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黒山羊さん

こんにちは、真島茂樹です。パチンコＣＲマツケンサンバトゥーは、踊るパティンコ！では、勇気を出して、踊ってみましょう！ハイ、ワントゥー！サンバのリズムでパーパーティンコ！マツケンサンバでパーパーティンコ！「ティンコ！」で腰を突き出して。・・・そう！マツケンボーナス出玉がティンコ！ティンコ！・・・そう。切れよく「ティンコ！」「ティンコ！」と。フィギュアが踊るよパーパーティンコ！確変ゲットで上上・下下・オープン！ボーナスゲットで前・前・後ろ！フィギュアが踊るよパーパーティンコ！マツケンサンバでパーパーティンコーーーー！！！・・・ティンコ！・・・もう１回。・・・ティンコ！はーい、今日はこれくらいにしておきましょう。

Veröffentlicht: Nov 2, 2026

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1boy, solo, tall male, exceptionally tall, elongated proportions, goat skull head, bare animal skull face, hollow eye sockets, curved horn sheath, black trench coat, heavy black wool, long coat, wide-brimmed black fedora, hat tip, hand on brim, tipping hat, holding cane, mahogany cane, silver pommel, standing on the moon, lunar surface, full body, wide shot, small in frame, from below, low angle, looking down at viewer, head tilted down, regolith plain, black starless sky, earth in the sky, harsh single sun, long shadow, crisp hard-edged shadow, muted palette, bone white, charcoal black, ash grey, deep blue earth Low-angle wide shot from just above the lunar regolith: an exceptionally tall male figure stands alone on the moon, occupying barely a quarter of the frame width, off-center to the left, the vast pitted grey plain sweeping away to the right in long empty negative space toward the curve of the horizon. His proportions read as unusual even in silhouette — long legs planted apart, weight sunk into the left hip, left foot forward on the dusty crust with the toe of the boot pressed into the fine grey powder and a small crescent of displaced regolith pushed up against it. He wears a heavy black wool trench coat, buttoned at the waist, its tails hanging straight and heavy because there is no wind to lift them, dust grey at the hem. A goat skull sits where a face would be: a long pale curved snout, dark empty eye sockets, ridged horn sheaths swept back over the crown, the bone matte and chalk-white in the raw sunlight. A wide-brimmed black felt fedora rests low over the skull; his right hand is raised, thumb and forefinger gripping the front brim in a hat-tip, canting the hat a few degrees down and to the side so its shadow cuts a diagonal across the bone of the brow. His left hand, gloved, rests on the silver pommel of a polished mahogany cane whose tip is planted an inch into the regolith beside his left boot; the coat's shoulder seams and the cane's shaft both catch a hard rim of light. The skull's dark sockets are angled down and toward the viewer, chin tipped with the hat tip, a cool acknowledging bow rather than a greeting. The sun is the only light source, low behind him to the right: every upward-facing surface blazes — the crown of the fedora, the tops of the horns, the shoulder ridge of the coat, the silver pommel — while the front of the coat and the underside of the skull fall into deep black, and his long shadow stretches forward across the cratered ground, sharp-edged and slightly blue against the grey. Above the horizon the sky is absolute, windless black, with the earth hanging small and blue and half-lit in the upper right, and no stars. The airless quiet sharpens every hard edge; palette held to bone white, charcoal black, ash grey and that single cold blue disc. Still, ceremonial, quietly ominous.

黒山羊さん

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