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2026年：ラブライブニセコイ19周年

Wettbewerbseinreichung

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nisekoi #Nozomi Tojo #Eli Ayase #Honoka Kosaka #Nico Yazawa #Maki Nishikino #Umi Sonoda #Kotori Minami #Hanayo Koizumi #Rin Hoshizora #Love Live!#Amana Osaki #Tenka Osaki

Veröffentlicht: Nov 1, 2026

Grace Caroline Bancin

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character: tojo_nozomi, ayase_eli, sonoda_umi, koizumi_hanayo, yazawa_nico, hoshizora_rin, nishikino_maki, kosaka_honoka, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, wide shot, from slightly below, low angle, japanese temple, kimono, eleven women standing on the stone approach of a temple, staggered two-row arrangement, full body, long hair, short hair, orange hair, blonde hair, brown hair, purple hair, blue hair, red hair, twintails, ponytail, hair between eyes, hair ornament, hair bow, blue eyes, green eyes, yellow eyes, purple eyes, red eyes, layered kimono, obi sash, geta sandals, wooden veranda, stone steps, paper lanterns, cherry blossoms, overcast soft light, crisp spring air, quiet ceremony Seen from slightly below at a wide distance, eleven young women in kimono stand staggered in two loose ranks across the worn stone approach of an old Japanese temple, none of them square to the lens: the front rank of six sits lower on the steps, the back rank of five stands on the veranda boards above them, so the whole group climbs the frame from lower left to upper right and the temple's great tiled hip-and-gable roof fills the upper third behind them. On the left of the front rank, a girl with short orange hair cut with a straight fringe and a small bow in it wears a bright coral kimono whose sleeve she has pushed back to the elbow, one hand lifted chest-high, palm open, mid-greeting, her weight on her forward-planted left geta, the right heel lifted off the stone; beside her a girl with short orange hair and a yellow-eyed grin that shows teeth leans away from the group on one leg with her arm flung out as if about to spin, her kimono hem swinging a half-step behind her motion. Between them a small girl with short brown hair clutched in both hands at her obi ties, shoulders drawn in, chin tucked, one eye peeking toward the camera and away again. A girl with red hair cut in a blunt bob stands with arms folded, hip cocked to the left, chin up, unimpressed, one eyebrow arched; to her right a girl with black hair in high twin tails adorned with a small red bow tucks her chin and lifts two fingers to her cheek in a practiced, self-satisfied pose, one eye closed. Far right of the front rank, a girl with long swept red-brown bangs and yellow eyes rests her chin on the shoulder of the girl beside her, one hand hooked in that girl's sleeve. On the veranda behind and above them, a girl with long blonde hair bound in a high ponytail turns her torso half away, looking back over her shoulder down the steps, blue eyes catching the sky, one hand flat on the veranda rail beside her hip; next to her a girl with long blue hair stands perfectly upright, hands folded one over the other at her waist, gaze level and forward; a girl with long purple hair split into low twin tails leans her forearms on the rail and tips her head sideways with a soft, closed-lip smile, her eyes half-lidded; a girl with long brown hair gathered low turns her face up toward the eaves, one hand shading her brow, watching the wind move something above her; and beside her a taller girl with long red-brown hair lets her open fan hang loose at her side, looking down at the front rank with an amused, tilted chin. Each kimono is cut and patterned differently — coral with white peony, pale yellow with sparrows, deep indigo with waves, plum with scattered gold leaf, cream with bamboo — each cinched with a contrasting obi and each pair of geta set flat on the stone; the sleeves fall open at the wrist and the collars sit one layer overlapping the next. The pale overcast light comes from high behind the temple roof, so it wraps soft and shadowless over the group while the deep porch under the eaves stays in cool shadow, and the lacquered pillars pick up a faint vertical sheen; a few petals drift and settle only on the upward faces of the stone steps and the veranda boards, never on the vertical risers. The palette keeps to the muted green of the pines, the grey stone, warm wood and the individual colours of the kimono; a bell rope hangs motionless at the far left edge and a pair of stone lanterns frames the approach. The camera's low wide framing keeps the roof and the group in one continuous space. Serene, ceremonial.

2026年：ラブライブニセコイ19周年

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