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Ceo husband

Wettbewerbseinreichung

PixAI × zeta Original Character Creation Contest 2026

Veröffentlicht: Nov 2, 2026

Sash Ash

1boy, solo, adult man, 29 years old, tall, elegant, athletic build, broad shoulders, korean, handsome, beautiful facial features, defined jawline, pale skin, sharp grey eyes, cold expression, composed, serious, closed mouth, perfectly styled jet-black hair, short black hair, swept-back hair, black tailored business suit, expensive suit, white dress shirt, open collar, no tie, luxury wristwatch on left wrist, sitting, seated, executive office, luxury office, floor-to-ceiling windows, modern city skyline, cityscape, glass and steel towers, daylight, cinematic lighting, tyndall effect, from side, three-quarter view, profile, looking out window, looking to the side, arm support, elbow on armrest, hand at chin, crossed legs, tailored fit, mature male, manhwa illustration, korean illustration, cel shading, hard edges, sharp linework, muted controlled palette, depth of field, luxury, cold, refined The camera sits at chest height and slightly to his right, catching him in three-quarter view so his face is nearly in profile: a tall, athletic twenty-nine-year-old Korean man sunk back into a high-backed black leather executive chair behind a wide dark wood desk, one ankle crossed over the opposite knee so the tailored trouser leg rides clean and sharp over the shin. His right elbow rests on the chair's armrest, forearm rising, and his knuckles settle lightly against the underside of his chin, index finger half-curled — the only restless thing in the frame. His left hand lies flat and slack on the desk beside an open leather folio, the sleeve pulled back just far enough to expose the square-faced luxury watch, its polished steel case catching a single hard highlight along the bezel. He has turned his head away from the camera toward the windows; his sharp grey eyes are narrowed to a level, unreadable look aimed out over the city, lashes low, lips set flat and closed, jaw defined and still, not a trace of warmth in the mouth. Perfectly styled jet-black hair is swept back off the brow with fine, controlled strands, a few catching the window light along their crowns. The white dress shirt stands crisp at his throat in an open collar — no tie, nothing knotted at the neck — the black tailored suit jacket cut close at the waist and clean at the shoulders, one button closed. Behind him the office opens into a full wall of floor-to-ceiling windows with slim dark mullions cutting vertical lines across a bright, hazy modern skyline — glass towers stepping back into distance, their far faces flattened by atmosphere while nearer buildings keep crisp floor lines. The glass carries a faint cool reflection of the room, dimmer and softer than the view itself, and it ghosts a second, paler edge over his shoulder. The light is daylight from those windows, cool and directional, striking the left side of his face and the side of his jaw and leaving the right side of his face and the near side of the chair in soft shadow; it lays a hard bright sliver down the edge of the desk and pools a lighter rectangle across the dark carpet, while the corner of the room behind him falls into quiet shadow. The palette holds to black, white, cool grey and steel, with the pale skin and the slight warm cast of the wooden desk the only warmth admitted. Fabric detail is spent where the eye lands — the weave of the suit, the crisp fold of the collar, the watch's dial — and the city beyond is simplified into layered silhouettes without losing its depth. Cold, composed, expensive.

Ceo husband

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