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Resident Evil 2, Rüstung
Wettbewerbseinreichung
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Parameter anzeigen
- Ursprünglicher Prompt
- (masterpiece, best quality, ultra realistic, highly detailed, 8k), HUNK, Resident Evil Requiem, The Commander, Umbrella elite special forces operative, wearing his Resident Evil Requiem signature tactical combat outfit, iconic black skull-like gas mask, glowing red circular eyepieces, fully concealed face, black military helmet, dark tactical combat uniform, heavy armored tactical vest, military equipment, combat gloves, tall imposing muscular male physique, broad shoulders, intimidating presence, emotionless professional soldier, standing in the dark underground ARK facility, cinematic survival horror atmosphere, dramatic low-key lighting, realistic military gear, photorealistic textures, highly detailed character design, full body, standing pose, front view, official Resident Evil game character aesthetic
- Modus
- ultra
- Größe
- 1104 x 1824
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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Mehr anzeigenYJ
copyright: escape_from_tarkov, tom_clancy's_the_division
(masterpiece:1.2), (best quality:1.2), ultra detailed, photorealistic military character, realistic tactical gear, Escape from Tarkov, The Wedge, Black Division operator, elite special forces commander, full body portrait, standing in a combat-ready pose,
black Team Wendy EXFIL ballistic helmet, MultiCam Black helmet cover, Wilcox L4G24 NVG mount, L3Harris PVS-31A night vision goggles mounted on helmet, black tactical headset, Avon M53A1 military gas mask, realistic gas mask lenses, detailed breathing filters, intimidating faceless operator,
Spiritus Systems LV-119 plate carrier, MultiCam Black tactical vest, class 5 ballistic armor plates, realistic MOLLE webbing, black tactical pouches, military radio, utility pouches, black combat gloves, dark tactical uniform, reinforced combat trousers, knee pads, military combat boots, realistic fabric textures, detailed stitching, authentic military equipment, battle-worn materials, subtle scratches, dust and dirt,
holding a realistic HK MP7A1 tactical submachine gun, detailed weapon components, realistic weapon proportions, professional military stance, disciplined posture,
dark industrial ship interior, Escape from Tarkov Icebreaker environment, abandoned military vessel, steel walls, industrial lighting, cold atmosphere, cinematic shadows, muted colors, black and charcoal color palette, realistic ambient occlusion, volumetric lighting, dramatic cinematic composition, gritty military realism, highly detailed equipment, lifelike materials, realistic proportions, 35mm photography, sharp focus, 8k detail
YJ
突入待ち
yux
copyright: resident_evil
4 soldiers, special forces squad, black helmet, gas mask, glowing red goggles, black protective armor, military boots, holding machine gun, combat knife, grenade, handgun, M1A2 rifle on back, research lab interior, biohazard outbreak, cautious exploration, one soldier operating communication equipment, one soldier maintaining heavy weapon, one soldier shooting doorknob with firearm, one soldier keeping watch at window, from side, wide shot, dutch angle, group shot, depth of field, dark palette with red accents, volumetric haze, muzzle flash light, high quality, masterpiece
From a low, tilted side angle, a four-man special forces column threads through a ravaged research laboratory, staggered down the length of the corridor so each man reads at a different depth. All four wear identical black helmets with the visor raised over a full black rubber gas mask, its twin goggle lenses burning a flat, saturated red that throws a faint crimson sheen onto the cheek of the armor below; black segmented protective armor plates are strapped over matte black fatigues, pouches and magazine cells riding heavy at the belt, and thick military boots planted on cracked epoxy flooring. Each carries a combat knife sheathed inverted at the chest rig, a grenade clipped at the hip, a handgun holstered at the thigh, and an M1A2 rifle slung tight across the back, its barrel rising behind the shoulder.
Nearest to the lens on the left, one soldier crouches half behind an overturned steel bench, machine gun braced across the bench edge, both gloved hands locked on the grip and handguard, his red lenses angled down the corridor; his weight sinks into the rear boot heel, the front knee driven forward, and the machine gun's sling hangs slack beneath the receiver. Beyond him at midground center, the second soldier kneels with a field radio open on the floor between his knees, one hand pressing a headset cup through the gas mask's strap, the other thumbing a dial, head tipped down toward the glowing frequency display so its green light rims the underside of his mask; a coiled cable runs from the radio to the pack at his shoulder. Slightly right and further back, the third soldier crouches over a heavy machine gun laid across his thighs, one gloved palm clamped on the feed tray cover while the other slides a belt of linked rounds into the feed, a spent casing between his fingertips; his helmet tips forward and one red goggle lens reflects the open receiver.
At the far right of the frame, the fourth soldier stands squared to a laboratory door, pistol raised and angled down at the brass doorknob, the muzzle a hand's width from the metal, his off hand flat against the door frame above the lock, shoulder braced into the jamb, front boot wedged at the threshold. His head is turned so the profile of the mask and the red lens read against the door's pale panel. Through the wired safety glass of the window beside him the background holds a barred, blue-white inner lab: shattered fume hoods, spilled racks of vials, and a biohazard trefoil decal on the far wall, its red visible through the smeared pane. That fourth man's red lenses flick toward the glass, watching the corridor beyond the window while his pistol stays on the knob.
The only primary light is a bank of failing ceiling fluorescents running down the corridor, cold and slightly green, which puts a hard highlight along each helmet crown and drops deep shadow beneath every chest plate; the radio display and the four red goggle lenses are the only warm-red points in the frame, and where the ceiling light dies at the far end the darkness is absolute. Emergency strobes bleed a slow red wash across the floor, glinting off the fallen glass and pooled liquid, and the haze in the air carries visible dust and a thin drifting vapor from a cracked pipe. Cold steel, black rubber, and blood-red accents only, nothing else admitted. Razor-sharp detail on the nearest mask, glove seams, and the linked belt of rounds; the far door and corridor resolving into soft haze. Tense, suffocating
yux
YJ
copyright: escape_from_tarkov
1boy, solo, full body, photorealistic, black padded tactical jacket, full-face gas mask, Avon M53A1, dark rubber mask, sealed facial interface, dark reflective lenses, filter assembly, attachment points, adjustable head straps, black Team Wendy EXFIL ballistic helmet, MultiCam Black helmet cover, tactical gloves, plate carrier, black tactical trousers, combat boots, intimidating, military functional, standing, weight on back leg, one hand gripping rifle sling, from below, low angle, full-length shot, mouth fully concealed, nose concealed, lower face concealed, face entirely covered by mask, no balaclava, dark palette, cold key light
Full-body low-angle shot, camera near hip height tilted up so the figure's mass looms against a cold overcast sky, boots planted wide on cracked grey concrete in a bare industrial yard. The single figure stands three-quarters turned, weight sunk into the back leg, front boot angled out — one gloved hand gripping a rifle sling at the chest, the other hanging loose beside the thigh. Everything above the collar is anonymous and mechanical: the black EXFIL helmet sits low, its MultiCam Black cover swallowing the eye-level light; beneath the brim the full-face rubber mask seals flush against the jaw, no gap at cheek or throat, dark lenses catching a flat reflective sheen that hides the eyes entirely. The filter assembly juts from the mask at a slight downward angle and the head straps pull taut across the helmet shell. The padded black jacket is layered over a plate carrier, matte fabric bunching at the elbows and shoulders, tactical trousers bloused into scuffed boots. Lighting is flat, cold grey daylight from a high overcast — no harsh highlights, shadows pooling under the helmet brim and in the creases of the jacket. A faint damp sheen on the rubber mask from the humid air. Palette is almost entirely black, charcoal and desaturated grey, with only the dull brass of the filter ring and the flat grey concrete breaking it. Intimidating, oppressive stillness.
YJ
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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