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- Ursprünglicher Prompt
- おむつ交換スペース_ベビールーム_カウンター一体型おむつ交換台_長方形の平坦なクッション交換面_左右と奥側の低い安全用クッション縁_足元側から斜め上約60度の俯瞰視点
- Modus
- pro
- Größe
- 992 x 992
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
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Verwendetes Modell und LoRA
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diaper changing space, baby room, integrated counter diaper changing table, rectangular flat cushion changing surface, low safety cushion edges on the left, right, and back sides, high angle view from the feet side at approximately 60 degrees, woman
tky
diaper changing space, baby room, counter-integrated diaper changing table, rectangular flat cushion changing surface, low safety cushion edges on the left, right, and back, high-angle bird's-eye view approximately 60 degrees from the foot side, changing a diaper,
atmosphere adjustments (adding a sassy, bratty girl element, altering facial expressions, slight deformation), cute everyday anime style, emphasized outlines, clear shading, upward gaze.
tky
背景 和室
ハマムラ
s
1girl, ponytail, peace sign, v, upper left, inset portrait, open drawer, top-down on drawer, ten folded frilly panties, yellow crotch stains on three panties, black stockings, many black socks, no other text, looking at viewer, one eye closed, open mouth grin, from above,
The drawer is shot straight down from directly above, filling the frame as an open wooden dresser drawer seen in plan view, its front edge running along the bottom and its two side rails framing the left and right borders. Ten folded frilly panties are laid out in two staggered rows of five across the upper two thirds of the drawer, each pair folded edge-forward so the scalloped lace waistbands face the camera: white cotton with eyelet lace, pale pink with double ruffle tiers, cream satin with a ribbon-and-lace trim, lavender mesh with a wide lace band, mint jersey with a lettuce hem, peach with crochet edging, and three plainer pale pairs at the back, all slightly overlapping at the corners so the row reads as ten distinct folds without crowding. The three panties sitting third, sixth and ninth from the left in the front row show a distinct yellowed patch at the crotch panel, the fabric stiffened and darkened in a soft-edged bloom where it has dried, the seam underneath faintly visible through the stain, while the other seven stay clean and evenly pale. Below the panty rows the drawer's lower third is packed with black hosiery: long black stockings rolled into neat coils on the left, their sheer nylon catching narrow highlights along each fold, and on the right a dense cluster of black ankle socks folded one into another, cuffs stacked, ribbing reading as fine dark lines, the whole mass sinking slightly into the drawer's corners. The drawer's wood grain, a small brass pull at the bottom center, and the shadow the drawer walls cast inward on their own contents are all visible; the only light source is a soft even overhead light that falls straight into the drawer, catching the lace of the topmost panty at the front edge and leaving the deepest corner of the socks in gentle shadow without any hard cast shadow. The palette is restrained to warm pale wood, the whites, creams, pinks and pale pastels of the folded underwear, the single yellow stained accent, and the dense mass of black below, nothing else admitted. In the top left corner, overlapping the drawer's left rail and a portion of the lace rows, an inset portrait sits in a soft-edged vignette: a girl with a high ponytail swings her head so the tail arcs out to one side, her left eye squeezed shut and her right eye bright, a wide open-mouthed grin, her raised right hand held near her cheek with two fingers extended in a peace sign, the elbow bent and the wrist angled toward the lens, her body turned three-quarters so her shoulder overlaps the vignette's edge, the loose strands of her ponytail lifted by the movement. She looks straight at the viewer with the open eye, her grin angled toward the camera, and the soft overhead light falls on the top of her head and the bridge of her nose, leaving the underside of her chin and the curve of her ponytail in shade. Quiet domestic inventory, faintly cheeky.
SUKEKIYO
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A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
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