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AI artwork
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온

KI-Kunst von 온 auf PixAI. Erstellt mit Tsubaki.3.

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character: fuji_kiseki_(umamusume), artist: channel_(caststation), copyright: umamusume 1girl, solo, fuji kiseki (umamusume), black hair, short hair, white hair streaks, two-tone hair, swept-back hair, ahoge, horse ears, blue eyes, tail, horse tail, black necktie, white shirt, dark jacket, long sleeves, black gloves, frills, ear ornament, from below, cowboy shot, leaning forward, looking back, head tilt, one eye closed, smug, half-closed eyes, hand on own hip, outstretched arm, pointing at viewer, dutchish tilt, dynamic pose, wind, city street, night, neon, chromatic aberration, high contrast, bold outlines, flat cel shading, saturated palette, Shot from below in a cowboy-shot crop, the camera hangs just under hip height and tilts slightly off level so the verticals of the street lean with her, putting her full height over the lens. She is caught mid-pivot: her weight rides on the back leg with the front foot only toe-down and skidding a half-step, shoulders swung away from the street and chin turned back over her left shoulder so her face comes to us in three-quarter despite the turned body. Her right hand is planted flat at her own hip, thumb hooked under the jacket edge and pulling it open; her left arm is thrown out wide toward the lens, black-gloved fingers splayed and index finger aimed straight at the viewer, the arm foreshortened so the glove reads large against the far street. The short black hair with its white streaks lifts off her brow in the wind and one strand of the ahoge springs over; both horse ears swivel forward, the ear ornament catching a fleck of neon. Her horse tail swings out behind her hip, half-hidden by the jacket's flare, its tip flicking clear of her calf. One blue eye is squeezed shut, the other half-lidded and fixed dead on the viewer, mouth pulled into a lopsided smug grin with the corner of the lip caught on a breath. The setting is a narrow night street of shuttered storefronts and cluttered signage, the shop signs rendered as illegible glowing texture in pink and cyan rather than readable words. The light is the street's own: two neon sources, magenta from a sign high on camera-left and cold cyan from a vending machine low on camera-right, striking opposite sides of her face and leaving the underside of her chin and the inside of the jacket in deep shadow. Neon reflections smear across the wet asphalt, and her sneakers' soles break those reflections into rings of disturbed water. Wet ground, wind-blown fabric and glowing signs form a saturated palette of hot pink, cyan and the black-and-white of her own hair and uniform against a dark slate street, everything pushed into flat, hard-edged, high-contrast cel shading with crisp clean outlines, candy-bright colour and a subtle chromatic fringe at the frame edges, restless and electric.
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Ursprünglicher Prompt
channel ( caststation) (style), fuji kiseki (umamusume),
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1408 x 1408
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.54k

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Avatar image of Nathalia luna
character: bitter_glasse_(umamusume), copyright: umamusume 1girl, solo, bitter_glasse_(umamusume), dark-skinned female, dark skin, brown hair, short brown hair, hair between eyes, long sidelocks, brown eyes, horse ears, animal ears, horse tail, fingerless gloves, red gloves, black sleeveless crop top, black cropped hooded jacket, hood down, open clothes, black shorts, black thighband on right thigh, toned midriff, leaning forward, from below, cowboy shot, dutch angle, one knee bent, hand on own hip, other arm outstretched, beckoning, head tilt, smug, lopsided grin, one eyebrow raised, half-closed eyes, looking down at viewer, teeth, pointing at viewer, city street at dusk, neon signage, three-quarter view, Three-quarter view from a low, tilted angle, the camera looking up at her from roughly hip height, the horizon canted a few degrees; she is caught mid-beckon, leaning forward over the lens so that her shoulders come closer and her hips stay back. Her dark skin is the deepest value in the frame, warmed by the sunset into a red-brown along the cheekbones and the bare midriff, cooler at the throat and under the jaw. Weight rides on her straight left leg; the right knee is bent, its foot rolled onto the toe, heel lifted clear of the paving. Her left hand sits flat on her own hip, fingers spread over the black shorts, thumb hooked into the waistband; her right arm is flung out toward the viewer, elbow soft, forearm foreshortened as it comes at the lens, the red fingerless glove a bright knot at the end of it, two fingers curled inward in a beckoning hook with the knuckles catching the last direct light. Her head tilts toward her raised shoulder; one brow arched high, one eye narrowed further than the other, the corner of her mouth pulled up into a lopsided grin with the tip of a canine showing, and her brown eyes look straight down the lens, holding it. The brown hair is short and tousled, side locks swinging forward past her jaw with the forward lean; the horse ears above swivel forward toward the camera, one tipped slightly more than the other; the long horse tail sweeps out behind her right hip and stays out, deflected by the momentum of the turn. The cropped black hooded jacket is open and slides back off both shoulders with the lean, its hood lying flat at her nape, the sleeveless black crop top beneath ending well above her navel, the bare midriff stretched long by the forward bend; black shorts sit low and close on the hips. The black thighband is a narrow compression ring on the upper right thigh, digging a shallow groove in the muscle so the band's edge sits slightly proud and the skin above it bulges a little. The setting is a narrow city street at dusk, the pavement running away behind her at the same tilt as the horizon; the railings and lamp posts along the left curb lean with the dutch angle. Neon signage lines the shopfronts behind her, kept soft and out of focus, its letters illegible smears of magenta and cyan; only at the extreme right edge does one sign come close to legible. The light is a single low sun down the street behind her right shoulder, deeply orange, so she is nearly rim-lit: a hot line along her right deltoid, the top of her right ear, the outward edge of the lifted glove, the far curve of the tail, and everywhere the lens faces her the forms fall into open shade that lifts only where the neon bounces back off the shopfront glass. Her cast shadow is thrown forward toward the viewer across the paving, long and soft-edged, broken where the curb rises. Dust motes in the shaft of low sun make the air visible between her and the buildings. The palette is her silhouette against the sunset: near-black for the jacket, top, shorts and gloves' trim; warm red-brown for her skin in the light and umber in the shade; a single saturated red confined to the gloves; and orange, magenta and cyan burning in the blurred signage and the sky slot between the rooftops. The reflected neon in the shop windows is dimmer and softer than its sources, and reddens on the underside of her outstretched forearm. Every detail is spent on the face, the beckoning hand and its foreshortened arm, the stretched midriff, and the contact of palm against hip; the street behind is resolved to big shapes only. Effortlessly stylish, faintly dangerous.
Nathalia luna

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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