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AI art "神楽すず" featuring #Brille, #von hinten, #lange Haare, #.LIVE, #Kagura Suzu and #Dolphin-Shorts
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神楽すず

#Brille#von hinten#lange Haare#Kagura Suzu#Dolphin-Shorts
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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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AI artwork
엘
character: kiyohime_(fate), copyright: helltaker, panty_&_stocking_with_garterbelt 1girl, solo, kiyohime_(fate), long hair, green hair, yellow eyes, dragon horns, multiple horns, hair ornament, hooded bolero, open hood down, white tube top, black track pants, sneakers, summer, night, street, holding plastic bag, convenience store bag, beer can inside bag, canned beer, standing, leaning against wall, one knee bent, foot flat against wall, head tilt, looking up, sideways glance, half-closed eyes, light smile, one eyebrow raised, from below, cowboy shot, dutch angle, urban street, storefronts, warm sodium streetlights, deep blue night, flat colors, thick outlines, cartoon, cel shading, Low-angle dutch-tilt cowboy shot from below, tilted about twelve degrees so the streetlights rake diagonally across the frame: Kiyohime leans her right shoulder and right hip against a convenience-store wall at the left edge of frame, her left leg crossed over the right with the left sneaker's outer sole flat against the wall's lower tiles, her weight carried on the standing right leg. Her right hand grips the twisted handles of a translucent white GS25 plastic bag, which hangs and swings slightly against her outer right thigh; inside, three green glass beer bottles and two gold cans press the plastic into hard facets, the bag's white print reading "GS25" stretched and bent over the bulge of the bottles, and the cold bottles fog the inside of the film. Her left thumb hooks into the pocket of the black track pants, the drawstring hanging loose. The black hooded bolero is worn open with the hood fallen back behind her shoulders, its thick white drawcords hanging down over the white tube top; her long green hair spills out over the bolero's shoulders and lifts a little in the warm night air, the hair ornament catching a highlight. Dragon horns curve back from her temples, clearly silhouetted against the lit storefront behind her. Her chin is tipped up and her eyes roll up and to the right, off-frame, watching something above the shopfronts with a faint closed-mouth smile and one brow arched; perspiration beads at her temple and collarbone in the summer heat. Behind and above her, the street recedes in flat blocks of dark blue night, warm sodium-yellow pools under each lamp, a lit storefront window glowing greenish-white and spilling a hard-edged rectangle of light onto the pavement beside her sneakers, the far signage reduced to illegible blocky glyph shapes. Her shadow is thrown long and sharp across the paving toward the lower right corner. Palette held to flat single tones: deep indigo night, sodium amber, the white of top and bag, black of pants and bolero, the vivid green of hair and glass; nothing else admitted. Thick uniform black outlines on everything, no gradients, no rendering beyond flat fills. Easy, sultry summer-night cool.
엘프나인
AI artwork
엘
character: kiyohime_(fate), copyright: helltaker, panty_&_stocking_with_garterbelt 1girl, solo, kiyohime (fate), long green hair, very long hair, yellow eyes, dragon horns, multiple horns, white hair ornament, hooded bolero, white tube top, black track pants, sneakers, walking, drinking, beer can, holding can, plastic bag, convenience store bag, summer, night, street, from below, cowboy shot, dutch angle, looking to the side, half-closed eyes, light smile, blush, thick outlines, flat colors, cartoon style, bold black linework, limited palette, Low-angle cowboy shot tilted a few degrees off level, the camera down near knee height on the pavement so the girl reads tall against the night sky. Kiyohime walks toward the viewer's left along a narrow city back street at night in high summer, caught mid-stride: her right sneaker planted flat and bearing her weight, her left leg swinging through behind with the heel lifted, hips counter-rotating against her shoulders. Her long pale-green hair streams back off her left shoulder in a single heavy mass, lifted by her own forward motion, its strands crossing the dark behind her; both pale horns curve up out of the top of her head, and the white hair ornament sits at the right side of her bangs. She wears an open hooded bolero whose hood lies flat and empty between her shoulder blades, sleeves pushed to the elbow, over a tight white tube top; the bolero's front panels swing apart with each step and the hood's drawstrings bounce on her chest. Black tracksuit pants, loose and shiny along the outer seam, break over the collars of white sneakers, the fabric creasing at the knee of the planted leg. In her right hand, raised to her lips, she tips a cold silver beer can, its tab open, a thin line of foam at the rim; her left hand hangs low and hooked through the handles of a translucent white GS25 plastic bag that swings forward ahead of her hip, the store's blue-and-green lettering reading across the bag's stretched film, and inside it three more beer cans stand upright, their tops tenting the plastic and their weight pulling the bag into a long teardrop. A bead of condensation runs down the outside of the can she holds and drops free. Her chin is lifted on the can, eyes half-closed in a lazy sideways glance out past the frame toward the shopfronts, one corner of her mouth curled up around the rim, a faint blush high on her cheeks. The street is empty; behind her a closed shutter, a leaning utility pole and the blurred blue-white glow of a convenience store sign recede into the dark, the pavement cracked and patched, and long low shadows of her legs stretch toward the camera because the only strong light is the cold fluorescent spill from that storefront behind her right shoulder, leaving the far side of her face and the back of the bolero in shadow, with a warm sodium streetlamp catching the top of her hair and the horns from high left. Palette held to flat cel colors: the mint green of her hair, the white of the top and sneakers, the black of the pants and linework, the cold cyan of the store light, and one warm amber accent on the can. Her stride drags a faint scuff of dust off the pavement, effortlessly cool, late-summer languor.
엘프나인
AI artwork
엘
character: kiyohime_(fate), copyright: helltaker, panty_&_stocking_with_garterbelt 1girl, solo, kiyohime_(fate), long green hair, very long hair, hair reaching past waist, yellow eyes, dragon horns, small white horns, hair ornament, hair bun ornament, crop top hoodie, cropped hoodie, midriff, navel, hood down, black track pants, striped track pants, sneakers, white sneakers, summer, night, street, outdoors, city street, convenience store front, plastic bag, holding bag, beer, canned beer, GS25 bag, standing, weight on one leg, hip cocked, leaning against wall, holding bag in one hand, phone in other hand, looking at phone, looking down, sideways glance, half-closed eyes, faint closed-lip smile, head tilt, from below, cowboy shot, dutch angle, thick outlines, bold lineart, flat colors, limited palette, monochrome base, single accent color, cartoon style, full body The camera sits low and tilted a few degrees off level, looking up: a narrow Korean back street at eleven at night, and one tall girl filling the right two thirds of the frame. Her thick outline is a single unbroken black contour, and everything inside it is flat — no gradient, no shading ramp, only three or four solid tones meeting at hard cartoon edges. She stands with her back half against the pale tiled base of a shop wall, left shoulder and left hip taking her weight, left leg straight, right leg crossed loosely in front of it with the toe of her sneaker resting on the pavement. The low camera makes the horns the highest points in the shot: two small dark horns rising from her hair, curving back, with the white ornament bound into the mass of green hair above her left ear. Her long green hair falls past her waist in one heavy block of flat colour with a single hard highlight stripe, the lower ends drifting a little to the right in the warm night air. The crop top hoodie ends well above her navel, a crisp flat band of skin between it and the waistband of the black track pants, whose white side stripe runs down the outer seam to her ankle and piles a little on the instep of the sneakers. Both sleeves are shoved up to her elbows; her hood lies flat and empty on her shoulders. Her right hand hangs low at her thigh, gripping the handles of a white plastic convenience-store bag — the bag hangs from her fist, pulled into taut creases at the handles, and the thin plastic is stretched just enough that the brown glass necks of two beer cans and one green soju bottle stand as blunt dark silhouettes inside it. Her left hand holds a phone up near her chest in a pool of flat blue-white screen light that catches the underside of her chin, the inner edge of one horn and the white of her eye. Her head tilts toward the phone, lids half lowered, the corner of her mouth pulled up on one side only; her gaze drops past the screen toward the bag at her hip, checking it, not the lens. The street itself is closed to a tight palette: the entire scene in flat greys and warm off-white, with exactly one saturated accent — the summer-night blue-green of the convenience store's sign and awning, its glow spilling across the wet pavement in hard-edged flat shapes. Behind her at the left edge the bright storefront is a vertical block of pale light with illegible blurred lettering; above it the night sky is one flat dark slab. A single overhead streetlamp is the only other source, throwing a hard cut-out shadow of her legs and the bag down the pavement toward the low camera, and because the ground is still damp from the day's heat the shadow pools slightly at its edge and the bag's reflection sits beneath it, darker and softer than the object itself. She has not moved in a while; the pavement holds the shape of her crossed feet. The vertical push of the wall, the lamp post and the storefront's edge all converge upward toward her face and horns. Warm, unhurried, effortlessly cool.
엘프나인

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