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eitaeita.1007@icloud.com

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1other, solo, creature, monster, black body, entirely black skin, emaciated, extremely thin, visible ribs, ribcage showing through skin, tendril head, featureless head, no face, no eyes, no nose, no mouth, smooth head, sharp limbs, conical limbs, tapered pointed limbs, two tendrils, back tendrils, wire-like tendrils, tendrils like wings, no wings, from below, low angle, close-up, standing on one leg, leaning back, arms spread, arched spine, looking up, empty background, darkness, side lighting From a low angle, a single black creature stands alone against an absolute darkness, seen from below so its emaciated torso rises over the viewer. Its skin is entirely black, matte and dry like scorched leather, stretched so tight that the ribcage reads as a row of raised ridges across the front of the chest and the hollow of the belly sinks between them; each rib catches a thin rim of pale grey light along its upper edge and drops into black beneath, so the frame of bone is the only structure the light allows to be seen. The head is a tapering mass of tendrils, entirely without eyes, nose or mouth, a smooth featureless surface that writhes upward and slightly back; the tips curl and drift in a slow air current, and the longest tendrils trail behind the skull rather than toward the camera. Its limbs taper from broad joints to sharp conical points, matching the skin exactly, with no hands or feet, and no joint lines to break the cone; it balances on the tip of one leg, the other lifted and bent inward, both tapered arms spread wide and angled downward like blades. From the shoulder blades two wire-thin tendrils rise high above the head and arch outward like wings, supple and rigid at once, the left one curving forward past the shoulder and the right one swept back into the dark; their silhouettes bite the light with a hard highlight along every length. The spine arches back, the chest is thrust forward, the head tendrils turn toward the upper corner of the frame. Lighting comes from a single cold, hard source at the left and low, striking the left half of the ribs and the front edges of the limbs, leaving the right side and the space behind the creature in absolute blackness; a faint dust halo catches the two wire tendrils. The palette is limited to black, cold grey rim light and the faintest blue in the highlights. Stark, unsettling.
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Ursprünglicher Prompt
黒い体色に肋骨が見えるほど痩せすぎた体 触手状で顔のパーツが無い頭 鋭い円錐状の四肢 背中から翼の様に伸びた針金のような2本の触手
Modus
pro
Stil
Gedämpft & Transparent
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stil: Gedämpft & Transparent
Prompt-Assistent

Verwendetes Modell und LoRA

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AI artwork
e1
1other, solo, creature, monster, emaciated, excessively thin body, black skin, jet-black body, faceless, no face, head replaced by single thick tentacle, smooth featureless head, no eyes, no mouth, no nose, four sharp conical limbs, conical pointed limbs, two wire-like tentacles from back, wing-like back tentacles, thin tendrils, standing on tiptoes, leaning forward, head tilt, outstretched arm, full body, from below, wide shot, dutch angle, dark background, rim light, high contrast, monochrome The view is a low, wide-angle shot from below, tilted a few degrees off level, so the creature towers over the lens with the ground falling away beneath its tapered limbs. Its body is a gaunt black mass, ribs pressing against a hide stretched too tight, hips jutting sharply above legs so thin the knee joints read as separate hard beads. Four sharp conical limbs end in needle points that barely meet the ground; the front-right limb takes the weight, the front-left lifted and bent, and the rear pair splayed for balance. A single thick tentacle rises where a neck should be, tapering and curling slightly at its tip, its surface impenetrably smooth from base to point — nothing on it that could be called an eye, a mouth or a nose. Two wire-like tentacles extend from the shoulder blades and arc out and back like stripped-down wings, thin enough to catch light along one edge only. The pose is caught mid-lean forward, the thick head-tentacle tipping down toward the lens, as the creature's front-left conical limb probes at the air. The wiry back-tentacles bellah out behind it, their tips heavier than the shafts, each one sagging a fraction lower than its arc suggests. The lean makes the ribs shift under the skin. The light comes from a single hard source low behind and to the creature's right — a cold white rim that outlines the back tentacles and the lifted limb, then falls away so the black hide goes velvety and near-absorbent in front. The darkness behind is complete, no floor visible past the creature's own shadow pooling under it. The palette is black, cold grey and one edge of pale blue in the rim. Quiet dread, monstrous.
eitaeita.1007@icloud.com
AI artwork
s3
1 monstrous alien predator, elongated skeletal body, extremely thin gaunt anatomy, taut ash-grey skin stretched tightly over visible skeletal contours, narrow elongated torso, sharply defined rib outlines beneath the skin, long curved neck, elongated skull shaped like a cracked ancient bell, broad flared skull crown narrowing toward the jaw, irregular fractures running vertically across the weathered bone surface, exactly two deep hollow eye sockets emitting a dim pale-gold glow, smooth bone ridges surrounding the eye sockets, elongated narrow jaw lined with uneven ivory teeth, lower jaw divided by fine bone seams, ribbed skeletal throat cage extending directly beneath the jaw, curved ivory ribs arranged in overlapping horizontal bands around the throat, narrow openings between the ribs exposing dark grey tissue, long spinal column protruding visibly along the back, thin overlapping ivory bone plates covering the spine from the base of the skull to the pelvis, each spinal plate tapered and slightly raised, six articulated limbs arranged in three symmetrical pairs along the elongated torso, one forelimb pair near the shoulders, one middle limb pair beneath the rib cage and one rear limb pair near the pelvis, extremely long slender limbs with sharply angled joints, exposed grey tendon fibers running between the joints, elongated forearm bones visible beneath the taut skin, every limb ending in curved hooked ivory claws, several thin fibrous tendon strips hanging from the elbow joints and outer hips, ragged strands of grey tendon tissue trailing from the skeletal joints, narrow pelvis with protruding bone ridges, elongated segmented tail composed of thin interlocking vertebral sections, matte ash-grey skin contrasting with weathered ivory bone, subtle pale-gold luminescence confined to the hollow eye sockets, intricate cracks, fine bone pores and visible tendon textures, consistent elongated skeletal anatomy, exactly six limbs, distinctive cracked bell-shaped skull and ribbed throat cage, (amazing quality, absurdres, cinematic lighting), detailed face, highly detailed eyes, expressive eyes, flawless skin, glossy lips, silky hair, intricate details, long eyelashes, detailed pupils, semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, intense under-lighting, glowing rim light, high-contrast values, beautiful light, best shadow, color blink
Samora39
AI artwork
Avatar image of Bunny D. Kubo
Nightmare’s head resembles a vaguely humanoid silhouette, though its exact shape seems to subtly change whenever it is observed. Dark red and black surfaces shift beneath a thin layer of shadow, not like flesh moving, but like an endless depth existing behind the suggestion of a face. There is no mouth, nose, or ears. Two dark green eyes stare outward from the shifting darkness, unnaturally clear and perfectly still. Two thin, perfectly straight horns extend vertically from the crown of his head. They appear almost too geometrically precise to be natural, disappearing upward into the fog. At times, they seem impossibly distant despite being only inches above his head. When Nightmare chooses to open his face, it does not move like an ordinary mouth. The entire shape of his face simply divides along impossible vertical and horizontal lines, unfolding into a four-part opening that reveals an infinite-looking darkness filled with rows of pitch-black teeth. The interior seems far larger than his head should physically allow. From this darkness emerges a long, slender tongue-like appendage. Its movements are slow and deliberate, almost curious. At its tip is a single bloodshot eye that constantly watches from a different direction than Nightmare's other eyes. His neck is unnaturally long and slender, connecting his head to a vaguely humanoid torso. His proportions are subtly wrong, as though they were calculated from an unfamiliar understanding of anatomy. His arms are extremely long and thin, extending farther than they should. Their lower portions dissolve into flowing red-black tendrils that constantly drift and rearrange themselves, never quite maintaining the same shape. Each hand possesses three elongated fingers, though their exact number occasionally seems impossible to determine. The fingers taper into tendril-like points and are coated in a dark red substance that falls upward into the fog rather than downward. His torso resembles the suggestion of a skeletal frame rather than an actual skeleton. An enormous open ribcage surrounds a seemingly bottomless interior. Rather than organs, there is only an abyss of shifting crimson and black shapes. Looking into the space between his ribs gives the disturbing impression of looking somewhere that is not physically present. His lower body is even less comprehensible. Fourteen extremely long, insect-like appendages descend into the fog, supporting a lower form whose silhouette constantly changes. At a glance, the legs resemble those of some enormous arthropod, but their joints do not consistently bend in the same directions. Some seem to disappear entirely before reappearing farther away. The rest of his lower body is concealed within an ever-moving mass of darkness, faint red shapes, and indistinct geometric structures. Nothing about it remains completely consistent for more than a moment. A long, impossibly thin, tendril-like appendage extends behind him. It moves independently of his body, drifting through the air as though submerged in invisible water. At its end is something resembling a human hand. The hand is unnaturally symmetrical. Its long fingers slowly flex and unfold, sometimes pointing toward things that Nightmare himself does not appear to notice. Occasionally, the hand seems to be several feet away from the end of the tail without the intervening appendage actually becoming longer.
Bunny D. Kubo

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