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Justin G

jg

Justin G

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character: mariya_mikhailovna_kujou 2girls, split screen, wrestling ring, cowboy shot, from front, dizzy, seductive smile, half-closed eyes, blush, open mouth, tongue, looking at viewer, sweat, disheveled, long black hair, brown streaks in hair, messy wolf cut, bangs, brown eyes, light brown skin, medium breasts, skinny, black and white satin wrestling outfit, black and white pleated miniskirt, white socks, black sneakers, sponsor logos on shoes, leaning back against turnbuckle, arms draped over top rope, gripping ropes, parted lips, heavy-lidded gaze; second girl in opposite corner, smiling, white sports bra, camo cargo pants, skin tight pants, long brown hair, hair between eyes, brown eyes, ahoge, medium breasts, standing, one hand on hip, looking across at opponent; second_wrestler_identity: masha_kujou, shiny satin, ring ropes, corner pads, arena lighting, sweat beads, shallow_depth_of_field, realistic, vignette, high_detail, Split screen divided by a hard vertical seam down the exact center of the frame; both halves share one continuous wrestling ring and one continuous lighting setup so the two corners read as the same arena seen at once. On the LEFT half, a young woman is caught leaning back into the far turnbuckle, cowboy framing cutting her at mid-thigh and just below the shoulders: the top rope presses a shallow groove into the small of her back, both forearms are draped over the upper rope with her hands loosely hooked on the cable so the rope dips under her weight, one sneaker braced flat on the canvas and the other crossed in front of it bearing almost nothing. Her long messy black wolf cut is a shaggy layered mass, brown streaks catching the light along the crown, bangs stuck in sweat-tacked strands to her forehead, ends flicking outward where her head has rolled back against the corner pad. Her chin is lifted, eyelids low and heavy, one brow weakly arched, lips parted in a lopsided seductive smile that keeps slipping at one corner, a warm blush high on light brown cheeks, a single bead of sweat tracking from her temple down past her jaw — dizzy and pleased at once, and her gaze drifts straight out to the viewer across the ropes. She wears a black satin wrestling top with white piping and a black-and-white pleated miniskirt whose knife pleats splay against the turnbuckle pad, white socks slouched at the ankle, black sneakers laced tight with small sponsor patches on the outer sides. On the RIGHT half, at the opposite corner, a smaller-framed girl stands squarely inside the ring rather than against the ropes, cowboy framing matching the left: her weight sits on her back hip, one hand planted on that hip with the elbow flared, the other arm hanging loose, shoulders relaxed. She wears a white sports bra and skin-tight camo cargo pants whose fabric pulls taut across the thigh and bunches in a soft fold at the knee, the cargo pocket flap lying flat. Long brown hair sweeps over one shoulder with a stray ahoge curling above her crown, bangs sitting neatly between her eyes; her smile is open and easy, chin tipped slightly down, eyes narrowed in amusement, and her gaze cuts sideways across the center seam to land on the other woman. The seam is honest about what it splits: the same three ring ropes run dead level into it from both sides and continue out the other side at matching height, the same scuffed canvas grain and the same sweat sheen on the matting carry across, so the ring is one place and only the two women occupy different corners of it. A single overhead rig supplies all the light — warm white from directly above the ring — dropping pooled highlights on shoulders, collarbones and the crowns of both heads, driving the faces into soft shadow beneath the brows, glassy specular streaks down the satin and the taut camo, and leaving the arena beyond the ropes in blackness with only the faintest bounce off the top turnbuckle pads; both women cast short, tight shadows straight down onto the canvas. Palette of black, white and warm skin against a deep neutral dark, with the camo's olive-grey and the brown hair streaks as the only other hues. Sharp focus on the faces and the hands on the ropes, the ring ropes going slightly soft toward the outer edges of the frame. Hot, giddy, charged.
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Ursprünglicher Prompt
,light brown skin,black hair with brown streaks,bangs,brown eyes,messy long wolf cut,,, medium breasts,, realistic, realistic, realistic,wrestling beautiful satin black and whitesport black and white pleated miniskirt,white socks,black sneakers with sponsors,wrestling ring, horny,seductive smile, , at turnbuckle ,from infront, shes dizzy,in the other cornwer is masha kujou in a white sports bra skin tight camo cargo pants smiling,split screen, ,skinny,medium breasts,cowboy shot,
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flash
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1824 x 1104
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
jg
character: mariya_mikhailovna_kujou 2girls, split screen, wrestling ring, cowboy shot, from front, dizzy, seductive smile, half-closed eyes, blush, open mouth, tongue, looking at viewer, sweat, disheveled, long black hair, brown streaks in hair, messy wolf cut, bangs, brown eyes, light brown skin, medium breasts, skinny, black and white satin wrestling outfit, black and white pleated miniskirt, white socks, black sneakers, sponsor logos on shoes, leaning back against turnbuckle, arms draped over top rope, gripping ropes, parted lips, heavy-lidded gaze; second girl in opposite corner, smiling, white sports bra, camo cargo pants, skin tight pants, long brown hair, hair between eyes, brown eyes, ahoge, medium breasts, standing, one hand on hip, looking across at opponent; second_wrestler_identity: masha_kujou, shiny satin, ring ropes, corner pads, arena lighting, sweat beads, shallow_depth_of_field, realistic, vignette, high_detail, Split screen divided by a hard vertical seam down the exact center of the frame; both halves share one continuous wrestling ring and one continuous lighting setup so the two corners read as the same arena seen at once. On the LEFT half, a young woman is caught leaning back into the far turnbuckle, cowboy framing cutting her at mid-thigh and just below the shoulders: the top rope presses a shallow groove into the small of her back, both forearms are draped over the upper rope with her hands loosely hooked on the cable so the rope dips under her weight, one sneaker braced flat on the canvas and the other crossed in front of it bearing almost nothing. Her long messy black wolf cut is a shaggy layered mass, brown streaks catching the light along the crown, bangs stuck in sweat-tacked strands to her forehead, ends flicking outward where her head has rolled back against the corner pad. Her chin is lifted, eyelids low and heavy, one brow weakly arched, lips parted in a lopsided seductive smile that keeps slipping at one corner, a warm blush high on light brown cheeks, a single bead of sweat tracking from her temple down past her jaw — dizzy and pleased at once, and her gaze drifts straight out to the viewer across the ropes. She wears a black satin wrestling top with white piping and a black-and-white pleated miniskirt whose knife pleats splay against the turnbuckle pad, white socks slouched at the ankle, black sneakers laced tight with small sponsor patches on the outer sides. On the RIGHT half, at the opposite corner, a smaller-framed girl stands squarely inside the ring rather than against the ropes, cowboy framing matching the left: her weight sits on her back hip, one hand planted on that hip with the elbow flared, the other arm hanging loose, shoulders relaxed. She wears a white sports bra and skin-tight camo cargo pants whose fabric pulls taut across the thigh and bunches in a soft fold at the knee, the cargo pocket flap lying flat. Long brown hair sweeps over one shoulder with a stray ahoge curling above her crown, bangs sitting neatly between her eyes; her smile is open and easy, chin tipped slightly down, eyes narrowed in amusement, and her gaze cuts sideways across the center seam to land on the other woman. The seam is honest about what it splits: the same three ring ropes run dead level into it from both sides and continue out the other side at matching height, the same scuffed canvas grain and the same sweat sheen on the matting carry across, so the ring is one place and only the two women occupy different corners of it. A single overhead rig supplies all the light — warm white from directly above the ring — dropping pooled highlights on shoulders, collarbones and the crowns of both heads, driving the faces into soft shadow beneath the brows, glassy specular streaks down the satin and the taut camo, and leaving the arena beyond the ropes in blackness with only the faintest bounce off the top turnbuckle pads; both women cast short, tight shadows straight down onto the canvas. Palette of black, white and warm skin against a deep neutral dark, with the camo's olive-grey and the brown hair streaks as the only other hues. Sharp focus on the faces and the hands on the ropes, the ring ropes going slightly soft toward the outer edges of the frame. Hot, giddy, charged.
Justin G
AI artwork
d
character: mariya_mikhailovna_kujou, alisa_mikhailovna_kujou, alya_(panalee) 2girls, split screen, two-panel composition, close-up, upper bodies only, wrestling ring, school gym, wrestling match, masha kujou, white tank top, sports bra showing under tank top, camo cargo pants, white sneakers, medium breasts, skinny, arrogant look, smug, looking at viewer, bandaged fists, bandages around hands, standing at turnbuckle, arm resting on top rope, alya kujou, silver hair, blue eyes, blue and white satin sports bra, matching pleated miniskirt, bare shoulders, bare arms, bandaged fists, kneeling on floor, exhausted, extremely beaten up, bruise, bandage, leaning over the ropes, gasping for air, open mouth, sweat, looking at viewer, realistic, photorealistic, dramatic gym lighting, depth of field The frame is split down the middle by a hard vertical seam into two equal vertical panels, each a close-up cropped at the waist so only upper bodies are shown in both halves; the same wrestling ring, the same school gym and the same lighting run across the seam, so the two panels read as two moments of the same match rather than two places. In the left panel a lean, skinny girl with long brown hair stands at the turnbuckle: her white tank top clings sweat-damp to her torso with the sports-bra strap and band clearly showing beneath the scoop neck, camo cargo pants start at her hips below the crop, and one white sneaker is planted on the middle rope, her calf flexed; her right forearm rests along the top rope, bandaged fist loose, while her left hand settles at her hip. Her chin is lifted and tilted a few degrees, one brow arched above a lopsided closed-mouth smirk, and her brown eyes look straight into the lens with a cool, proprietary arrogance; the arena light from above catches her collarbone and the shine on her cheek. In the right panel a silver-haired girl with blue eyes kneels on the canvas with both knees, her blue and white satin sports bra and the matching pleated miniskirt bright against the mat; her bare shoulders and bare arms are marked with angry red bruising along the upper arm and ribs, a taped bandage at the shoulder blade, and sweat running down her neck. She leans her whole torso over the middle rope, both bandaged fists gripping the rope above her head so the rope presses a long dent into her forearm, her spine bowed and her chest heaving; her mouth is open, gasping for air, lids half-lowered, and her blue eyes still find the viewer with a stubborn, barely-there defiance. The ropes cross in front of her body in the foreground, and her silver hair hangs forward in sweat-stuck strands past her jaw. The ring's white ropes, the turnbuckle pads and the gym wall behind — pale climbing bars and a high shuttered window in the far distance — stay in soft focus, and the pads and ropes compress visibly under her grip and his boot in the same warm overhead gym light, casting two short hard shadows on the canvas. Palette limited to gym white and grey, the blue and white of her satin and the acid-green camo of his pants, skin flushed red where it is battered.
dadwads
AI artwork
d
character: mariya_mikhailovna_kujou, alisa_mikhailovna_kujou, alya_(panalee) 2girls, split screen, two-panel composition, close-up, upper bodies only, wrestling ring, school gym, wrestling match, masha kujou, white tank top, sports bra showing under tank top, camo cargo pants, white sneakers, medium breasts, skinny, arrogant look, smug, looking at viewer, bandaged fists, bandages around hands, standing at turnbuckle, arm resting on top rope, alya kujou, silver hair, blue eyes, blue and white satin sports bra, matching pleated miniskirt, bare shoulders, bare arms, bandaged fists, kneeling on floor, exhausted, extremely beaten up, bruise, bandage, leaning over the ropes, gasping for air, open mouth, sweat, looking at viewer, realistic, photorealistic, dramatic gym lighting, depth of field The frame is split down the middle by a hard vertical seam into two equal vertical panels, each a close-up cropped at the waist so only upper bodies are shown in both halves; the same wrestling ring, the same school gym and the same lighting run across the seam, so the two panels read as two moments of the same match rather than two places. In the left panel a lean, skinny girl with long brown hair stands at the turnbuckle: her white tank top clings sweat-damp to her torso with the sports-bra strap and band clearly showing beneath the scoop neck, camo cargo pants start at her hips below the crop, and one white sneaker is planted on the middle rope, her calf flexed; her right forearm rests along the top rope, bandaged fist loose, while her left hand settles at her hip. Her chin is lifted and tilted a few degrees, one brow arched above a lopsided closed-mouth smirk, and her brown eyes look straight into the lens with a cool, proprietary arrogance; the arena light from above catches her collarbone and the shine on her cheek. In the right panel a silver-haired girl with blue eyes kneels on the canvas with both knees, her blue and white satin sports bra and the matching pleated miniskirt bright against the mat; her bare shoulders and bare arms are marked with angry red bruising along the upper arm and ribs, a taped bandage at the shoulder blade, and sweat running down her neck. She leans her whole torso over the middle rope, both bandaged fists gripping the rope above her head so the rope presses a long dent into her forearm, her spine bowed and her chest heaving; her mouth is open, gasping for air, lids half-lowered, and her blue eyes still find the viewer with a stubborn, barely-there defiance. The ropes cross in front of her body in the foreground, and her silver hair hangs forward in sweat-stuck strands past her jaw. The ring's white ropes, the turnbuckle pads and the gym wall behind — pale climbing bars and a high shuttered window in the far distance — stay in soft focus, and the pads and ropes compress visibly under her grip and his boot in the same warm overhead gym light, casting two short hard shadows on the canvas. Palette limited to gym white and grey, the blue and white of her satin and the acid-green camo of his pants, skin flushed red where it is battered.
dadwads
AI artwork
m
character: mariya_mikhailovna_kujou, alisa_mikhailovna_kujou split screen, 2girls, upper body only, boxing ring, opposite corners, boxing gloves, fists up, extremely beaten up, competitive glare, alisa_mikhailovna_kujou, silver hair, long hair, crossed bangs, hair between eyes, ahoge, grey eyes, blue eyes, blue and white sports bra, matching blue and white yoga shorts, sweat on skin, bruised cheek, split lip, bandage on brow, boxing gloves, raised fists, mariya_mikhailovna_kujou, brown hair, medium hair, long hair, hair between eyes, ahoge, brown eyes, red and black sports bra, matching red and black yoga shorts, sweat on skin, black eye, bruised rib cage, blood trickle at nose, boxing gloves, raised fists, dark arena, spotlights, ring ropes, corner posts, canvas, dutch angle. The frame is cut by a hard vertical seam down the exact centre, dividing it into two equal halves. In the left half, seen from a low three-quarter angle slightly below her line of sight, the silver-haired girl stands planted in her corner: her weight is sunk into her back leg, hips turned a quarter away, torso squared back toward her opponent, both gloves raised to cheek height with the knuckles level with her brow, her chin tucked so her eyes look up from under her lashes across the seam toward the other fighter. In the right half, mirrored in composition but not in stance, the brown-haired girl leans in from her own corner with her front shoulder dipped, one glove high at her temple and the other held lower and looser at chest height, her head tilted a few degrees so she watches the same point across the divide. Both are visibly wrecked: sweat beads and runs down temples and collarbones, hair stuck in strands to wet foreheads, dark bruising blooming over cheekbones, a swollen lower lip, a taped split brow, mottled red patches on the ribs above the elastic of the shorts; their breath shows in the short, hard rhythm of parted mouths and flared nostrils. The gloves are worn and scuffed, laces cinched, the leather wet and dark at the knuckles. Each girl's corner belongs to her: a padded post behind her shoulder, two ropes running diagonally past her upper arm, the ring apron below the crop line. Behind both halves the arena falls away into near-black, and a single hard overhead spotlight drops a cone on each fighter, so each face is lit from above with the eye sockets going dark and the sweat catching the light; beyond those two pools the darkness is absolute and the crowd is nothing but grain. Colour is disciplined per half: the left is white, cool blue and silver-grey with the blue-white bra and shorts as the brightest passage in the frame; the right is deep red, warm black and russet brown with the red-black kit as the second. On the left post a scuffed blue corner pad, on the right a matching red one, cinched with the same lacing. The canvas between the ropes shows two shallow depressions where each fighter's weight has pressed and a scatter of sweat droplets darkening the fabric in a fine spray that thins out toward the centre seam. Relentless, evenly matched pressure.
Myso

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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9#Attack on Titan#Mikasa Ackerman
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