding skin and casting no shadow. Both halves hold a single handgun together at chest height, the gloved right hand and the bare left hand clamped on the grip, the barrel angled up and out toward the side of the frame. The fused face wears a hollow, vacant expression: both eyes half-lidded and unfocused, gaze drifting off to the side away from the lens, lips slightly parted, no emotion in the brow. Tattered jacket hem and hair edges flap toward the camera as if a wind pushes from behind the figure. The background is a desolate ruined town: cracked asphalt, collapsed storefronts, broken concrete slabs and bent steel gritting out of the ground, distant dust-hazed buildings with boarded windows, an overcast sky of dull grey. Diffuse cold daylight from above and slightly behind the figure rims the hair and the gun with a thin pale edge, and the palest light in the whole image is the square-noise seam itself. Palette is muted grey city, ash, and dust, with the single brighter note being the bluish-white pixel band and the two girls' purple and white hair. Detail budget sits on the fused hands on the gun, the hollow face, and the pixel seam that reveals the fusion. Quiet dread.
句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive
2girls, fused, conjoined, single body, one girl, right half-body and left half-body joined, glitch, digital glitch effect, pale blue square noise, rectangular noise blocks covering the seam, hollow eyes, empty expression, expressionless, vacant stare, holding gun, aiming gun, aiming to the side, both hands on weapon, ruined town, destroyed city, rubble, crumbling buildings, post-apocalyptic, from below, dutch angle, cowboy shot, long hair, purple hair, purple eyes, white hair, very long hair, grey hair, jacket, white shirt, necktie, blue necktie, pleated skirt, pantyhose, ominous, cold light
The camera looks up at her from a low dutch angle, the horizon of the ruined town tilted so the collapsing shells of buildings lean over her from behind and the sky closes down at the top of the frame. She stands in the middle of a cracked street scattered with broken concrete, buckled rebar and gutted storefronts, one shared body made of two halves joined down the middle of the face, the chest and the hips: the right half bears a mass of long purple hair falling over a blue eye and a pale cheek, the left half bears very long white-grey hair sweeping past the shoulder, a purple eye, the bangs hanging heavier on that side; the two hairstyles meet and overlap at the centre of the skull. The seam between them — down the nose bridge, through the collar and the torso — is covered entirely by a band of pale bluish square noise blocks, flat pixel rectangles of differing sizes stacked along the join, an error in the image itself rather than on the skin, some of the squares hanging slightly proud of the body's edge and one or two displaced a hand's width to the side. Her face above the noise holds no expression at all: both eyes wide and unfocused, pupils fixed on nothing in the distance, mouth a slack straight line, brows level, eyelids motionless. She holds a long dark handgun in a two-handed grip, both forearms locked out toward the left edge of the frame, muzzle angled slightly up and off-frame, elbows braced and shoulders raised into the recoil that has not yet come; her weight is on the back foot, the front knee bent, torso twisted half a turn from the hips. Both eyes look past the front sight, past the frame, at something not in the picture. The right half's jacket sleeve and the left half's white jacket sleeve meet at the elbow pressed into the grip; the pleated skirt hangs in two different falls, trousers-smooth pantyhose on the left leg, bare shin on the right. Cold overcast daylight comes from a single high, veiled source behind the buildings, flattening the figure into a hard silhouette at the joined shoulder and dropping long soft shadows forward across the rubble; colour is drained — grey concrete, dull ochre dirt, and the only saturated thing in the frame is the pale cyan of the noise blocks. Dust hangs and does not settle. quiet dread
句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive
2girls, fused, conjoined, single body, one girl, right half-body and left half-body joined, glitch, digital glitch effect, pale blue square noise, rectangular noise blocks covering the seam, hollow eyes, empty expression, expressionless, vacant stare, holding gun, aiming gun, aiming to the side, both hands on weapon, ruined town, destroyed city, rubble, crumbling buildings, post-apocalyptic, from below, dutch angle, cowboy shot, long hair, purple hair, purple eyes, white hair, very long hair, grey hair, jacket, white shirt, necktie, blue necktie, pleated skirt, pantyhose, ominous, cold light
The camera looks up at her from a low dutch angle, the horizon of the ruined town tilted so the collapsing shells of buildings lean over her from behind and the sky closes down at the top of the frame. She stands in the middle of a cracked street scattered with broken concrete, buckled rebar and gutted storefronts, one shared body made of two halves joined down the middle of the face, the chest and the hips: the right half bears a mass of long purple hair falling over a blue eye and a pale cheek, the left half bears very long white-grey hair sweeping past the shoulder, a purple eye, the bangs hanging heavier on that side; the two hairstyles meet and overlap at the centre of the skull. The seam between them — down the nose bridge, through the collar and the torso — is covered entirely by a band of pale bluish square noise blocks, flat pixel rectangles of differing sizes stacked along the join, an error in the image itself rather than on the skin, some of the squares hanging slightly proud of the body's edge and one or two displaced a hand's width to the side. Her face above the noise holds no expression at all: both eyes wide and unfocused, pupils fixed on nothing in the distance, mouth a slack straight line, brows level, eyelids motionless. She holds a long dark handgun in a two-handed grip, both forearms locked out toward the left edge of the frame, muzzle angled slightly up and off-frame, elbows braced and shoulders raised into the recoil that has not yet come; her weight is on the back foot, the front knee bent, torso twisted half a turn from the hips. Both eyes look past the front sight, past the frame, at something not in the picture. The right half's jacket sleeve and the left half's white jacket sleeve meet at the elbow pressed into the grip; the pleated skirt hangs in two different falls, trousers-smooth pantyhose on the left leg, bare shin on the right. Cold overcast daylight comes from a single high, veiled source behind the buildings, flattening the figure into a hard silhouette at the joined shoulder and dropping long soft shadows forward across the rubble; colour is drained — grey concrete, dull ochre dirt, and the only saturated thing in the frame is the pale cyan of the noise blocks. Dust hangs and does not settle. quiet dread
句点むら寿司
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