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character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series) 2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey. In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage. The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
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鏡音レンと弱音ハクが謝罪会場で謝罪をしている。それを、ツインテールしてる男子2人が席に座ってみている。ソニック(セガ)と四国めたんも席に座って見ている。 四国めたんがぶち切れている。
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lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series) 2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey. In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage. The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
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character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series) 2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey. In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage. The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
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character: shikoku_metan, yowane_haku, kagamine_len, mila_(doa), copyright: sonic_(series), pac-man_(game), tales_of_(series) 8girls and boys, kagamine_len, yowane_haku, shikoku_metan, mila_(doa), sonic_the_hedgehog, pac_(mr._pac-man), two boy audience members, apology venue, formal apology stage, bowing, apologizing, seated audience, watching, shikoku_metan furious, enraged, blowing up in rage, angry vein, shouting, clenched fists, standing up from seat, wide shot, from side, dutch angle, dutch angle, row of seats, audience seating, stage apron, microphone stand, banner, spotlight, high contrast, harsh stage light, dim auditorium, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, very long grey hair, ahoge, low ponytail, striped bow, white shirt, purple necktie, pink hair, twin drills, black hairband, white gloves, fishnets, red hair, short hair, red eyes, blue hedgehog, white gloves, red shoes, yellow round character, red hat with a black band, twin tails, blonde twin-tailed boy, brown twin-tailed boy, open mouths, anger mark, sweatdrops The camera stands low at the side of the hall, tilted a few degrees off level, wide enough to hold the whole room: the apology stage on the left third, the audience row receding across the right two thirds toward the back of the house where the seats dissolve into darkness. On the stage apron, Kagamine Len and Yowane Haku bow together from the waist, both faces down and out of sight, Len's short blonde hair hanging forward and the long sleeves of his white shirt falling toward the floorboards, Haku's very long grey hair sliding off her shoulders in a sheet with the striped bow at her low ponytail swaying forward past her ear; her white-gloved hands are pressed flat against her thighs and one knee is bent a half-step behind the other, taking her weight. Between them and the audience stands a single chrome microphone on a black stand, catching the spotlight. The light is one hard overhead stage lamp, a cone of warm white that falls across the two bowed figures and the stage boards, throwing their shadows backward and long up the back wall, the only light source in the room so that the audience beyond the cone sits in a dim blue wash lit only by the stage's spill. That spill climbs the faces of the seated row and leaves their bodies dark. Nearest the aisle, Shikoku Metan has half-risen off her folding seat, both fists clenched inside her white gloves and one foot braced out into the aisle, her twin pink drills swinging out around her shoulders as she leans toward the stage, her mouth open in a roar and a thick angry vein throbbing at her temple; an anger mark hangs in a comic shout above her head. Beside her sits Mira, red short hair and red eyes, leaning back in her seat with hands folded on her knee, watching the bowed pair with a flat, unimpressed look. Beyond her, Sonic the hedgehog is sprawled loose-limbed in his chair with one blue arm hooked over the seatback and one leg kicked out across the aisle, looking up at the stage with a lidded, bored eye. Pac, small and round and yellow, sits perched on his seat with his hands in his lap, cap in place, mouth in a quiet O of concern. In the second row, the two twin-tailed boys lean their heads together over their armrests, blonde braids and brown braids falling over their shoulders as they whisper behind their hands, eyes fixed on the bowing couple. In the corner a plain white banner hangs above the stage, its cloth flat and slightly bowed at the center from the weight of the rod, bearing the bold black lettering "お詫び申し上げます". Along the darkened left wall, the seat frames' empty rows close toward the back, all the spare chairs folded flat. Harsh, awkward, tense.
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#Tails#Sonic the Hedgehog#Sonic the Hedgehog

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