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AI art "Rainy Night Horror Standoff"
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Rainy Night Horror Standoff

I am absolutely captivated by the intense, rainy atmosphere in this piece. The dark, realistic style perfectly captures the tension between the two figures in the puddle-filled alley. If you love this eerie vibe as much as I do, please like and follow for more art!

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NergoProxy

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2 figures, two silhouettes, scribbled ink figures, featureless scribbled heads, blank faceless heads, imposing figure, walking stick, walking away, from behind, back view, cowering figure, hiding behind crate, massive iron crate, scribbled footprints, rain-slicked floor, wet industrial floor, derelict warehouse, low angle, from below, close-up floor, footprint foreground, wide banner, 16:9, monochrome, high contrast, blueprint drafting aesthetic, structural blueprint overlays, tactical grid overlay, data streams, glowing electric blue accents, electric blue highlights, tech-noir, gritty atmosphere, reflection on wet floor, puddle, vanishing point perspective, no text A cinematic 16:9 horizontal banner seen from a low angle, the camera set barely above the wet concrete so the floor fills the lower two-thirds of the frame and the warehouse ceiling is flattened out of sight. In the foreground a rain-slicked industrial floor stretches toward a distant vanishing point: poured concrete broken into rectangular panels, a shallow puddle sheeting across one seam, water beading and running in thin films that mirror the dark above. Each panel edge catches a hard electric blue line of reflected light that stretches lengthwise toward the horizon, foreshortened into long wedges by the low camera. Across this floor a trail of distinct scribbled footprints marches away from the viewer, each print a knot of dark ink hatch marks smeared slightly at the heel where weight rolled off, the prints growing smaller and closer together as they recede. Ahead of the footprints an imposing silhouette walks away from the camera, back turned, tall and block-shouldered, its whole body built of chaotic dark ink scribble — dense tangles of black line forming a coat that flares slightly with the stride, one leg planted forward, the other trailing, one shoulder dipped into the step. Its head is a solid mass of scribbled ink, blank and featureless, no face, no eyes, the scribble churning tighter at the crown. In its right hand it grips a long walking stick planted ahead on the floor, the stick a single clean shaft of glowing electric blue light, the one rigid line in a body made of chaos; the blue bleeds upward onto the figure's knuckles and throws a thin vertical streak of reflection down into the wet panel at its base. Behind and to the right, half-hidden by a massive iron crate that dominates the midground, a second silhouette cowers: crouched low, hunched into itself, both scribbled arms drawn up protectively near its scribbled head, one knee pulled under its body, the other braced, and one hand's worth of ink gripping the crate's corner edge. Only its upper half shows past the crate; its blank featureless scribbled head tilts just far enough out to watch the walking figure, the whole shape pressed against the iron as if trying to be smaller. The crate is riveted sheet iron, its surface scratched and streaked with rust-dark tones rendered in graphite hatching, wet along its top edge, and its hard vertical edge cuts the composition between the two figures. The background is a derelict warehouse dissolving into layered technical overlay: intricate structural blueprints of trusses, beams and floor-panel schematics drawn in fine white drafting line over the dark, angular tactical grid overlays laid in perspective across the walls, and vertical streams of data — columns of small illegible marks and tick marks — cascading down the far end of the hall. These overlays hover at different depths, the blueprint lines faint and cool, the grid a fraction brighter, the data streams brightest at their heads, all of them glowing electric blue where they cross the shadow. Lighting is a single cold source from high behind the walking figure's shoulder, throwing the two silhouettes into near-total darkness, striking blue-white specular streaks off the puddle and the wet floor panels, and leaving everything beyond the light's reach in absolute black; the crate's top edge catches a thin rim of it. Palette: black, ink-grey and paper-white monochrome with electric blue the only chroma, concentrated on the walking stick, the panel edges and the overlay lines. The reflections in the puddle are darker and softer than the sources they mirror, and the footprints are printed darker at the trailing edge of each step where the water pools. Quiet dread.
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Ursprünglicher Prompt
A cinematic widescreen horizontal banner (16:9 ratio) for a tech-noir chapter header. High-contrast monochrome blueprint drafting aesthetic. A close-up focus on a rain-slicked industrial floor inside a derelict warehouse, viewed from a low angle. The characters are depicted as abstract chaotic ink scribble silhouettes, dark scribbled ink-line figures with scribbled heads and no facial features. One imposing figure, holding a long walking stick, walks away from the camera, leaving distinct scribbled footprints on the ground. Another cowering scribbled silhouette watches from behind a massive iron crate. Glowing electric blue highlights accent the walking stick and floor panels, intricate structural blueprints, tactical grid overlays, and data streams overlay the background, dark gritty atmospheric tech-noir aesthetic.
Modus
flash
Größe
1888 x 1056
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.01k

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widescreen, 16:9, cinematic banner composition, no humans with faces, multiple faceless ink figures, abstract ink scribble silhouettes, solid black scribbled ink bodies, scribbled heads, completely blank featureless faces, tactical enforcer gear, heavy armored vests, helmets merged into ink mass, breaching action, kicking door, battering ram impact, iron security door bursting inward, sparks at the hinges, dynamic smoke, billowing smoke banks, flickering emergency lights, broken suppression runes, glowing electric blue cracks, unstable kinetic cores, blue energy bursts, blueprint overlay, tactical breaching schematics, statutory law equations, structural layout blueprint, high-contrast monochrome, drafting paper texture, technical linework, tech-noir, dutch angle, from below, wide shot, backlit, silhouette A hard dutch-angled wide shot tipped a few degrees off level, camera low near the warehouse floor so the figures tower into the upper third of the frame. The whole image is drafted on a single sheet of pale cold-grey blueprint paper: a low, cavernous industrial warehouse of steel roof trusses, gantry rails, pipe runs and stacked pallets, every structural edge drawn as fine white and graphite drafting lines over a deep charcoal ground, hatching in place of shadow. In the center-left, three heavy tactical enforcers in slab-like armored vests, plate carriers and visored helmets rendered as pure black ink masses -- their heads are dense knots of chaotic scribbled ink with absolutely no eyes, nose or mouth, blank featureless smudges -- lean into a massive iron security door marked with riveted steel plates, its bolt housings sketched in hard white line. The frontmost figure drives a heavy battering ram into the door's center seam, both ink arms locked around the shaft, its body a long diagonal of momentum; the second braces a shoulder against the doorframe, boots planted wide; the third reaches for the lock panel with one outstretched scribbled hand, its ink arm fraying into loose hatch strokes. The door is already breached: its lower edge buckles inward, rivets pop as tiny white flecks, and the seams split. From the cracked suppression runes running along the doorframe and floor -- circular sigils and concentric rings rendered as fine drafting linework -- electric blue energy erupts in jagged bursts and filaments, the only color in the picture, bleeding a cold glow onto the nearest iron and carving bright caustic streaks across the floor plates. A squat cylindrical kinetic core hangs ruptured on the wall beside the doorway, its casing split, its blue interior spilling out in unstable arcing threads that whip toward the enforcers. Dynamic smoke rolls in low banks across the floor, drawn as turbulent hatched ink clouds and spectral wide sweeping curves, denser at the right where a second breach point glows faintly. Overlaid across the entire sheet, semi-transparent and in the same blueprint register, are tactical breaching schematics: a top-down floor plan of the warehouse with entry arrows and door swing arcs, exploded-view diagrams of the ram and lock mechanism, and callout boxes of measured linework; statutory law domain equations in fine serif drafting type with bracketed clauses and section numbers arranged in two neat columns at the upper right; and a structural layout blueprint of the roof trusses and load-bearing walls in thin white gridlines at the upper left. Flickering emergency lights hang in caged fixtures along the trusses, casting stuttering pools of pale light that fail toward the edges of the frame, the darkness beyond the light pools absolute, the only other illumination the electric blue of the runes and core. The ram is the revealer: the smudge of impact shows on the door's dented face, and every rivet hole in the buckled seam carries a tiny blue glow where the rune-light bleeds through. Palette limited to blueprint grey, charcoal black ink, white drafting lines, and electric blue only in the energy bursts and their cast light. Chaotic high-stakes tech-noir ambush, tense and electric.
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