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Abandoned laboratory

Wettbewerbseinreichung

PixAI × zeta Original Character Creation Contest 2026

#Hintern #von hinten #Gürtel #Taschenlampe #blaues Hemd #Flur

Veröffentlicht: Nov 2, 2026

Andrew Goldson

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1boy, solo, short hair, orange eyes, otoko no ko, feminine boy, thick thighs, tight police uniform, navy blue police uniform, short-sleeved police shirt, silver badge, black utility belt, dark abandoned laboratory corridor, walking, holding flashlight, black heavy-duty flashlight, sweat, sweaty skin, bored expression, half-closed eyes, jitome, looking to the side, from behind, over-shoulder composition, cowboy shot, corridor perspective, long hallway, concrete walls, flickering fluorescent tube, cool blue-green palette, flashlight beam, dust motes, drifting cobwebs, tangled cables, one foot lifted mid-step, relaxed shoulders, moody, quietly unsettling The camera sits behind the boy and slightly above his right shoulder, a cowboy shot at hip height in a corridor that runs away from the lens in a long one-point perspective, its concrete walls receding toward a black vanishing point. His back is to us, head turned partway toward his left so a sliver of cheekbone, the droop of one half-lidded orange eye and the outer corner of a closed, unsmiling mouth show past the turned collar; his gaze drifts flatly to the side at nothing in particular, past a rusted doorframe rather than at the viewer. Short hair, choppy and close at the nape, sticks to his neck in damp strands and lifts slightly with his stride. He is caught mid-step: right foot lifted and toe pointed just above the floor, left leg straight and loaded as the support, hips shifted over it — the tight navy police uniform trousers pull taut across thick thighs, the fabric creasing hard at the crotch and behind the knees with each step. The short-sleeved uniform shirt is buttoned tight over the chest and shoulders, its seams straining faintly across the back; the silver badge sits on the left breast, the black utility belt cinched low with a torch loop and a dangling strap that swings with his pace. One hand, at his right side, grips the black heavy-duty flashlight by its knurled barrel, head down and angled at the floor ahead of him, the beam slicing forward through dust and throwing his own long shadow past his feet into the corridor. Sweat is everywhere it needs to be: a damp sheen along the back of his neck and the hairline, dark patches spreading under each arm and between his shoulder blades, one bead running down the side of his throat and another losing its shape inside the crease where uniform meets belt. The flashlight is the only true light in the frame, plus a single failing fluorescent tube high on the left wall; it is the only warm-white source within the corridor, cutting a conical pool forward while the far hallway goes entirely black, and the fluorescent tube behind the boy delivers a cold blue-green rim along his right shoulder and the edge of his jaw without lighting his face. To the left, a long-abandoned laboratory bench runs out of frame, cluttered with dead glassware and tangled cables; to the right, doors with faded illegible warning pictograms, one hanging from a single hinge. Dust motes turn slowly in the beam, cobwebs sag between a ceiling pipe and a broken panel, and a thin trail of tracks in the grit behind him marks where he has come from. Colour is rationed: cold blue-green concrete and steel, deep shadow black, the uniform's flat navy, the flashlight's warm amber-white, and the single hot orange of his eye.

Abandoned laboratory

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