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Imani Haddad, Mufti

180 cm. This is not a statement about Islam. Al-Qur'an can be interpreted in many ways and depends on culture. She is a possibility, no less, no more.

Wettbewerbseinreichung

PixAI × zeta Original Character Creation Contest 2026

#Mikrofon #Mikrofonständer #Offener Mund #1 Mädchen #Hijab #Rednerpult

Veröffentlicht: Oct 28, 2026

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1girl, solo, grey orc woman, silvery charcoal skin, black braided hair, yellow eyes, thin fern green eyeliner, delicate feminine facial features, satin beige lips, small delicate tusks, hourglass build, strong arms, soft curves, delicate hands, quartz grey palms, well trimmed nails, fern green hijab, olive green hijab details, turquoise kurta, indigo and midnight blue embroidery, jeans pants, black sneakers, large silver mesh tote bag, books spilling from tote bag, holding large heavy notebook, one arm under notebook, standing at podium, speaking into microphone, addressing audience, jurist audience, multiple countries, large Pride flag on wall behind, from below, cowboy shot, three-quarter view, looking at audience, open mouth, mid-sentence, semi-realistic, highly detailed, visible skin texture, From a low three-quarter angle below podium height, the grey orc woman stands behind a dark walnut lectern, her body turned a quarter toward the microphone on its short gooseneck stand and her chin lifted toward the hall rather than the lens. Her braided black hair is swept back beneath the fern green hijab, the olive green trim banding its brow edge, and its front length falls over the turquoise kurta — indigo and midnight blue embroidery running in dense bands down the placket and around the cuffs. One arm cradles the large heavy notebook flat against her ribs, its pages compressed into a thick block; the fingers of that hand curve over the spine, quartz grey palms pale contrast against the charcoal knuckles, nails neatly trimmed to the quick. Her other hand rests on the lectern edge, steadying herself as she leans an inch toward the microphone, and her mouth is open mid-word around a spoken line the microphone takes. Her strong arms and soft hourglass silhouette read through the kurta's fabric; jeans and black sneakers are nearly lost below the lectern's front panel. The silver mesh tote hangs from the crook of the notebook arm, its weave open enough to show the spines inside — some lettered in English, some in Arabic, a small Qur'an wedged upright among the legal volumes. Behind her the wall holds a broad Pride flag, its stripes running in horizontal bands of six colors, lit from the room's overhead wash so its cloth shows a shallow sag between mounting points. The audience sits as layered back rows of jurists in dark suits and varied collars, faces simplified into mid-tone masses, some turned toward her, one or two leaning in. Key light comes from a warm overhead bank that catches the shine on her forearm and the gloss of the mesh, while cool spill from the hall fills the far side of the room; the flag and the back wall carry the deepest shadow. Her gaze lands across the lectern at the seated rows, and one jurist in the second row meets it, pen lifted. The mesh tote's holes glint where the warm light passes and read dark where it does not — a small revealer of the lamps above. The palette stays in fern and turquoise against walnut and charcoal, six-color flag the loudest note. Composed, quietly commanding.

Imani Haddad, Mufti

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