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AI art "煙雨江南中的絕美邂逅"
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煙雨江南中的絕美邂逅

好喜歡這幅畫中細雨與燈籠交織出的唯美氛圍,看著她溫柔注視著小狐狸的樣子,心裡也跟著平靜了下來。這種國風的意境總讓我深深著迷,希望大家也會喜歡!如果喜歡這份靜謐感,請幫我點個讚或追蹤,也歡迎在評論區跟我分享你的感受喔~

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best quality, vivid colors, cel shading, lineart, anime style, anime illustration, dramatic lighting, beautiful light, best shadow, color blink, Masterpiece, traditional Chinese painting style mixed with anime aesthetics, soft brush strokes, atmospheric lighting.Scene: A rainy night by a river or lake. Heavy rain is falling, creating ripples on the water surface. The background is dark and moody, filled with numerous floating sky lanterns (Kongming lanterns) glowing with warm orange light, ascending into the night sky.Characters: 1. The Woman: A beautiful woman with long, flowing black hair tied in a traditional bun with a hairpin. She is wearing elegant, flowing white and pale grey Hanfu (traditional Chinese clothing) with wide sleeves. She is bending forward slightly, looking down with a gentle, melancholic expression. 2. The Fox: A small, cute fox sitting on the grassy bank near the water. It is looking up at the woman.Action: The woman is holding a traditional oil-paper umbrella (blue and transparent/translucent) over the small fox to shield it from the rain.Details: Wet ground, reflections of the lanterns on the water, tall grass or reeds in the foreground, rain streaks, ethereal glow, cinematic composition, emotional atmosphere.
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Ursprünglicher Prompt
beautiful light, best shadow, color blink, anime illustration, dramatic lighting, best quality, best quality, vivid colors, cel shading, lineart, anime style, Masterpiece, best quality, anime style, traditional Chinese painting style mixed with anime aesthetics, soft brush strokes, atmospheric lighting.Scene: A rainy night by a river or lake. Heavy rain is falling, creating ripples on the water surface. The background is dark and moody, filled with numerous floating sky lanterns (Kongming lanterns) glowing with warm orange light, ascending into the night sky.Characters: 1. The Woman: A beautiful woman with long, flowing black hair tied in a traditional bun with a hairpin. She is wearing elegant, flowing white and pale grey Hanfu (traditional Chinese clothing) with wide sleeves. She is bending forward slightly, looking down with a gentle, melancholic expression. 2. The Fox: A small, cute fox sitting on the grassy bank near the water. It is looking up at the woman.Action: The woman is holding a traditional oil-paper umbrella (blue and transparent/translucent) over the small fox to shield it from the rain.Details: Wet ground, reflections of the lanterns on the water, tall grass or reeds in the foreground, rain streaks, ethereal glow, cinematic composition, emotional atmosphere.
Modus
pro
Stil
Saisonaler Glanz
Qualitäts-Tag
﹝Prompts﹞
Größe
1056 x 1888
Negativ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stil: Saisonaler Glanz
Prompt-Assistent

Verwendetes Modell und LoRA

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Avatar image of yuuuunnn
1girl, solo, ancient Chinese woman, black hair, purple highlights in hair, long hair, purple gradient eyes, three-quarter back view, from behind, looking back, side profile, partial face visible, looking over shoulder, dancing, graceful spin, spinning, mid-turn, holding folding fan, traditional silk folding fan, open fan, long flowing sleeves, wide sleeves, silk ribbons, trailing ribbons, fabric trailing in air, flowing fabric, hanfu, layered robe, night, riverside, wide shot, full moon, moon behind thin clouds, floating sky lanterns, water lanterns, glowing lanterns, golden reflections on water, river, flower petals, falling petals, petals on water, weeping willow, drooping branches, flowering branches in foreground, mist over water, distant pavilions, bridge silhouette, dark indigo sky, moonlight, warm golden lantern glow, atmospheric perspective, layered depth, motion blur on petals and ribbons, cinematic lighting, romantic, melancholic, ethereal A three-quarter back view of a single ancient Chinese woman standing at the edge of a tranquil river at night, her body turned away from the camera and her weight carried on her right leg with the left foot drawn back on tiptoe, caught mid-spin so her layered robe and long wide sleeves flare outward and the silk ribbons stitched at her shoulders stream away from her in long spiralling arcs. She holds an open traditional folding fan of pale silk with a bamboo rib frame in her right hand, the fan raised at shoulder height with the wrist cocked, the ribbed arc tilted so its edge catches the lantern light; her left arm is swept low and back across her hip, the sleeve hanging in a deep sloshing fold. Her head is turned over her right shoulder so only a delicate sliver of her side profile shows — the cool line of cheek and jaw, one eye with a purple-to-lilac gradient iris glancing back toward the viewer, a few loose strands of black hair with vivid purple highlights lifting away from her nape in the night breeze while the rest is gathered up with the mass of hair swept forward past her shoulder. Her lips are parted a fraction and her brows are faintly drawn, giving the face a quiet, romantic melancholy rather than a smile. In contact with the ground at the right foot only; the hem of the robe lifts clear of the grass. The river runs from the middle distance into the lower left of the frame, dark and glassy, carrying dozens of glowing water lanterns in small lotus shapes whose warm golden light stretches into long vertical reflections that break and shiver around each floating petal; the reflected moon is softer and dimmer than the moon itself, a pale smeared disc under a thin drifting veil of cloud. Countless sky lanterns rise in a slow drifting column from the left bank toward the upper right, small in the distance and larger near the top of the frame, each a warm ochre point against a deep indigo sky that darkens to near-black at the upper edge. A great ancient weeping willow stands on the right bank, its trunk thick and leaning over the water, long curtain-like branches hanging down and framing the right side of the composition with narrow leaves reaching almost to the river's surface; on the left, flowering branches intrude from the foreground edge in soft out-of-focus spray, framing the top corner. Distant traditional Chinese pavilions with upswept eaves and a small arched stone bridge are reduced to flat blue-black silhouettes against the moonlit haze, layered behind two bands of soft mist that hover directly above the water and thin the far bank's contrast. The light comes from three directions: the veiled full moon high overhead casting a cool pale rim along the tops of her sleeves, shoulders and hair; the warm golden lantern glow from below on the water, lighting the underside of her trailing sleeve, the fan's silk and the hem of her robe; and the deep pooled darkness between them, with no other source. The palette is limited to dark indigo and blue-black, warm ochre and gold, and the girl's black hair and lilac-purple accents, nothing else. The spinning motion is visible in the silk ribbons and petals only — the petals crossing the air are streaked and semi-transparent at their edges while the moon and her face stay crisp, and petals already settled on the water sit perfectly still and sharp against the blur above. Cinematic depth, soft misty atmosphere, quietly sorrowful.
yuuuunnn

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