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Girl Car Cleavage
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- Ursprünglicher Prompt
- Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny stands at the centre of the roof of the black BMW, seen in a steep worm's-eye view from the concrete floor beside the car, looking up at her. She towers in the frame, the roofline cutting across the lower third, the ceiling falling away behind her. Her feet are planted shoulder-width apart, the clean white sneakers gripping the black paint. Both hands rest on her hips, elbows flared wide, shoulders drawn back, chest lifted, back arched, chin raised — a proud, proprietorial stance, elongated by the low angle into a commanding silhouette. Her black hair with bold purple stripes is in its sleek low ponytail at the nape of her neck, the tail hanging behind her shoulders. She has striking sapphire-blue eyes, looking directly down at the camera with a slow, heavy-lidded, unrepentant gaze, chin lowered, one brow arched, lips curved in a satisfied smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist. A delicate silver ring on one finger, a thin leather bracelet on one wrist, and a black choker with a small silver crest at her throat. She wears the purple bikini bra and matching purple thong bikini bottoms, fully covering her, and clean white sneakers. The black glass marker is tucked into the side strap of her thong bikini bottoms, hanging there casually. Details to hold: the foreshortened rise of her legs into the frame, the white sneakers on the vandalized black roof, black marker scrawls visible on the roof panel at her feet, the marker tucked into her side strap, her flared elbows and lifted chest, the underside of her jaw, the deep shadowed line of her cleavage, the silver crest catching light. The black old BMW is fully vandalized: deep glossy black paint, bright chrome and spotless glass all intact underneath, but every visible surface is covered in thick black marker — bold letters, crude words, arrows, scribbles, and the large X on the windscreen, the strokes heavy and uneven. Setting: open concrete bay, pale bare floor, cinder-block walls, cool daylight from the open roller door washing the wall behind her. Warm tungsten pendant bulb overhead. Camera: worm's-eye view from the floor beside the car looking steeply up, full-body shot heavily foreshortened, shallow depth of field with Anny sharp. Visual focus is her commanding down-gaze, the marker in her strap, and the graffiti at her feet. Subtle film grain.
- Modus
- ultra
- Größe
- 1232 x 1632
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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