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Tsunade & Shizune
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- Ursprünglicher Prompt
- 2girls, couple, Shizune, Tsunade Senju, classic attires, clothed, on couch, sitting, medium breasts, huge breasts, breasts press, deep kiss, half-lidded eyes, flushed, faces focus, Krekkov artstyle
- Modus
- pro
- Qualitäts-Tag
- ﹝Prompts﹞
- Größe
- 1104 x 1824
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigenc5
character: samui_(naruto), hyuuga_neji, copyright: naruto
2girls, 1boy, couple, hetero, hyuuga neji, samui_(naruto), blonde hair, short hair, bob cut, blue eyes, black hair, low ponytail, long hair, white eyes, byakugan, forehead protector, forehead protector worn on forehead, big breasts, large breasts, smile, blush, looking at each other, eye contact, inside mansion, indoors, oryuto style, heart, love, upper body, from side, profile, close-up, warm light,
Composed in profile, close-up, the two figures face one another at the same height, the frame cropping them at the ribs so the mansion's depth sits behind them rather than around them. He stands on the left of the frame with his body angled in toward her, weight settled back on his right leg, left shoulder rolled forward so his white robe's wide sleeve hangs and pools toward the bottom corner; his low-tied black ponytail falls behind his shoulder and a few strands drift across the small gap between them. She stands on the right, tilted toward him with her hip cocked and her chin lifted a half-inch, her blonde bob tucked behind her ear at the temple nearest the camera, the short fringe settling at her brow. His forehead protector sits on the band across his forehead, the metal plate catching a narrow specular streak; her large chest rises into the cut of the frame, straining the black garment's fabric into long diagonal folds drawn toward her opposite shoulder.
Both smile — hers a small upturned closed-lip curve with the lower lid softening over her blue eye, his a touch warmer and lower at one corner — and both blushes sit high on the cheekbones in flat warm-red banding that follows the cheek plane. Their gazes meet and hold along the sightline between their eyes: her pupil sits forward at the inner corner of her eye aiming at him, his white eye aims back at her, and it is this line, not the bodies, that the composition is built on. Neither touches the other; the space between their faces is a hand's width of warm air.
The mansion behind them recedes in low-key layers: a distant polished banister, the curve of an archway, tall window light far down the hall, all rendered as broad flat shapes with the far ones losing saturation. Warm lamplight enters from the upper right, striking the right side of his face, the metal plate, the near curve of her cheek and the tops of her shoulder and chest, and leaving both figures' far sides in soft ochre shadow with a single cast shadow falling from his shoulder onto her sleeve. A single heart motif floats small between their faces, red and flat against the deep brown of the hall. Palette held to warm brown, cream, gold lamplight, black, blonde and that one red heart. Oryuto style throughout: crisp tapered linework, flat cel colour blocks with hard shadow edges, restrained highlight, no rendered gradients.
The physical tell: the fine hairs escaping her fringe drift toward him, pulled by the air he stirs as he leans in, while his ponytail hangs dead still. Tender, quietly smitten.
Carlos5865
c5
character: samui_(naruto), hyuuga_neji, artist: kunaboto, copyright: naruto
1boy, 1girl, couple, hyuuga neji, samui_(naruto), black hair, long hair, low ponytail, low-tied long hair, white eyes, grey eyes, byakugan, white robe, japanese clothes, long sleeves, wide sleeves, blonde hair, short hair, bob cut, blue eyes, big breasts, smile, blushing, looking at each other, in love, heart, hearts, together, mansion interior, aesthetic, looking at another, half-closed eyes, light smile, from side, cowboy shot,
A side-on two-shot inside a mansion hall, the pair standing on a polished parquet runner turned three-quarters toward one another so both faces read in profile-to-three-quarter against the depth of the corridor. On the right, the dark-haired young man in a loose white robe with wide hanging sleeves stands tall, weight settled on his back foot, torso angled inward; his long black hair is tied low at the nape into a ponytail whose tail falls forward over his right shoulder as he leans in, one strand lifting on the air of his own movement, and his pale grey-white eyes are fixed on her face, pupils wide, the faint veins at his temples quiet. His mouth is curved into a small, unguarded smile that shows at one corner, a warm flush spread across his cheekbones and the bridge of his nose, and his right hand has risen halfway between them, fingers loosely curled as if he stopped himself before reaching for her sleeve. On the left, the blonde woman with the short bob cut stands with her hip cocked against the carved wainscot, one shoulder dropped, chin tilted up toward him; the blunt ends of her bob swing forward across her jaw as she turns, and her blue eyes are locked on his, half-lidded, looking up from under her lashes. Her lips are parted in a soft closed-mouth smile, the same pink blush sitting high on both cheeks, and her chest fills the front of her dark short-sleeved top and black skirt, the fabric drawn taut across the swell and creasing under the arm she has folded beneath it, the weight of it shifting her whole stance back onto her heels. Their faces are close enough that the gap between their noses is a hand's width; between and above them floats a small cluster of stylized pink hearts of varying size, edged in clean line, the largest hanging directly over the space where their gazes meet. Behind and around them the mansion interior opens in deep layers: a long hall with tall mullioned windows down the left wall, a runner of wine-red carpet, dark carved wood panelling, a chandelier of hanging crystal, and the blurred gold of a distant doorway. Late afternoon light comes in through those windows in a single direction, laying warm slanted bars across the floorboards and striking the right side of his face and the left side of hers, so each is lit by the other's window side, with the far end of the hall falling into soft amber shadow; the crystal drops of the chandelier throw small bright flecks onto the wainscot only where the sun actually reaches. Palette is warm and romantic: honey gold light, deep wine and walnut browns, cream white of his robe, the pale gold of her hair, and the candy pink of the hearts and their blush as the single saturated accent. Her reflection in the polished floor beneath her feet is darker and softer than she is, stretched long by the low sun. Tender, quietly smitten.
Carlos5865
c5
character: temari_(naruto), hyuuga_neji, artist: kunaboto, copyright: naruto
two people, 1girl, 1boy, couple, temari, long blonde hair, low twintails, very long hair, ahoge, hair between eyes, big breasts, red kimono, print kimono, floral print, obi, fur collar, long sleeves, red ribbon, hyuuga neji, long black hair, low ponytail, low-tied long hair, byakugan, white eyes, forehead protector, white robe, wide sleeves, japanese clothes, indoors, mansion interior, grand hall, marble floor, chandelier, love hearts, floating hearts, smile, blushing, looking at each other, eye contact, upper body, cowboy shot, from side, kunaboto style, (style), highly detailed, absurdres, aesthetic,
A side-on two-shot inside a grand mansion hall: the girl of the pair — long blonde hair in low twintails running past her hips, a loose ahoge curling above her brow, a wisps of hair crossing between her eyes — stands on the left facing right; the man — long black hair tied in a low ponytail falling over one shoulder, the Byakugan's pale grey-white eyes, a metal forehead protector band across his brow, a white robe with wide sleeves — stands on the right facing left. They are turned toward one another in three-quarter profile, bodies overlapping slightly so his robe sleeve crosses in front of her obi and her fur collar touches the edge of his sleeve; her left hand rests lightly on his right forearm, fingertips dimpling the white cloth, and his right hand hovers at her waist where the red kimono folds under the obi knot. Their faces are close, both grinning, mouths open, the smile reaching the corners of the eyes, and a deep blush stains both sets of cheeks — hers a wider flush running to the ears, his a narrower band high on the cheekbones; their eyes meet dead centre in the space between them, pupils locked, each reacting to the other's gaze with a hitching breath. Weight shifts: her hip pushed out to the left, the red kimono hems settling with the fabric stretched across her chest, the obi pulled snug and the floral print straining on the generous bust; his weight on the back foot, ponytail swinging forward off the shoulder as he leans in.
The hall around them: a tall coffered ceiling, a colonnade of fluted columns receding down the left side, a long marble floor whose polished surface catches and smears the chandelier's light into pale streaks pointing back at the couple. A huge crystal chandelier hangs above and slightly behind them, its tiers at the top edge of frame; hundreds of warm candelabra points cast the only light, so the glow rims the top of his black hair and the crown of her blonde twintails while the deeper hall behind them falls into a soft amber-to-umber dark, the far columns sinking to silhouette. Small red hearts drift in the air between and above the pair, a loose ribbon of them curving from her shoulder up over his head, a few crossing in front of the chandelier and losing their edges in its bloom; one heart sits wedged in her twintail ribbon where the red bow ties it.
Palette: warm ivory and marble grey in the architecture, deep red in the kimono, the ribbon and the hearts, black in his hair and robe shadow, gold in the chandelier's light — nothing else admitted. Detail budget goes to the two faces, the line of eye contact and the hands at the waist and forearm; the far hall is simplified into soft columned shapes. His shoulder blocks a full view of her left arm and the colonnade behind it, and her twintail falls across the edge of his sleeve; the fabric of her obi bunches where his fingertips touch it, a faint crease left by the pressure. The kiss of light along the polished floor is brighter than the marble itself; the hearts drift slowly, unlit on their undersides. tender, warmly lit.
Carlos5865
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anime
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miku
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reunited at last
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Tofu
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Tofu
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Tofu
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the ballerina
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