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im Mund halten, Brüste

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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sole female, 1girl, cowboy shot, from below, dutch angle, three-quarter view facing right, short blonde curly hair, bob curls, half-rim glasses, glossy burgundy lipstick, beauty mark under left eye, black-and-white suit, long black coat billowing behind, black suspenders, black satin cummerbund, white ascot tucked into open collar, deep cleavage, black fedora with white band, tilted brim, long black cigarette holder between lips, lit cigarette, smoke trailing, holding thompson submachine gun, silver-plated receiver, black polished wood stock, black polished wood foregrip, drum magazine, gloved hands, oily black slime, black tentacles, corrupted ruined city, collapsed buildings, rubble, high-contrast monochrome, deep shadows, stark dramatic lighting, rim light, smoke haze, cinematic noir, confident smirk, half-closed eyes, looking to the side The camera sits below her, tilted a few degrees off level so the broken skyline rakes diagonally behind her, and the cowboy shot cuts her just under the hips while the leaning towers of the dead city keep rising above the fedora's crown. She has turned three-quarters to her right, weight dropped onto her back leg, hips canted, the long black coat swinging open and dragging a slow arc behind her calf; her near shoulder is raised, the long black cigarette holder angled up out of her lips at forty-five degrees, the coal glowing a hot white-orange point that is the only warm thing in the frame. Her left hand grips the Thompson's black polished wood foregrip from underneath, drum magazine heavy and hanging, silver-plated receiver catching a hard vertical highlight; her right hand stays low at her side, gloved, fingers loose. Her eyes look off to the right and slightly down along the street rather than at the lens, half-lidded above a lopsided, unimpressed smirk, the burgundy lipstick glossed and a thin seam of smoke curling past the beauty mark on her left cheek. The street itself is the crime scene: buckled asphalt running diagonally from bottom-left to mid-right, front wheels of a burnt-out car tipped nose-down over a broken lip of road, an avenue of weeds pushing through the black. Behind her, on both sides, the buildings stand with their tops sheared off, exposed floor plates and rebar silhouetted against a hard overcast white sky; up the left wall, oily black slime has begun running from the shattered windows in thick glossy fingers, and one dark tentacle loops over a fire escape railing and squeezes between the bars, a second nosing out from a broken shopfront at ground level. Everything in the world is grey, bone white and black; the only saturation is her burgundy mouth, the brown-gold of her loose curls, and the tiny orange of the cigarette coal. The key light is a single shaft breaking through the ruined facades from the upper left, so the left side of her fedora brim, her left cheek and the silver receiver flare white while the right side of her face, the underside of the coat and the alley behind her are swallowed in deep shadow; the slime catches the light in wet hard-edged specular streaks and its growth leaves a faint glossy smear where it has already crawled across the pavement, on the black residue the cigarette holder's smoke hangs and thins at the low-aperture edge of the light. High-contrast black and white, deep shadows, stark dramatic lighting, monochrome excepting the lips, hair and ember; the slime has crept up to the toes of her right boot and stopped. Cold, defiant, seedy glamour.
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Ursprünglicher Prompt
Noir heroine in monochromatic, post-apocalyptic city. She has short blonde hair in curls, half-rim glasses, glossy burgundy lipstick and a beauty mark. She wears a black-and-white suit with long coat, suspenders, cummerbund, deep cleavage with ascot and fedora. She smokes a long cigarette holder and carries a Thompson sub-machine gun; with silver plating, black polished wood stock and handle, and drum magazine. The ruined city shows signs of corruption, with oily black slime and tentacles beginning to slither over the buildings. Cowboy shot.
Modus
pro
Qualitäts-Tag
ultra detailed, cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, intricate colors, vibrant colors, Detailed Illustration, Realistic Style, Surrealism, HDR, High Contrast, masterpiece, , ﹝Prompts﹞
Größe
720 x 1280
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

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Avatar image of MalletMann
1girl, solo, cowboy shot, from below, three-quarter view, short blonde hair, curly hair, bob cut with tight curls, half-rim glasses, glossy burgundy lipstick, beauty mark below the left eye, black-and-white suit, long black coat billowing open, white dress shirt, black suspenders, black cummerbund, deep cleavage, white ascot tucked into the shirt, black fedora tilted low, brim shadowed, smoking, holding long cigarette holder, thin ivory cigarette holder between her lips, smoke curling upward, holding Thompson submachine gun, silver-plated receiver, black polished wood stock, black polished wood foregrip, drum magazine, finger on trigger guard, ruined city, post-apocalyptic cityscape, collapsing buildings, rubble, oily black slime, black slick tendrils, tentacles slithering over buildings, motion lines in the slime, monochrome, high-contrast black and white, deep shadows, cinematic lighting, smirk, one eyebrow arched, half-closed eyes, sideways glance Half-rim glasses, side view, seductive_smile, smoky atmosphere The shot is a cowboy shot framed from the knees up, camera set low so it looks up at her, the woman standing three-quarter turned with her right shoulder nearer the lens, her face angled in profile to the left and her eyes slid sideways under the fedora's brim toward the ruined skyline, not the viewer. Weight is on her right leg, hip cocked, right arm bent at the elbow supporting the Thompson submachine gun low across her waist, the polished black wood foregrip under her left hand and the drum magazine hanging heavy below the receiver; the silver-plated receiver catches the cold key light. Her left hand is raised, two fingers pinching the long cigarette holder, its ivory stem level with her mouth as she draws on it, cheeks hollowed. Her short blonde curls are tucked up under the black fedora at a tilt, brim shadowing the right side of her face, a few loose curls striking her jaw. Half-rim glasses sit low on her nose, thin silver wire above the lenses. Her lips are closed around the cigarette holder, glossy burgundy the one unblack surface, the beauty mark a small dark freckle under her left eye. Her black coat hangs open in a long V, its lapels crisp with the white shirt beneath, the white ascot knotted at the deep open collar, suspenders a black stripe against the white. Her cummerbund is a band of black satin at her waist. Behind and above her, the corner of a collapsed office block fills the upper right of the frame, windows punched out, rebar bending into the dark. Black oil slime glistens in a thick sheet over the facade, tentacles beginning to slither over the ledge, one curling over a broken window frame, their wet shine reflecting a meager light. A ribbon of smoke rises from the cigarette holder and hangs against the ruined silhouette. Light comes from a single cold source low behind her right shoulder, hard-rimming her silhouette, throwing long shadows forward across the broken street where the slime has begun to pool. Monochrome black and white with dense blacks and silver highlights. Cool, quiet menace.
MalletMann
AI artwork
Avatar image of MalletMann
1girl, solo, cowboy shot, from below, three-quarter view, short blonde hair, curly hair, bob cut with tight curls, half-rim glasses, glossy burgundy lipstick, beauty mark below the left eye, black-and-white suit, long black coat billowing open, white dress shirt, black suspenders, black cummerbund, deep cleavage, white ascot tucked into the shirt, black fedora tilted low, brim shadowed, smoking, holding long cigarette holder, thin ivory cigarette holder between her lips, smoke curling upward, holding Thompson submachine gun, silver-plated receiver, black polished wood stock, black polished wood foregrip, drum magazine, finger on trigger guard, ruined city, post-apocalyptic cityscape, collapsing buildings, rubble, oily black slime, black slick tendrils, tentacles slithering over buildings, motion lines in the slime, monochrome, high-contrast black and white, deep shadows, cinematic lighting, smirk, one eyebrow arched, half-closed eyes, sideways glance Half-rim glasses, side view, seductive_smile, smoky atmosphere The shot is a cowboy shot framed from the knees up, camera set low so it looks up at her, the woman standing three-quarter turned with her right shoulder nearer the lens, her face angled in profile to the left and her eyes slid sideways under the fedora's brim toward the ruined skyline, not the viewer. Weight is on her right leg, hip cocked, right arm bent at the elbow supporting the Thompson submachine gun low across her waist, the polished black wood foregrip under her left hand and the drum magazine hanging heavy below the receiver; the silver-plated receiver catches the cold key light. Her left hand is raised, two fingers pinching the long cigarette holder, its ivory stem level with her mouth as she draws on it, cheeks hollowed. Her short blonde curls are tucked up under the black fedora at a tilt, brim shadowing the right side of her face, a few loose curls striking her jaw. Half-rim glasses sit low on her nose, thin silver wire above the lenses. Her lips are closed around the cigarette holder, glossy burgundy the one unblack surface, the beauty mark a small dark freckle under her left eye. Her black coat hangs open in a long V, its lapels crisp with the white shirt beneath, the white ascot knotted at the deep open collar, suspenders a black stripe against the white. Her cummerbund is a band of black satin at her waist. Behind and above her, the corner of a collapsed office block fills the upper right of the frame, windows punched out, rebar bending into the dark. Black oil slime glistens in a thick sheet over the facade, tentacles beginning to slither over the ledge, one curling over a broken window frame, their wet shine reflecting a meager light. A ribbon of smoke rises from the cigarette holder and hangs against the ruined silhouette. Light comes from a single cold source low behind her right shoulder, hard-rimming her silhouette, throwing long shadows forward across the broken street where the slime has begun to pool. Monochrome black and white with dense blacks and silver highlights. Cool, quiet menace.
MalletMann
AI artwork
Avatar image of MalletMann
1girl, solo, cowboy shot, from below, three-quarter view, short blonde hair, curly hair, bob cut with tight curls, half-rim glasses, glossy burgundy lipstick, beauty mark below the left eye, black-and-white suit, long black coat billowing open, white dress shirt, black suspenders, black cummerbund, deep cleavage, white ascot tucked into the shirt, black fedora tilted low, brim shadowed, smoking, holding long cigarette holder, thin ivory cigarette holder between her lips, smoke curling upward, holding Thompson submachine gun, silver-plated receiver, black polished wood stock, black polished wood foregrip, drum magazine, finger on trigger guard, ruined city, post-apocalyptic cityscape, collapsing buildings, rubble, oily black slime, black slick tendrils, tentacles slithering over buildings, motion lines in the slime, monochrome, high-contrast black and white, deep shadows, cinematic lighting, smirk, one eyebrow arched, half-closed eyes, sideways glance Half-rim glasses, side view, seductive_smile, smoky atmosphere The shot is a cowboy shot framed from the knees up, camera set low so it looks up at her, the woman standing three-quarter turned with her right shoulder nearer the lens, her face angled in profile to the left and her eyes slid sideways under the fedora's brim toward the ruined skyline, not the viewer. Weight is on her right leg, hip cocked, right arm bent at the elbow supporting the Thompson submachine gun low across her waist, the polished black wood foregrip under her left hand and the drum magazine hanging heavy below the receiver; the silver-plated receiver catches the cold key light. Her left hand is raised, two fingers pinching the long cigarette holder, its ivory stem level with her mouth as she draws on it, cheeks hollowed. Her short blonde curls are tucked up under the black fedora at a tilt, brim shadowing the right side of her face, a few loose curls striking her jaw. Half-rim glasses sit low on her nose, thin silver wire above the lenses. Her lips are closed around the cigarette holder, glossy burgundy the one unblack surface, the beauty mark a small dark freckle under her left eye. Her black coat hangs open in a long V, its lapels crisp with the white shirt beneath, the white ascot knotted at the deep open collar, suspenders a black stripe against the white. Her cummerbund is a band of black satin at her waist. Behind and above her, the corner of a collapsed office block fills the upper right of the frame, windows punched out, rebar bending into the dark. Black oil slime glistens in a thick sheet over the facade, tentacles beginning to slither over the ledge, one curling over a broken window frame, their wet shine reflecting a meager light. A ribbon of smoke rises from the cigarette holder and hangs against the ruined silhouette. Light comes from a single cold source low behind her right shoulder, hard-rimming her silhouette, throwing long shadows forward across the broken street where the slime has begun to pool. Monochrome black and white with dense blacks and silver highlights. Cool, quiet menace.
MalletMann
AI artwork
Avatar image of MalletMann
1girl, solo, cowboy shot, from below, three-quarter view, short blonde hair, curly hair, bob cut with tight curls, half-rim glasses, glossy burgundy lipstick, beauty mark below the left eye, black-and-white suit, long black coat billowing open, white dress shirt, black suspenders, black cummerbund, deep cleavage, white ascot tucked into the shirt, black fedora tilted low, brim shadowed, smoking, holding long cigarette holder, thin ivory cigarette holder between her lips, smoke curling upward, holding Thompson submachine gun, silver-plated receiver, black polished wood stock, black polished wood foregrip, drum magazine, finger on trigger guard, ruined city, post-apocalyptic cityscape, collapsing buildings, rubble, oily black slime, black slick tendrils, tentacles slithering over buildings, motion lines in the slime, monochrome, high-contrast black and white, deep shadows, cinematic lighting, smirk, one eyebrow arched, half-closed eyes, sideways glance Half-rim glasses, side view, seductive_smile, smoky atmosphere The shot is a cowboy shot framed from the knees up, camera set low so it looks up at her, the woman standing three-quarter turned with her right shoulder nearer the lens, her face angled in profile to the left and her eyes slid sideways under the fedora's brim toward the ruined skyline, not the viewer. Weight is on her right leg, hip cocked, right arm bent at the elbow supporting the Thompson submachine gun low across her waist, the polished black wood foregrip under her left hand and the drum magazine hanging heavy below the receiver; the silver-plated receiver catches the cold key light. Her left hand is raised, two fingers pinching the long cigarette holder, its ivory stem level with her mouth as she draws on it, cheeks hollowed. Her short blonde curls are tucked up under the black fedora at a tilt, brim shadowing the right side of her face, a few loose curls striking her jaw. Half-rim glasses sit low on her nose, thin silver wire above the lenses. Her lips are closed around the cigarette holder, glossy burgundy the one unblack surface, the beauty mark a small dark freckle under her left eye. Her black coat hangs open in a long V, its lapels crisp with the white shirt beneath, the white ascot knotted at the deep open collar, suspenders a black stripe against the white. Her cummerbund is a band of black satin at her waist. Behind and above her, the corner of a collapsed office block fills the upper right of the frame, windows punched out, rebar bending into the dark. Black oil slime glistens in a thick sheet over the facade, tentacles beginning to slither over the ledge, one curling over a broken window frame, their wet shine reflecting a meager light. A ribbon of smoke rises from the cigarette holder and hangs against the ruined silhouette. Light comes from a single cold source low behind her right shoulder, hard-rimming her silhouette, throwing long shadows forward across the broken street where the slime has begun to pool. Monochrome black and white with dense blacks and silver highlights. Cool, quiet menace.
MalletMann

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