Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
Horror, Zusätzliche Arme
Wettbewerbseinreichung
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Parameter anzeigen
- Ursprünglicher Prompt
- 古いアパート。人間なし。たくさんの手、たくさんの舌、
- Modus
- flash
- Größe
- 1104 x 1824
Prompt-Assistent
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigen
many hands, many tongues, disembodied hands, disembodied tongues, no humans, empty old apartment, low angle, from below, wide shot, dutch angle, interior, tatami room, peeling wallpaper, stained ceiling, dark corners, wet fleshy texture, pinkish-red tongues, pale hands, cramped, claustrophobic, unsettling, horror, muted palette, dim light
The camera looks up from floor level in a dutch-tilted wide shot, so the tatami of the old apartment runs diagonally toward the top of the frame and the ceiling presses down heavy in the upper third. No human figure appears anywhere: the room is empty of bodies, and every limb-like form in it is a hand on its own. Pale hands of mismatched sizes come out of the architecture -- three fingers of a large hand curl around the warped edge of a sliding closet door and grip it from the far side, a cluster of smaller hands pushes up through a soft collapse in the tatami seams with the woven straw split around their wrists, one open palm lies flat and upturned on the low table as if waiting for something to be placed in it, and a chain of hands reaches down out of a crack in the stained ceiling with the lowest one spread wide and the knuckles in front smaller than the ones behind, so the arm of hands recedes up into the dark. Wet pinkish-red tongues come from the gaps between these: one long tongue lolls from the black slit under a window sash and hangs until it touches the sill, curling at the tip; shorter tongues push out of the seam between wallpaper panels, licking the air in different directions; a fat tongue droops out of the same ceiling crack beside the reaching hands, and two more lick slowly along the frame of the closet door, leaving a slick shine. Everything wet catches the light and everything dry stays flat and dim. The single light source is a bare bulb on a short cord near the center of the ceiling: it is the only light, its pool falls on the low table, the upper faces of the reaching hands and the wet upper surfaces of the tongues, and beyond that pool the corners of the room are absolute darkness. Each tongue throws a small soft specular bead of bulb light on its upper curve; each hand’s shadow is thrown downward onto the tatami, sharpened and doubled by the tilt of the shot. The palette is tightly rationed -- mildew gray-green for the walls and tatami, discolored yellow-brown for the water-stained ceiling, sickly cream for the dry walls, and pinkish-red reserved only for the tongues, with the pale flesh of the hands standing between. The peeled wall shows a lighter rectangle where a hanging once was. Mood: quiet dread.
Aza Thoth
many hands, many tongues, disembodied hands, disembodied tongues, no humans, empty old apartment, low angle, from below, wide shot, dutch angle, interior, tatami room, peeling wallpaper, stained ceiling, dark corners, wet fleshy texture, pinkish-red tongues, pale hands, cramped, claustrophobic, unsettling, horror, muted palette, dim light
The camera looks up from floor level in a dutch-tilted wide shot, so the tatami of the old apartment runs diagonally toward the top of the frame and the ceiling presses down heavy in the upper third. No human figure appears anywhere: the room is empty of bodies, and every limb-like form in it is a hand on its own. Pale hands of mismatched sizes come out of the architecture -- three fingers of a large hand curl around the warped edge of a sliding closet door and grip it from the far side, a cluster of smaller hands pushes up through a soft collapse in the tatami seams with the woven straw split around their wrists, one open palm lies flat and upturned on the low table as if waiting for something to be placed in it, and a chain of hands reaches down out of a crack in the stained ceiling with the lowest one spread wide and the knuckles in front smaller than the ones behind, so the arm of hands recedes up into the dark. Wet pinkish-red tongues come from the gaps between these: one long tongue lolls from the black slit under a window sash and hangs until it touches the sill, curling at the tip; shorter tongues push out of the seam between wallpaper panels, licking the air in different directions; a fat tongue droops out of the same ceiling crack beside the reaching hands, and two more lick slowly along the frame of the closet door, leaving a slick shine. Everything wet catches the light and everything dry stays flat and dim. The single light source is a bare bulb on a short cord near the center of the ceiling: it is the only light, its pool falls on the low table, the upper faces of the reaching hands and the wet upper surfaces of the tongues, and beyond that pool the corners of the room are absolute darkness. Each tongue throws a small soft specular bead of bulb light on its upper curve; each hand’s shadow is thrown downward onto the tatami, sharpened and doubled by the tilt of the shot. The palette is tightly rationed -- mildew gray-green for the walls and tatami, discolored yellow-brown for the water-stained ceiling, sickly cream for the dry walls, and pinkish-red reserved only for the tongues, with the pale flesh of the hands standing between. The peeled wall shows a lighter rectangle where a hanging once was. Mood: quiet dread.
Aza Thoth
many hands, many tongues, disembodied hands, disembodied tongues, no humans, empty old apartment, low angle, from below, wide shot, dutch angle, interior, tatami room, peeling wallpaper, stained ceiling, dark corners, wet fleshy texture, pinkish-red tongues, pale hands, cramped, claustrophobic, unsettling, horror, muted palette, dim light
The camera looks up from floor level in a dutch-tilted wide shot, so the tatami of the old apartment runs diagonally toward the top of the frame and the ceiling presses down heavy in the upper third. No human figure appears anywhere: the room is empty of bodies, and every limb-like form in it is a hand on its own. Pale hands of mismatched sizes come out of the architecture -- three fingers of a large hand curl around the warped edge of a sliding closet door and grip it from the far side, a cluster of smaller hands pushes up through a soft collapse in the tatami seams with the woven straw split around their wrists, one open palm lies flat and upturned on the low table as if waiting for something to be placed in it, and a chain of hands reaches down out of a crack in the stained ceiling with the lowest one spread wide and the knuckles in front smaller than the ones behind, so the arm of hands recedes up into the dark. Wet pinkish-red tongues come from the gaps between these: one long tongue lolls from the black slit under a window sash and hangs until it touches the sill, curling at the tip; shorter tongues push out of the seam between wallpaper panels, licking the air in different directions; a fat tongue droops out of the same ceiling crack beside the reaching hands, and two more lick slowly along the frame of the closet door, leaving a slick shine. Everything wet catches the light and everything dry stays flat and dim. The single light source is a bare bulb on a short cord near the center of the ceiling: it is the only light, its pool falls on the low table, the upper faces of the reaching hands and the wet upper surfaces of the tongues, and beyond that pool the corners of the room are absolute darkness. Each tongue throws a small soft specular bead of bulb light on its upper curve; each hand’s shadow is thrown downward onto the tatami, sharpened and doubled by the tilt of the shot. The palette is tightly rationed -- mildew gray-green for the walls and tatami, discolored yellow-brown for the water-stained ceiling, sickly cream for the dry walls, and pinkish-red reserved only for the tongues, with the pale flesh of the hands standing between. The peeled wall shows a lighter rectangle where a hanging once was. Mood: quiet dread.
Aza Thoth
no humans, scenery, interior, japanese room, washitsu, windowless room, continuous solid walls, dimly lit, dark, low angle, wide shot, old tatami, frayed tatami, worn walls, cracked plaster, earthen wall, wooden pillars, shadows, deep shadows, hanging light bulb, dust motes, stillness, retro, aged interior
A wide shot from a low floor-level angle looking across the enclosed interior. The room is completely sealed by continuous, unbroken walls of aged earthen juraku plaster, showing patches of flaking earth, fine hairline cracks, and darkened water stains along the baseboards, framed by dark unvarnished cedar pillars with no window frames, grilles, or exterior openings anywhere in the structure. The floor is lined with aged, dry tatami mats faded to a pale desiccated straw yellow, their woven rush reeds visibly fraying along the seams, bound by dull, worn-down dark cloth borders that sit flush against the floorboards. In the background, a pair of closed opaque sliding fusuma doors with faded, discolored paper panels stands firmly shut. The single light source is a weak, low-wattage incandescent bare bulb suspended from an exposed ceiling beam by a twisted cord; its faint amber glow washes over the center of the tatami floor in a soft, dim pool, leaving the room's upper reaches and recessed corners in dense, impenetrable umber shadow. A few stray dust motes float motionless within the weak cone of illumination, while individual frayed fibers of rush cast tiny elongated shadows across the matting under the grazing downward light. The palette consists strictly of desiccated rush amber, weathered mud-ochre, oxidized timber brown, and deep charcoal shadows. Quiet abandonment.
backgrounder
Mehr entdecken
Empfohlene Benutzer
Werden dir gefallen
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
5
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
4
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Kommentare