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AI artwork featuring #Fate-Serie and #Fate/Grand Order
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Fate-Serie, Fate/Grand Order

#Fate-Serie#Fate/Grand Order
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close-up, foot close-up, feet focus, 1girl, solo, mature female, onee-san, long hair, smooth straight hair, deep purple hair, hair ribbon, white ribbon, red eyes, smile, closed mouth smile, light smile, sitting, on bench, white dress, long dress, barefoot, high heel sandals, sandals, black toenails, black nail polish, toes, crossed legs, from below, looking down, from side, depth of field, warm afternoon light, wooden bench, soft grin A low, foot-level camera set at the near end of a slatted wooden bench, tilted up so the boards run diagonally across the lower third of the frame and the woman's lower legs rise into the top right, her upper body cropped away just above the knee and only the very bottom edge of her white dress hem floating at the top edge of the shot. She sits with her weight settled on her left hip, her right leg crossed over the left at the knee, the right ankle relaxed and turned slightly outward, the left foot planted flat on the bench board with heel and sole making full contact. Her right foot hangs free of the bench in the middle of the frame, held up by the strap of the sandal, toes pointed gently downward and slightly curled, the arch lifted, the pale sole catching the light along its outer edge. The high heel sandals are slim-strapped: a narrow white-tone vamp strap across the base of the toes, a thin ankle strap buckled at the outer ankle bone, and a slender stiletto heel that has sunk just barely into the soft gap between two bench slats -- the heel tip slightly compressed into the wood seam. Her bare skin shows between every strap. All ten toenails are lacquered glossy black, the polish thick and wet-looking, the shine strongest on the two big toes where the light rakes across them. One hand comes down into the lower right corner, fingers loose, the knuckles resting on the bench board beside her planted heel, thumb draping over the edge of the slat. Above, out of frame, she is smiling down at the camera -- visible only as the soft tilt of her knee toward the lens; her long smooth deep purple hair spills over the top right corner, one strand slipping down past her calf, and the white ribbon's tail flickers at the extreme upper edge, blurred by the shallow focus. Background falls away in warm bokeh: dappled late-afternoon sunlight through unseen leaves, gold and soft green discs, the bench behind her softly out of focus, a warm wooden brown ground. The key light comes from the upper left, warm and low, striking the bridge of her right foot and the tops of her toes, throwing a crisp small shadow of the ankle strap across her skin and leaving the underside of the arch in cool shadow. Depth of field is razor-thin on the toes and falls off through the ankle and into the bokeh. Palette held to deep purple, white, warm honey wood and glossy black, nothing else admitted. Quiet, elegant, a little indulgent.
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Ursprünglicher Prompt
深紫色顺滑长发成熟大姐姐,头上绑着白色丝带,微笑,坐在长椅上,红色瞳孔,穿着白色长裙,裸足穿高跟凉鞋,黑色脚指甲,脚部特写
Modus
pro
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

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character: wendy_marvell, copyright: fairy_tail 1girl, solo, wendy_marvell \(fairy_tail\), long dark blue hair, half-up braid, half-braided braid, braid over shoulder, yellow eyes, medium-sized breasts, wide hips, blushing, looking at viewer, sitting, white dress, white strapless dress, off-shoulder dress, sleeveless, neckline, bare shoulders, collarbone, jewelry, necklace, earrings, blue nail polish, blue nails, sandals, alternative costume, blue halo, blue sky, cloud, humid air, from below, dutch angle, slight foreshortening, leaning back on one hand, knees drawn up to one side, head tilt, gentle closed-mouth smile, half-closed eyes, windblown hair, light haze, bloom The camera sits low and canted a few degrees off true — from below and slightly to her left, a dutch angle that tips the horizon of the blue sky so the clouds slide down toward the right corner, and the natural low perspective makes her knees and sandals read large in the near foreground while her chin and halo lift against the open air. She sits on a smooth pale stone ledge, torso turned three-quarters toward the lens but her face brought fully to it: weight carried back on her right hip and right palm pressed flat on the stone beside her thigh, fingers splayed and blue-nailed tips dimpling the warm surface, her left arm loosely draped over the knee of the left leg, which is drawn up and folded across to her right; the right leg hangs down over the ledge edge, sandal sole hovering, thin straps crossing the top of her bare foot and one strap hooking behind the ankle. Her long dark blue hair falls past her wide hips, the half-braided section gathered high on the left side of her head and woven down into a braid that curves forward over her bare left shoulder and lies across the white fabric at her collarbone, the rest of the length loose and swept to her right by a steady breeze so strands cross the sky behind her ear. The white dress is sleeveless and strapless, a clean band wrapping her chest and the off-shoulder fold pushed down below both shoulders so the shoulder line, collarbones and the curve of her neck into the neckline are fully bare, the fabric drawn snug across her medium-sized breasts and released into a soft fall over her hips where the seam compresses against the stone; the hem pools and folds under her folded knee, one crease trapped in shadow. A fine chain necklace rests in the hollow of her throat, a small pendant lying tilted on her skin, and a matched earring hangs from each lobe, both ears framed by the braid rather than covered. Above her head, floating free of any support and not touching her hair, a soft-edged blue halo rings her crown, its inner rim brightest where it catches the sky. Light comes from high and slightly behind her right shoulder — strong open daylight with the blue sky as the only fill — so the sun rims her shoulder, the braid's outer edge and the top of the halo in a thin bright line while her face, the underside of her chin and the shadowed side of the dress fall into cool reflected blue; her own shadow drops short and soft onto the ledge to her left, and the halo throws no shadow at all. The palette is disciplined to white, dark blue and sky blue with one warm accent: the pale stone, the white cotton, the deep blue of her hair and nail polish, and the faint peach of her blush and sunlit skin. A humid haze softens the far clouds into pale flat shapes with luminous blurred edges, and the near edge of the ledge keeps its dry grain and a faint darkening where her palm has rested. She looks straight up into the lens from under half-lowered lashes, cheeks warmed pink across the bridge of her nose, lips closed in a small soft smile, chin tilted — a quiet, sun-warmed invitation.
Андрей Чарихов
AI artwork
ач
character: wendy_marvell, copyright: fairy_tail 1girl, solo, wendy_marvell \(fairy_tail\), long dark blue hair, half-up braid, half-braided braid, braid over shoulder, yellow eyes, medium-sized breasts, wide hips, blushing, looking at viewer, sitting, white dress, white strapless dress, off-shoulder dress, sleeveless, neckline, bare shoulders, collarbone, jewelry, necklace, earrings, blue nail polish, blue nails, sandals, alternative costume, blue halo, blue sky, cloud, humid air, from below, dutch angle, slight foreshortening, leaning back on one hand, knees drawn up to one side, head tilt, gentle closed-mouth smile, half-closed eyes, windblown hair, light haze, bloom The camera sits low and canted a few degrees off true — from below and slightly to her left, a dutch angle that tips the horizon of the blue sky so the clouds slide down toward the right corner, and the natural low perspective makes her knees and sandals read large in the near foreground while her chin and halo lift against the open air. She sits on a smooth pale stone ledge, torso turned three-quarters toward the lens but her face brought fully to it: weight carried back on her right hip and right palm pressed flat on the stone beside her thigh, fingers splayed and blue-nailed tips dimpling the warm surface, her left arm loosely draped over the knee of the left leg, which is drawn up and folded across to her right; the right leg hangs down over the ledge edge, sandal sole hovering, thin straps crossing the top of her bare foot and one strap hooking behind the ankle. Her long dark blue hair falls past her wide hips, the half-braided section gathered high on the left side of her head and woven down into a braid that curves forward over her bare left shoulder and lies across the white fabric at her collarbone, the rest of the length loose and swept to her right by a steady breeze so strands cross the sky behind her ear. The white dress is sleeveless and strapless, a clean band wrapping her chest and the off-shoulder fold pushed down below both shoulders so the shoulder line, collarbones and the curve of her neck into the neckline are fully bare, the fabric drawn snug across her medium-sized breasts and released into a soft fall over her hips where the seam compresses against the stone; the hem pools and folds under her folded knee, one crease trapped in shadow. A fine chain necklace rests in the hollow of her throat, a small pendant lying tilted on her skin, and a matched earring hangs from each lobe, both ears framed by the braid rather than covered. Above her head, floating free of any support and not touching her hair, a soft-edged blue halo rings her crown, its inner rim brightest where it catches the sky. Light comes from high and slightly behind her right shoulder — strong open daylight with the blue sky as the only fill — so the sun rims her shoulder, the braid's outer edge and the top of the halo in a thin bright line while her face, the underside of her chin and the shadowed side of the dress fall into cool reflected blue; her own shadow drops short and soft onto the ledge to her left, and the halo throws no shadow at all. The palette is disciplined to white, dark blue and sky blue with one warm accent: the pale stone, the white cotton, the deep blue of her hair and nail polish, and the faint peach of her blush and sunlit skin. A humid haze softens the far clouds into pale flat shapes with luminous blurred edges, and the near edge of the ledge keeps its dry grain and a faint darkening where her palm has rested. She looks straight up into the lens from under half-lowered lashes, cheeks warmed pink across the bridge of her nose, lips closed in a small soft smile, chin tilted — a quiet, sun-warmed invitation.
Андрей Чарихов

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