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Relli
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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廃墟に横たわる銀髪の少女
rinrin
1girl, solo, very long wavy silver ponytail, impossibly long hair, red eyes, vertical slit pupils, slit-pupil, beautiful makeup, eyeshadow, eyeliner, glossy lips, large breasts, curvy figure, wide hips, thick thighs, slim waist, one-shoulder gown, asymmetric dress, bare one shoulder, dissolving, body turning into sparkling dust, dust particles, sparkles, glittering motes, soft smile, sad expression, sorrowful eyes, farewell, from side, profile, from below, dutch angle, looking at viewer, half-closed eyes, grief, quiet sorrow, no text,
From a low dutch angle she is seen in three-quarter profile, chin turned back over her near shoulder so her red slit-pupiled eyes meet the viewer from under lowered lids, one small sad smile on her lips. She stands alone at a slight weight shift, hips canted away from the camera, her far hand closed gently at her chest and her near arm slack at her side, every contact point closed: bare toes on the dark ground, the one gown strap over the far shoulder only so the near shoulder, collarbone and one full curve of her large chest are open to the light while the fabric clings downward over her waist, hips and thigh. Her impossibly long wavy silver ponytail lifts and unspools sideways as if a wind is taking it, the ends thinning to nothing.
The dissolution begins at the hem and her near forearm and rises: the gown's edge, then her skirt, then the outer edge of one thigh break apart into a drifting cloud of fine shining dust, and the dust does not fall -- it rises, so the motes climb away from her and hang in the air in a slow spiral around her body, brightest where they peel off her, dim and far between where they scatter. Small sparks pop and glint inside the cloud, each a pinprick highlight on nothing, and the upward drift is the only evidence of the force taking her.
A single warm white key light stands low and in front of her, raking up the front of her gown and throat, striking the wet shine of her lips and the tears held at the lower lash; a faint red bounce from her own eyes catches the inner corner of each socket. Behind her and above, the light fails entirely, and the darkness there is absolute except where the floating motes catch their own glints, thicker and brighter the closer they are to her skin, sparse in the deep background. Palette: cold silver hair, smoke-grey and pearl gown with faint lilac in its shadows, and against all of it the one saturated red of her irises, echoed in the pupils' thin black vertical line. Deep shadow swallows the ground beneath her feet so she seems to stand on the dark itself. Tender, aching farewell.
Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic
A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic
A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Kylee Violette (Kiy Chan)
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
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kyramisu
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
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₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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