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AI artwork featuring #Zenless Zone Zero, #Belle and #Ye Shunguang

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Belle, Ye Shunguang

#Zenless Zone Zero #Belle #Ye Shunguang

Veröffentlicht: Nov 1, 2026

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character: belle_(zenless_zone_zero), ye_shunguang, copyright: zenless_zone_zero 2girls, pov from inside aquarium tank, looking out through glass, ye shunguang, belle \(zenless zone zero\), long hair, brown hair, white hairband, hair intakes, red eyes, animal ears, droopy ears, bare shoulders, white china dress, jewelry, blue hair, short hair, crossed bangs, hair between eyes, letter hair ornament, green eyes, calm and gentle expression, soft closed-mouth smile, relaxed warm eyes, looking at fish, leaning forward, pointing, excited, open mouth, wonder, pressing hands against glass, palms flat on glass, hands near glass, enjoying aquarium together, fish in foreground, bubbles in foreground, caustics, refraction, curved glass distortion, warped faces, underwater lighting, blue-green palette, from below, close-up, depth of field, The camera sits inside the tank, tilted slightly up from below the waterline, so the curved glass fills the whole frame as a luminous wall and the two girls appear beyond it, chest-up, on the dry side. The viewer's foreground is water: a scatter of small silver fish drifting close to the lens, one school cutting left across the bottom third with their bodies foreshortened and blurred at the nearest edge, a ribbon of fine bubbles rising past the right side of frame in a wavering column, each bubble a bright ring with a dark centre. Behind them the glass curves away at the sides, and that curvature does the work — the girls' faces and shoulders stretch softly at the frame's outer thirds while their centres stay almost true, their outlines doubled by a thin ghost of offset refracted light. Every edge on the far side is mildly bent: the row of ceiling lamps above them smears into soft blue-green streaks, and the tiled floor behind their feet wavers. On the left stands Ye Shunguang, taller in frame, seen from slightly below so the glass lip crosses at her collarbones. She wears a white dress baring her shoulders, and her very long brown hair, one broad white hairband holding it, floats in slow strands where the tank light catches it; her droopy animal ears tilt outward and hang relaxed. Her weight rests on her back foot, her hip canted, one hand loose at her side and the other lifted to rest light fingertips on the glass without pressing. Her red eyes are warm and open, heavy-lidded, aimed down and to her right at the fish passing nearest the glass, and a soft closed-mouth smile curves only slightly at one corner — a mild, patient pleasure, chin dipped. On the right, closer to the glass, Belle leans far forward with her weight on her front foot, short blue hair with crossed bangs and the letter-shaped ornament swinging forward as her head pushes toward the glass. Both her palms are pressed flat against it, fingers splayed, the heels of her hands whitened by the contact, and one index finger breaks away from the press to jab upward at a fish above her line of sight. Her green eyes are wide, brows high, mouth open in a delighted gasp, a scatter of tiny bubbles escaping her lips and drifting up her cheek on the far side. Her earrings hang tilted with the lean, and a faint ring of condensation blooms around each hand where her warmth meets the cold glass. Her gaze lands on the fish she points at; Ye Shunguang's gaze lands on a fish lower down; neither looks at the viewer. The light comes entirely from the aquarium's overhead fixtures bleeding down through the water and from the tank's own submerged lamps, so every lit surface takes a blue-green cast, the coral-pink of their skin cooled to teal at the edges, the whites of their eyes the brightest points in frame. Caustics ripple across their faces and the glass — thin bright netting that slides over Belle's cheek and across Ye Shunguang's bare shoulder — while their own shadows fall soft and blurred on the far wall behind them. The palette is blue-green, glass-grey and cool white, admitted with only the warm skin tones and Belle's blue hair breaking it. One physical tell to read: the fish nearest the glass are larger and sharper than the two girls, because the lens sits in the water and everything beyond the pane is dimmed, tinted and a half-beat out of focus. Quiet, luminous, shared delight.

Belle, Ye Shunguang

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