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V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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cinematic shot, wide shot, from side, from below, one mature man, king, bald head, short-trimmed grey beard, bare shoulders above water, bathing, seated in shallow reflecting pool, calm water surface, ripples, concentric ripples, water rings, doves, perched doves, two doves, dove on stone rim, dove on fallen branch, broken glass window, shattered stained glass window, stained glass mosaic window, twigs, branches, bare branches through window, branches intruding through broken pane, dim sun rays, god rays, volumetric light shafts, dust motes, settled dust, dust layer on floor, wild plants, vines on walls, moss on stone, wellspring, spring water, ancient stone bathhouse, cool colors, desaturated palette, simple aesthetic, hdr, sharp quality, sharp focus, crisp, clear, no blur, best photometry, dull ambience A wide, low-set view from slightly below and off to the side of the pool: a ruined stone bathhouse, its entire frame sharp and legible from the near coping to the far wall. The man sits waist-deep in the shallow reflecting pool, off-center to the right in the frame, water at the level of his collarbones; his shoulders are bare, his head bald, a short-trimmed grey beard edging his jaw. His weight rests back on his left hip and left hand, pressed flat on a submerged stone step behind him; his right forearm rests along his right knee under the water, elbow bent. His head is turned in profile, chin slightly lifted, eyes on the bright opening of the broken window rather than the lens, lids half-lowered, mouth closed and relaxed. The water circles away from his chest in slow, clean, evenly spaced rings that widen and flatten toward the pool's edge. Behind him, the far wall carries a tall stained glass mosaic window, its once-gridded pattern of cool glass intact at the outer edges and burst at its center; through the jagged opening, bare twigs and thin branches push inward into the room, a few leaves catching the light. The window's remaining glass throws scattered cool color onto the water and the stone rim. A dove perches on the broken sill with its head tucked and one foot drawn up; a second dove sits on a fallen branch that juts over the pool, its body angled back toward the window. Dim sun rays come in low through the breach as visible slanted shafts, sagging slightly in the old air, and land as soft-edged patches on the far wall, the coping and the water's rippling face. Dust is settled everywhere it would fall: a pale even layer over the flag floor around the pool, a thicker rim of it along the wall base, motes only drifting where the light strikes them. Wild plants have rooted in the masonry -- climbers and moss climbing the walls in vertical runs, grass tufts pushing from cracks -- and the pool is fed from a low stone wellspring at the left, water seeping in and sliding over its lip without splashing. Palette: cool grey-blue, pale green-grey water, muted oxidized copper, desaturated violet glass; warm tones only inside the narrow sun shafts. Light rays are the single source beyond the soft skylight of the broken window; shadows sit cool and granular on the dust. Quiet, still, watchful.
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Ursprünglicher Prompt
king bathing, doves perched, twigs and branches emerge from broken glass window, dim sun rays, dust settled on the ground, calming reflecting pool, moving waters, dull ambience, cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur
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flash
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1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, from side, from below, one mature man, king, bald head, short-trimmed grey beard, bare shoulders above water, bathing, seated in shallow reflecting pool, calm water surface, ripples, concentric ripples, water rings, doves, perched doves, two doves, dove on stone rim, dove on fallen branch, broken glass window, shattered stained glass window, stained glass mosaic window, twigs, branches, bare branches through window, branches intruding through broken pane, dim sun rays, god rays, volumetric light shafts, dust motes, settled dust, dust layer on floor, wild plants, vines on walls, moss on stone, wellspring, spring water, ancient stone bathhouse, cool colors, desaturated palette, simple aesthetic, hdr, sharp quality, sharp focus, crisp, clear, no blur, best photometry, dull ambience A wide, low-set view from slightly below and off to the side of the pool: a ruined stone bathhouse, its entire frame sharp and legible from the near coping to the far wall. The man sits waist-deep in the shallow reflecting pool, off-center to the right in the frame, water at the level of his collarbones; his shoulders are bare, his head bald, a short-trimmed grey beard edging his jaw. His weight rests back on his left hip and left hand, pressed flat on a submerged stone step behind him; his right forearm rests along his right knee under the water, elbow bent. His head is turned in profile, chin slightly lifted, eyes on the bright opening of the broken window rather than the lens, lids half-lowered, mouth closed and relaxed. The water circles away from his chest in slow, clean, evenly spaced rings that widen and flatten toward the pool's edge. Behind him, the far wall carries a tall stained glass mosaic window, its once-gridded pattern of cool glass intact at the outer edges and burst at its center; through the jagged opening, bare twigs and thin branches push inward into the room, a few leaves catching the light. The window's remaining glass throws scattered cool color onto the water and the stone rim. A dove perches on the broken sill with its head tucked and one foot drawn up; a second dove sits on a fallen branch that juts over the pool, its body angled back toward the window. Dim sun rays come in low through the breach as visible slanted shafts, sagging slightly in the old air, and land as soft-edged patches on the far wall, the coping and the water's rippling face. Dust is settled everywhere it would fall: a pale even layer over the flag floor around the pool, a thicker rim of it along the wall base, motes only drifting where the light strikes them. Wild plants have rooted in the masonry -- climbers and moss climbing the walls in vertical runs, grass tufts pushing from cracks -- and the pool is fed from a low stone wellspring at the left, water seeping in and sliding over its lip without splashing. Palette: cool grey-blue, pale green-grey water, muted oxidized copper, desaturated violet glass; warm tones only inside the narrow sun shafts. Light rays are the single source beyond the soft skylight of the broken window; shadows sit cool and granular on the dust. Quiet, still, watchful.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1boy, solo, adult male, bald, salt-and-pepper beard, short groomed beard, heavy gold circlet, ruby in circlet, naked, bathing, standing waist-deep in water, wet skin, water droplets on shoulders, from side, profile, dutch angle, looking down at water, half-closed eyes, calm expression, doves, five doves, perched, doves on stone rim, dove on king's outstretched forearm, broken glass window, twigs emerging from window, branches through broken panes, stained glass mosaic windows, wild plants on walls, vines, ferns, moss, dust settled on ground, dim sun rays, god rays, single light shaft, reflecting pool, calm water, moving water, ripples, concentric ripples, wellspring, stone basin, cool colors, teal, slate blue, desaturated green, dull ambience, simple aesthetic, cinematic shot, wide shot, depth of field, sharp focus, crisp, clear, no blur, photorealistic 3d render, physically based lighting The camera sits low and slightly off-axis, tilted a few degrees into a dutch angle, looking along the water from the side: a bald, broad-shouldered man stands waist-deep in a shallow stone reflecting pool, seen in near-profile with his chest turned a quarter toward the lens, his right arm lifted and held out level above the water. His short salt-and-pepper beard is wet at the edges and beaded with droplets, water sheets down his shoulders and forearms, and a heavy gold circlet with a single ruby rests low on his brow, its metal clouded by steam. A grey dove perches on his extended forearm, its claws closed on his skin, head turned down toward the water; four more doves sit spaced along the pool's stone rim behind him, one preening its own back, one with its head tucked, all still. He does not look at them and does not look at the lens: his chin is lowered and his half-closed eyes rest on the point where his own reflection breaks, a faint closed-mouth calm in the set of his jaw. The pool is a shallow stone basin -- the wellspring -- its rim worn round and dark with damp; the water's surface swings in slow, unbroken concentric rings out from where his thighs displace it, and the rings warp the reflected shape of the window above into stretched ribbons. Patches of settled dust grey the dry flagstones beyond the basin's lip, and the moisture line on the stone marks exactly how far the water has reached, leaving the dust untouched past it. Behind him the wall climbs in cracked plaster, and wild plants have taken it: ferns unfurling from the joints of the masonry, ivy ropes hanging down, moss furring the mortar in the damp shade. High in that wall a broken glass window gapes, most of its panes gone, and bare twigs and leafy branches have pushed in through the empty frame and hang into the room, their leaves stirring slightly above the pool. To its left, stained glass mosaic windows hold their leaded grid intact, their cool blues and greens and one muted violet reading as dim jewels rather than light. The only light is a single shaft of sun angling through the broken window, already weak and dusty, laying a soft-edged parallelogram of pale gold across the basin and across the king's shoulder and beard; the doves on the rim nearest the shaft catch a rim of it, and everything outside that shaft -- the far corners, the ceiling, the wall behind the ivy -- sinks into flat, cool shadow. The shaft makes the airborne dust visible as a faint haze, but the dust on the floor lies undisturbed. Palette is closed and cool: teal and slate-blue water, cold grey stone, desaturated greens in the plants, the gold circlet and the warm shaft the only warm notes in a dull, quiet room. Crisp, evenly sharp throughout, clean physically based render with no softness anywhere, simple and austere in composition. Quiet, solemn stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, broken window with twigs and branches growing out, dim sun rays, dust settled on the ground, reflecting pool, moving water, wild plants on walls, stained glass mosaic windows, cool colors, no people, landscape, wide shot, from a low side angle, backlit, sharp focus, crisp detail, depth of field, no blur, cinematic composition, volumetric light shafts, caustic reflections, ripples, moss, ivy, ferns, stone basin, still water, shallow water, splashing, droplets, wet feathers, perched on branch, perched on stone ledge, stained glass fragments, broken glass shards, sunbeam, god rays, dust motes, muted palette, desaturated teal and slate grey, high dynamic range, mist Seen from a low side angle inside a ruined stone hall, the room opens toward a broken arched window on the right, its stained glass reduced to a mosaic of leaded fragments -- deep teal, sea green, pale smoke grey, one shard of dull amber -- still set in the tracery at the top while the lower panes are shattered, and out through the jagged gap a cluster of bare twigs and slender branches pushes into the interior, bark cool and damp, a few small leaves unfurling at their tips. Ivy and ferns have taken the walls in flat climbing sheets, hugging the stone courses and trailing down toward the floor. In the left-middle of the composition sits a shallow circular stone basin, its rim worn and lichen-mottled, water brimming to the edge and running over the lip in a thin glassy sheet that slides down the stone and darkens it; the pool's surface reflects the window's mosaic in broken inverted patches, ripples spreading in slow concentric rings where the bathers stir it, and on the far lip the water clings and beads before dropping. Three small songbirds with iridescent blue and grey plumage stand thigh-deep in the shallows at the basin's near edge, one caught mid-splash with wings half-raised and droplets flying off the primaries, one dipping its head and flicking beads off its crown, one crouched low with its breast pressed to the water; a fourth perches on the wet rim shaking itself out, feathers ruffled and spiky. On the dry stone ledge to the right, two plump white doves with soft grey wing-tips sit calmly on a broken slab of the window sill, one with its head tucked a little into its shoulders, the other preening the side of its own wing, both facing inward toward the water; a third dove perches on the lowest branch that juts through the window, its feet wrapped around the bark, head turned down at the basin. A film of fine grey dust lies undisturbed across the raised flagstones and the flat dry ground away from the water, marked only by faint scattered bird tracks and one small feather fallen at the basin's base; dust hangs in slow suspension in the beams, and only the wet-flagged ring around the pool is dark and un-dusted. The light is a low, weak sun coming through the window from the right and slightly behind, so the birds and the branch cluster read as soft silhouettes with rimmed edges; the beams cross the room in visible shafts thick with drifting motes, and everything off the beams sits in cool shadow. The palette stays in cool greys, slate blue, teal and moss green, with the single dull amber shard and the pale white of the doves as the only break. High dynamic range, crisp micro-detail on feather barb and wet stone, a precise hard edge on the glass shards and twigs, physically accurate reflections -- the pool's reflected mosaic dimmer and softer than the real window it mirrors -- over a clean, uncluttered composition. Quiet, still, gently melancholic.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple. Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines. The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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