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My daughter

#Touhou Project #Reimu Hakurei #Original Character

Veröffentlicht: Nov 1, 2026

Azure Hakurei

character: hakurei_reimu, copyright: touhou 2girls, hug, headpat, hand on another's head, lying on person, motherly, smile, closed mouth, one eye closed, head tilted down, living room, tatami floor, wooden room, hakurei_reimu, short hair, brown hair, brown eyes, red hair bow, hair tubes, detached sleeves, wide sleeves, ribbon-trimmed sleeves, frilled shirt collar, red shirt, red vest, bare shoulders, yellow ascot, frilled red skirt, nontraditional miko, wavy hair, ponytail, parted bangs, dark brown hair, blue eyes, white buttoned shirt, short puffy sleeves, red necktie, cherry blossom pattern on skirt, tengu, medium breasts, from side, cowboy shot, indoors, warm lamplight The view is a low side-on cowboy shot from the left of the room, so Reimu sits in profile facing right and the second girl sprawls across her lap. Reimu kneels on the tatami in a seiza settle, weight rocked back onto her heels, hips off her feet just slightly, and she leans her upper body forward so her chest hovers over the girl's shoulder; her right hand rests flat and open on top of the girl's head, fingers curled into the dark brown hair just behind the parted bangs, thumb stroking the crown. Her left forearm lies across the girl's back, palm flat between the shoulder blades, holding her in. Reimu's chin is tucked down markedly toward the girl, face angled at the crown of the head under her hand; a closed-mouth smile curves one corner of her lips, cheeks lifted, and she is not looking at the lens at all — her gaze drops straight down to the girl's face. Her short brown hair with the red hair bow and the frilled hair tubes shifts forward over her ears with the tilt, sidelocks brushing her jaw, and her bare shoulders catch the lamp along their upper edge where the detached wide sleeves with ribbon trim have slipped away; the yellow ascot at her throat sits between the frilled shirt collar and the red vest over the red shirt, and the frilled red skirt fans across the tatami around her knees. The second girl lies on her back across Reimu's lap, her head propped against Reimu's thigh, her shoulders along Reimu's left arm, her legs folded and trailing off to the right across the mat. Her dark brown wavy hair in a high ponytail spills over Reimu's knee and out behind her, the parted bangs falling away from her brow, and she has tilted her head back into the palm — chin up, throat exposed — with her right eye closed in a happy crescent and her open blue left eye rolling up toward Reimu's lowered face; her mouth is relaxed into a small pleased smile. Her white buttoned shirt with the short puffy sleeves is rumpled and pulled slightly askew by the hold, the red necktie knocked a little off-center, and the red skirt with the cherry blossom pattern drapes over Reimu's shin — the fabric riding up over one knee where it drags on the mat. Around them the wooden room is warm and close: dark beams overhead, a shoji panel behind, a low table pushed to the right edge of the frame out of the way, and the tatami under the pair showing the weave. A single paper-shaded lamp stands low at the back left and is the only light source; it strikes the left side of Reimu's face and shoulder and the second girl's cheek and closed lid, while their joined shadow pools to the right across the tatami and the far corner of the room falls into deep warm brown. The mat compresses under Reimu's knees and the girl's hip, the weave denting where they press. Palette of warm amber, deep wood brown, red and yellow accents, quiet and tender.

My daughter

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