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Maki Zen'in, Jujutsu Kaisen
KI-Kunst von James Ricks auf PixAI. Erstellt mit Tsubaki.3 Flash.
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- Ursprรผnglicher Prompt
- 1girl Maki Zenin wearing short nurse outfit with leggings
- Modus
- flash
- Qualitรคts-Tag
- ๏นPrompts๏น
- Grรถรe
- 1104 x 1824
Prompt-Assistent
Verwendetes Modell und LoRA
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character: zen'in_maki
1girl, solo, Zen'in Maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short sleeves, white apron front, red trim, open collar, stethoscope around neck, white thigh-high stockings replaced by opaque black leggings, leggings, bare feet not visible, standing, weight on one leg, hip cocked, leaning forward, hands clasped behind back, looking at viewer, head tilt, light smile, one eyebrow raised, cowboy shot, from above, slight foreshortening, medium shot, warm indoor light, soft shadow
The camera looks down from a high three-quarter angle: a young woman with green hair pulled back into a short high ponytail stands in a seamless, softly lit studio room, leaning far forward toward the lens with both hands clasped behind her back. The view from above compresses her shoulders and lets the crown of her head and the sweep of her ponytail lead into the frame; her chin tilts up so her yellow eyes meet the viewer straight on through round glasses, one brow arched above a faint closed-lip smile. She balances her weight on her right leg, left leg relaxed with the knee slightly bent, hips pushed to one side, so the short white nurse dress with its red-trimmed apron front swings a little to the left and the hem rides high over opaque black leggings that run unbroken from waist to ankle. A stethoscope hangs around her neck and rests against the dress front, one earpiece catching the light. Her chest is angled down toward the floor and her face angled up toward the lens, a deliberate contrast that the high camera records as a single foreshortened diagonal.
The light comes from a large soft source above and slightly behind the camera, striking the top of her head, the bridge of her glasses and the front of the apron while leaving a soft shadow pooled under her chin, beneath the stethoscope and behind her heels; the floor is an unbroken pale grey sweep with a single low contact shadow that pulls tight to her feet where the overhead light presses it down. The palette stays disciplined: green hair, white dress with red trim, black leggings, warm skin, pale grey ground, nothing else admitted. The ponytail tips and the apron hem both hang slightly forward, caught in the drift of her leaning motion rather than settling flat. Quietly playful.
James Ricks
character: zen'in_maki
1girl, solo, Zen'in Maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short sleeves, white apron front, red trim, open collar, stethoscope around neck, white thigh-high stockings replaced by opaque black leggings, leggings, bare feet not visible, standing, weight on one leg, hip cocked, leaning forward, hands clasped behind back, looking at viewer, head tilt, light smile, one eyebrow raised, cowboy shot, from above, slight foreshortening, medium shot, warm indoor light, soft shadow
The camera looks down from a high three-quarter angle: a young woman with green hair pulled back into a short high ponytail stands in a seamless, softly lit studio room, leaning far forward toward the lens with both hands clasped behind her back. The view from above compresses her shoulders and lets the crown of her head and the sweep of her ponytail lead into the frame; her chin tilts up so her yellow eyes meet the viewer straight on through round glasses, one brow arched above a faint closed-lip smile. She balances her weight on her right leg, left leg relaxed with the knee slightly bent, hips pushed to one side, so the short white nurse dress with its red-trimmed apron front swings a little to the left and the hem rides high over opaque black leggings that run unbroken from waist to ankle. A stethoscope hangs around her neck and rests against the dress front, one earpiece catching the light. Her chest is angled down toward the floor and her face angled up toward the lens, a deliberate contrast that the high camera records as a single foreshortened diagonal.
The light comes from a large soft source above and slightly behind the camera, striking the top of her head, the bridge of her glasses and the front of the apron while leaving a soft shadow pooled under her chin, beneath the stethoscope and behind her heels; the floor is an unbroken pale grey sweep with a single low contact shadow that pulls tight to her feet where the overhead light presses it down. The palette stays disciplined: green hair, white dress with red trim, black leggings, warm skin, pale grey ground, nothing else admitted. The ponytail tips and the apron hem both hang slightly forward, caught in the drift of her leaning motion rather than settling flat. Quietly playful.
James Ricks
character: zen'in_maki
1girl, solo, Zen'in Maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short sleeves, white apron front, red trim, open collar, stethoscope around neck, white thigh-high stockings replaced by opaque black leggings, leggings, bare feet not visible, standing, weight on one leg, hip cocked, leaning forward, hands clasped behind back, looking at viewer, head tilt, light smile, one eyebrow raised, cowboy shot, from above, slight foreshortening, medium shot, warm indoor light, soft shadow
The camera looks down from a high three-quarter angle: a young woman with green hair pulled back into a short high ponytail stands in a seamless, softly lit studio room, leaning far forward toward the lens with both hands clasped behind her back. The view from above compresses her shoulders and lets the crown of her head and the sweep of her ponytail lead into the frame; her chin tilts up so her yellow eyes meet the viewer straight on through round glasses, one brow arched above a faint closed-lip smile. She balances her weight on her right leg, left leg relaxed with the knee slightly bent, hips pushed to one side, so the short white nurse dress with its red-trimmed apron front swings a little to the left and the hem rides high over opaque black leggings that run unbroken from waist to ankle. A stethoscope hangs around her neck and rests against the dress front, one earpiece catching the light. Her chest is angled down toward the floor and her face angled up toward the lens, a deliberate contrast that the high camera records as a single foreshortened diagonal.
The light comes from a large soft source above and slightly behind the camera, striking the top of her head, the bridge of her glasses and the front of the apron while leaving a soft shadow pooled under her chin, beneath the stethoscope and behind her heels; the floor is an unbroken pale grey sweep with a single low contact shadow that pulls tight to her feet where the overhead light presses it down. The palette stays disciplined: green hair, white dress with red trim, black leggings, warm skin, pale grey ground, nothing else admitted. The ponytail tips and the apron hem both hang slightly forward, caught in the drift of her leaning motion rather than settling flat. Quietly playful.
James Ricks
character: zen'in_maki
1girl, solo, nurse outfit, white nurse dress, short-sleeved white uniform dress with a crossed V-neck collar, pale pink trim on the collar and cuffs, white apron, chest pocket holding a pen, white nurse cap, white stockings, white shoes, green hair, short hair with a small ponytail at the nape, yellow eyes, round glasses, from below, close-up, dutch angle, leaning forward, looking down at viewer, one eye closed, smug, half-closed eyes, head tilt, arms crossed at chest, clipboard tucked under one arm, stethoscope around neck, bare earlobes, hair completely unadorned, clinical white corridor, cold fluorescent light
The camera sits low and canted a few degrees off level, looking up close at one young woman who leans far forward over the lens, her shoulders rolled in and her head tipped down so the viewer reads her face from beneath her chin. She is the only figure in the frame: a white nurse dress with a crossed V-neck collar edged in pale pink, short sleeves cuffed in the same pink, a white apron tied over the skirt, a pen clipped into the chest pocket, a small white nurse cap pinned square on the crown of her head, white stockings and white shoes below. Her green hair is cut short and gathered into a small ponytail at the nape, the loose front strands swinging forward past her cheek as she leans; a stethoscope hangs around her neck and a slim clipboard is clamped under her left arm, pressed flat against her ribs. Both ears are bare and the hair carries no ornament at all.
Her weight rides on her right leg with the left knee bent forward, and both forearms fold across her chest, the right hand gripping the left elbow; the clipboard's lower edge digs into the apron at her waist. Round glasses slide a little down the bridge of her nose. Her right eye is squeezed shut and her left lid is lowered to a half-mast look aimed straight down into the lens, one corner of her mouth pulled up in a lopsided smirk โ the expression of someone who has caught the viewer staring and intends to enjoy it.
The set is a clinical white hospital corridor seen from below: glossy pale vinyl floor, a pale green wainscot running away in hard perspective, a distant door frame at the vanishing point, no other people. Cold-white fluorescent tubes in the ceiling are the only light source; they rim the top of her cap and hair with a thin glare, flatten her face into even, slightly greenish white, and throw her shadow forward and to the right across the floor where it stretches long and foreshortened by the low lens. The palette is confined to her green hair, the pink trim, and the white of uniform, walls and floor, with her yellow eyes as the single warm note. In the polish of the floor her reflection lies beneath her feet, softer and darker than she is, broken by the toe of her shoe. Bright, teasing, quietly clinical.
James Ricks
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