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AI artwork featuring #Fate-Serie and #Fate/Grand Order
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Fate-Serie, Fate/Grand Order

#Fate-Serie#Fate/Grand Order
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no humans, scenery, dark gloomy background, enclosed space, cave interior, black rugged rock wall, rough uneven surface, cracked stone, jagged rock face, deep black, ink-black tones, faint blue glow, soft grey glow, side lighting, raking light, chiaroscuro, heavy shadow, mysterious, dreamlike, decadent, atmospheric depth, wide shot, from side, no text The camera sits at a slight low angle from the side, looking along a closed rock chamber rather than into open space, so the far wall recedes diagonally and the darkness behind the lit plane reads as depth, not as a flat backdrop. The left edge of the frame is where the light enters: a single narrow shaft from an unseen opening off-frame left, cold and dim, striking the wall at a shallow grazing angle so it rakes across the stone instead of washing it. That raking light is the revealer — every ridge, chip, bulge and hairline fissure on the rock casts a long thin shadow to the right, and the shadow length itself measures how rough the surface is. The lit strip occupies only a wedge of the wall; from there the light falls off fast, through soft grey mid-tones into ink-black, and the right third of the frame and the upper corners are absolute darkness with no fill. The wall is not one plane: it bulges forward into the near foreground at frame right, out of focus and near-black, pulls back through a lit midground ridge, and closes into a darker receding face beyond, so the chamber reads as enclosing rather than as scenery. Blue glow is not a lamp — it clings in the deepest crevices and along one wet-looking seam low on the midground wall, cold and faint, while the grey bloom sits on the lit ridges where the light dusts the stone. Deep black and ink-black dominate; the only other colours are that cold blue in the cracks and the soft grey on the exposed edges, nothing warm anywhere. Fine grit and a thin haze hang in the shaft so the beam is visible as a faint diagonal volume, and the haze thickens toward the floor where the darkness pools. No figures, no props, no signage; the surface, the light and the falling-off into black carry the whole image. Quiet dread and decadent hush.
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Ursprünglicher Prompt
어둡고 음침한 분위기의 배경으로 바꾸기. 빛이 거의 들지 않는 검고 거친 암벽 또는 폐쇄된 공간, 울퉁불퉁하고 불규칙한 표면, 짙은 흑색과 먹빛이 섞인 색감. 군데군데 푸른빛과 은은한 회색빛이 감돌며, 한쪽에서 들어오는 빛이 벽면의 거친 질감을 드러냄. 전체적으로 어둡고 깊이감 있는 분위기, 신비롭고 몽환적이면서도 퇴폐적인 느낌.
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pro
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﹝Prompts﹞
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1248 x 1600
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ヘ
no humans, (((village, underground settlement, multiple tents, fantasy city))), fantastical city built inside the hollow of a gigantic creature's body, heart imagined as a massive central tower, blood vessel wall, no rocks, pulsating blood vessels extending throughout the city like red-lit canals and streets, in the lung cavities mist drifts like clouds, pulsing walls, rivers of blood, bones, inside a living body, along the organic walls of the stomach and liver otherworldly buildings, markets, bridges cluster together, warm lights dot the streets, small inhabitants, moist organ textures, magical, beautiful and mysterious atmosphere, vast and deep composition, intricate details, dramatic light and shadow, grand fantasy concept art, masterpiece, ultra detailed, no text, no logo
ヘリオシュト
#The Fantasy City

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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
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