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AI artwork featuring #Mein*Star
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Mein*Star

KI-Kunst von Fitentia Lombardy auf PixAI. Erstellt mit Tsubaki.3.

#Mein*Star
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Fitentia Lombardy

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character: kurokawa_akane 2girls, 1girl, 1boy, kurokawa akane, long hair, bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, enormous breasts, rococo style, colossal earrings, colossal earrings, colossal bracelets, colossal engagement ring, tiara, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments in dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, tape gag, gagged, tied hands, wrists bound behind back, sad face, distressed, crying, tears, trembling, kidnapped, (((carry princess))), princess carry, carried, head resting on man's chest, leaning against chest, ugly man, adult male, older man, large body, from side, cowboy shot, dutch angle, dutch angle, tears rolling down cheek, looking down, looking away, motion lines, bound arms, fancy ballroom, chandelier light source, warm gold rim light, pastel palette, seductive_smile, sweat, blush, trembling, heavy_breathing The view is from below and slightly to the side, a low tilted dutch angle looking up past the man's shoulder: he dominates the right two-thirds of the frame, she is cradled across the left half. He is a heavy, slab-shouldered, older man with a broad fleshy face, thick brows, a wide downturned mouth and stubble along a sagging jaw, hairless crown and a coarse brown coat of cheap wool over a crumpled collar; he carries her **(((in a princess carry)))** — one thick forearm hooked under her knees and his other hand flat across her shoulder blades — his weight sunk into his back leg, torso leaning back to counterbalance her bulk, shoulder line tilted, and his small eyes fixed forward past the frame on the way out. Contact is exact: her bound wrists are pressed between her own lower back and his supporting forearm, the tape gag sealed across her mouth with a visible silver strip overlapping both corners, her temple and cheek flat against the upper slope of his chest, her earrings swinging heavily from both lobes, the enormous engagement ring glinting on the ring finger of her tied hand, the wide bracelets stacked at each bound wrist. Her enormous chest presses up against his coat, the corseted bodice straining. Her expression is a hard lock of misery — brows drawn up and pinched at the inner corners, eyes wet and half-lidded, lashes clumped, one tear track cutting through the blush on her cheek, jaw clenched behind the tape, no smile anywhere in the frame. Her long gradient hair, black at the crown bleeding through blue to a pale blue-pink at the ends, spills over his forearm and hangs nearly to the floor, swept bangs and a lock between her eyes; the tiara sits slightly askew where the back of her head meets his shoulder. Everything of the dress is overkill and proud of it: pink and white tiers, layered lace edged in tiny gold thread, ruffles stacked on ruffles at the hem and cuffs, a swarm of small bows stitched down the bodice and along each flounce, sequins and glitter fabric scattering pinpoints of light, absurd gilded ornaments and pastel silk flowers glued over the skirt, which is a huge puffy sphere of fabric far too big for her body and draping a full arm's length below his elbow, the oversized long skirt bunching and trailing wrinkles where it hangs. The setting is a lavish rococo hall behind them — gilded stucco scrollwork, pastel panelling, a marble floor, a chandelier above and behind the camera as the only light source, its warm gold raking across the tops of the ruffles, the pearls of the tiara and the man's shoulder, while the undersides of the skirt and their faces below the brow fall into cool lavender-grey shadow; where the chandelier's light passes through the edge of the glitter fabric it throws small hard flecks of pink light onto his coat, and each crystal droplet of the earrings carries one white highlight. Clean ornate linework, intricate gold detailing, soft pastel-on-gold palette, lavish layered fabric texture, crisp highlights on sequins and polished metal, the hall receding into dim soft focus — opulent, uneasy dread.
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Ursprünglicher Prompt
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,tape gag,manos atadas,colossal engagement ring,colossal bracelets,tiara,1 man,ugly man,(((carry princess))),kidnapped,la mujer no lo disfruta,la mujer tiene la cabeza apoyada en el pecho del hombre,rococo style
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy
AI artwork
fl
character: kurokawa_akane 1girl, solo, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, two-tone hair, heterochromia, blue eye, green eye, star-shaped pupils, enormous breasts, rococo style dress, pink and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, huge skirt, puffy skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, tape gag, tape over mouth, bound wrists, tied hands, rope around wrists, lying on divan, on back, hands on own belly, head tilt, head tilted to one side, empty eyes, blank stare, sad, expressionless, dead eyes, tears, from above, dutch angle, three-quarter view, full body, lavish rococo salon, single subject, The camera looks down from a high three-quarter angle, tilted slightly on a dutch roll, so the divan runs diagonally from the lower left corner toward the upper right and her body lies the long way across the frame, foreshortened so the huge puffed skirt fills the near foreground and her face sits small in the upper right third. She lies on her back on an antique rococo divan with a carved giltwood frame and pale rose silk upholstery, her body sunk into the cushion. Her ribcage is heavy and the enormous breasts press upward and spread under the taut bodice, straining the lacing. Her long black-and-blue gradient hair spills off the cushion behind her head, dark at the crown, thinning to translucent blue at the tips, the ends hanging down out of frame past the divan's arm. Her bangs fall across her forehead and separate in wet-looking strands. Her head is tipped away to her right against the cushion, cheek pressed into the silk so her neck stretches on the opposite side. A strip of wide silver-grey tape is sealed flat over her mouth from corner to corner, the adhesive edge lifting slightly at one end, its surface catching the light in a long dull streak; her lips are compressed behind it. Her eyes are open on nothing, pupils fixed and unfocused, no glow in them, the lids heavy, the single blue iris and the single green iris both flat and matte. Her jaw slack under the tape. Both wrists are bound together in front of her, crossed at the bone and wrapped with white silk cord that bites into the skin, and her bound hands rest flat on her own belly, the knuckles touching the glittering fabric of the dress above her navel. On her left ring finger the colossal engagement ring sits like a paperweight, a faceted stone the size of a plum that drags the finger sideways with its mass. Colossal hoop earrings the width of her palm hang from both ears and dent the cushion behind her neck, where the gold rests against the silk. Colossal layered bracelets of gold and pearl stack from wrist to elbow on the bound arms and slide down toward her elbows. A tall tiara bristling with paste jewels sits crooked in her hair, pushed back by the tilt of her head. The dress is a rococo catastrophe in pink and white: a stomacher of white satin so heavily encrusted with sequins and silver glitter that it reads as a solid sheet of sparks, the whole surface flaking loose glitter onto the rose upholstery beneath her; tiers of lace at every edge, some of it ripped and curling; ruffles stacked in three rows at the neckline and again at the elbows, one ruffle crushed under her arm; oversized bows of pink moiré ribbon tied at the shoulders, at the waist and at the wrists of the sleeves, so many that two of them collide; and a skirt inflated like a bell with panniers, so vast it spills over the front edge of the divan and hangs, the hem trailing sequins down toward the parquet floor. Small ridiculous ornaments are stitched all over it, porcelain roses, paste cameos and a tiny gilded bird. The room behind her is a rococo salon out of focus, a tall window with tattered gold-leaf trim at frame left, boiserie paneling, a chandelier hanging out of frame at the top. A single shaft of cold pale daylight comes down through that window from the upper left, and it is the only light; it strikes the top of her forehead, the ridge of her nose, the tape's glossy surface and the swelling tops of her breasts, throws the eye sockets into shadow and leaves her bound hands and the near skirt in a soft grey dusk. Her cast shadow falls across the rose cushion to the lower right. Dust hangs in the beam; loose glitter sparkles only where the beam finds it. Palette confined to pink and white, gold, silver glitter, black and blue hair, and the cold white daylight. Cold, hopeless, quietly opulent.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
sg
character: kurokawa_akane 2girls, 1girl, 1boy, akane kurokawa, long hair, bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, sad, sighing, blush, tears, downturned eyes, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, red dress, white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, forced kiss, brutal kiss, kiss on lips, 1man, tall man, ugly man, older man, bald, thick eyebrows, big nose, crooked teeth, stubble, wide shoulders, tall, grabbing her chin, hand on her jaw, holding her in place, from below, dutch angle, cowboy shot, looking at another, closed eyes, clenched teeth, strained expression, looming, contact, dramatic lighting, high contrast, opulent, gold accents, lavish textures, ornate, decorative, intricate lace, gilt, oversaturated, oppressive, spoken_heart, half-closed eyes, trembling, sweat, heavy_breathing, motion_lines From a low dutch angle, the camera tilts up so the man towers into the top of the frame and the woman is pushed down toward the lower right corner, both seen in a cowboy shot that crops them at mid-thigh so the enormous puffy skirt fills the bottom edge as a crush of red and white fabric. The woman with the long multicolored black-to-blue gradient hair and bangs stands braced on her heels, weight pitched back, knees locked, shoulders hunched forward as she sighs — her chest sweeping with the exhausted exhale, enormous bust straining the bodice seams, ribcage visibly falling. Her blue-and-green eyes are half-lidded and wet; she is looking down and away, not at the man, and her lashes cling in wet points. A deep flush burns across both cheeks and the bridge of her nose. She is saddled in an absurd rococo dress of red and white: a huge puffy long skirt ballooning outward with excessive ruffles, layers of lace edging every flounce, too many bows knotted at the waist and bodice and shoulders, ridiculous ornaments — gilt scrolling, beaded sprigs, small gilded figurines — crowding the fabric, sequins scattered across the glitter fabric catching the light in hard pinpricks. A tiara sits lopsided in her bangs, a diamond collar circles her throat in a band of glittering stones, colossal hoop earrings hang to her shoulders, colossal bracelets clatter heavy on both wrists, and the colossal engagement ring — a stone the size of a knuckle — weighs down her left hand. The tall ugly man bends over her from above, a great stooping shape in a dark formal coat with a high collar, and his huge hand clamps her jaw, tilting her face up while his mouth presses brutally down on her lips — a hard, malicious, forced kiss. His big nose crushes against her cheek, his crooked yellow teeth bare as he seals the kiss, stubble rasping her skin; his thick brows are drawn down in a mean squint and his eyes are closed in cruel satisfaction. His other hand grips her upper arm. His shoulders block the upper left of the frame; the woman's free hand hangs at her side, fingers curled stiff around nothing. The light comes from a single high ornate chandelier that is off-frame above and behind the man's shoulder; it rakes across the woman's upturned face and shoulders, glints off the diamond collar and the colossal ring, and throws the man's face half into shadow, so where his head blocks the source the darkness is dense and absolute. The palette is red and white and gold and glitter, everything saturated and hard-edged, with the man's black coat as the dark anchor in the upper left. High contrast, opulent, ornate, lavishly textured — decorative linework in the lace, gilt accents on every ornament, the whole frame overdecorated and oppressive. A small hand-drawn heart floats in a tiny speech bubble beside her wet, downturned face. High-contrast, oppressive, miserably opulent.
Shylpfiette greyrat
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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