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honey bee

hb

honey bee

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1boy, solo, muscular, very muscular male, broad shoulders, tall, adult male, 34-year-old, caucasian, short hair, cropped hair, dark hair, black hair, goatee, neatly trimmed goatee, rugged face, stoic, expressionless, serious, white maid's skirt, maid, skirt, sheer stockings, pantyhose, high heels, heels, feminine clothing, masculine frame in feminine attire, from below, upshot, under skirt view, view from below, looking down at viewer, standing, hands on hips, dutch angle, vertical framing, full body, harsh overhead key light, minimal gray backdrop, high contrast The camera sits low on the floor a metre from his feet and tilts steeply upward, so the whole image is a single upshot: the man's heels land in the bottom third, two dark high-heeled shoes planted shoulder-width apart on a bare, slightly scuffed concrete floor, and the perspective runs up the long diagonal of his legs to the hem of the white maid's skirt near the top of the frame. Both feet are flat and firmly planted, weight distributed evenly, one heel angled ten degrees outward; the sheer stockings darken the dense muscle of his calves and thighs and catch a thin sheen along the shin as the light grazes them, and the fine mesh reads as a texture over skin rather than a flat opaque fabric. Above that the white skirt flares out from his hips in stiff gathered scallops of fabric, its hem lifted and held a hand's-width away from his body by the mass of his thighs so that the underside of the skirt opens to the lens: the camera looks straight up into that dark, softly shadowed inner cone, and the open skirt frames the upshot like the mouth of a bell. His torso fills the upper half of the picture, the athletic, heavily muscled build straining the white fabric at the waistband, shoulders so broad they nearly touch both edges of the frame, arms bent with both hands set on his hips so the elbows push out wide and the forearms show corded veins under the light. His head is tipped slightly down toward the lens: short cropped dark hair, a neatly trimmed dark goatee outlining the chin, a rugged, blocky jaw and heavy brow, and the face is completely stoic -- flat mouth, level brows, eyes fixed steadily down the camera axis with no smile and no flinch, his stillness the only soft thing in the frame. The single hard light source is a cool overhead fixture directly above him: it rims the crown of his head and the tops of his shoulders white, drops a bright band across the top of the skirt, darkens the underside of the skirt into deep shadow, and throws a short foreshortened shadow of his legs onto the concrete behind him; the background is a plain unlit grey wall with nothing else in it. The palette is white skirt, black hair and shoes, warm skin, cool grey ground, nothing else. The masculine, broad-shouldered, hard-muscled frame read against the delicate white pleats and the slender heels is the whole point of the picture. Stark, deadpan, quietly absurd.
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Ursprünglicher Prompt
34-year-old Caucasian man, imposing broad-shouldered physique, heavily muscled athletic build, short cropped dark hair, neatly trimmed goatee, rugged facial features, stoic expression, white maid's skirt, sheer stockings, high heels, sharp contrast between masculine frame and feminine attire, below view, under skirt view
Modus
flash
Größe
1104 x 1824
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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AI artwork
hb
1boy, solo, muscular, very muscular male, broad shoulders, tall, adult male, 34-year-old, caucasian, short hair, cropped hair, dark hair, black hair, goatee, neatly trimmed goatee, rugged face, stoic, expressionless, serious, white maid's skirt, maid, skirt, sheer stockings, pantyhose, high heels, heels, feminine clothing, masculine frame in feminine attire, from below, upshot, under skirt view, view from below, looking down at viewer, standing, hands on hips, dutch angle, vertical framing, full body, harsh overhead key light, minimal gray backdrop, high contrast The camera sits low on the floor a metre from his feet and tilts steeply upward, so the whole image is a single upshot: the man's heels land in the bottom third, two dark high-heeled shoes planted shoulder-width apart on a bare, slightly scuffed concrete floor, and the perspective runs up the long diagonal of his legs to the hem of the white maid's skirt near the top of the frame. Both feet are flat and firmly planted, weight distributed evenly, one heel angled ten degrees outward; the sheer stockings darken the dense muscle of his calves and thighs and catch a thin sheen along the shin as the light grazes them, and the fine mesh reads as a texture over skin rather than a flat opaque fabric. Above that the white skirt flares out from his hips in stiff gathered scallops of fabric, its hem lifted and held a hand's-width away from his body by the mass of his thighs so that the underside of the skirt opens to the lens: the camera looks straight up into that dark, softly shadowed inner cone, and the open skirt frames the upshot like the mouth of a bell. His torso fills the upper half of the picture, the athletic, heavily muscled build straining the white fabric at the waistband, shoulders so broad they nearly touch both edges of the frame, arms bent with both hands set on his hips so the elbows push out wide and the forearms show corded veins under the light. His head is tipped slightly down toward the lens: short cropped dark hair, a neatly trimmed dark goatee outlining the chin, a rugged, blocky jaw and heavy brow, and the face is completely stoic -- flat mouth, level brows, eyes fixed steadily down the camera axis with no smile and no flinch, his stillness the only soft thing in the frame. The single hard light source is a cool overhead fixture directly above him: it rims the crown of his head and the tops of his shoulders white, drops a bright band across the top of the skirt, darkens the underside of the skirt into deep shadow, and throws a short foreshortened shadow of his legs onto the concrete behind him; the background is a plain unlit grey wall with nothing else in it. The palette is white skirt, black hair and shoes, warm skin, cool grey ground, nothing else. The masculine, broad-shouldered, hard-muscled frame read against the delicate white pleats and the slender heels is the whole point of the picture. Stark, deadpan, quietly absurd.
honey bee
AI artwork
hb
1boy, solo, muscular, very muscular male, broad shoulders, tall, adult male, 34-year-old, caucasian, short hair, cropped hair, dark hair, black hair, goatee, neatly trimmed goatee, rugged face, stoic, expressionless, serious, white maid's skirt, maid, skirt, sheer stockings, pantyhose, high heels, heels, feminine clothing, masculine frame in feminine attire, from below, upshot, under skirt view, view from below, looking down at viewer, standing, hands on hips, dutch angle, vertical framing, full body, harsh overhead key light, minimal gray backdrop, high contrast The camera sits low on the floor a metre from his feet and tilts steeply upward, so the whole image is a single upshot: the man's heels land in the bottom third, two dark high-heeled shoes planted shoulder-width apart on a bare, slightly scuffed concrete floor, and the perspective runs up the long diagonal of his legs to the hem of the white maid's skirt near the top of the frame. Both feet are flat and firmly planted, weight distributed evenly, one heel angled ten degrees outward; the sheer stockings darken the dense muscle of his calves and thighs and catch a thin sheen along the shin as the light grazes them, and the fine mesh reads as a texture over skin rather than a flat opaque fabric. Above that the white skirt flares out from his hips in stiff gathered scallops of fabric, its hem lifted and held a hand's-width away from his body by the mass of his thighs so that the underside of the skirt opens to the lens: the camera looks straight up into that dark, softly shadowed inner cone, and the open skirt frames the upshot like the mouth of a bell. His torso fills the upper half of the picture, the athletic, heavily muscled build straining the white fabric at the waistband, shoulders so broad they nearly touch both edges of the frame, arms bent with both hands set on his hips so the elbows push out wide and the forearms show corded veins under the light. His head is tipped slightly down toward the lens: short cropped dark hair, a neatly trimmed dark goatee outlining the chin, a rugged, blocky jaw and heavy brow, and the face is completely stoic -- flat mouth, level brows, eyes fixed steadily down the camera axis with no smile and no flinch, his stillness the only soft thing in the frame. The single hard light source is a cool overhead fixture directly above him: it rims the crown of his head and the tops of his shoulders white, drops a bright band across the top of the skirt, darkens the underside of the skirt into deep shadow, and throws a short foreshortened shadow of his legs onto the concrete behind him; the background is a plain unlit grey wall with nothing else in it. The palette is white skirt, black hair and shoes, warm skin, cool grey ground, nothing else. The masculine, broad-shouldered, hard-muscled frame read against the delicate white pleats and the slender heels is the whole point of the picture. Stark, deadpan, quietly absurd.
honey bee
AI artwork
hb
1boy, solo, muscular, very muscular male, broad shoulders, tall, adult male, 34-year-old, caucasian, short hair, cropped hair, dark hair, black hair, goatee, neatly trimmed goatee, rugged face, stoic, expressionless, serious, white maid's skirt, maid, skirt, sheer stockings, pantyhose, high heels, heels, feminine clothing, masculine frame in feminine attire, from below, upshot, under skirt view, view from below, looking down at viewer, standing, hands on hips, dutch angle, vertical framing, full body, harsh overhead key light, minimal gray backdrop, high contrast The camera sits low on the floor a metre from his feet and tilts steeply upward, so the whole image is a single upshot: the man's heels land in the bottom third, two dark high-heeled shoes planted shoulder-width apart on a bare, slightly scuffed concrete floor, and the perspective runs up the long diagonal of his legs to the hem of the white maid's skirt near the top of the frame. Both feet are flat and firmly planted, weight distributed evenly, one heel angled ten degrees outward; the sheer stockings darken the dense muscle of his calves and thighs and catch a thin sheen along the shin as the light grazes them, and the fine mesh reads as a texture over skin rather than a flat opaque fabric. Above that the white skirt flares out from his hips in stiff gathered scallops of fabric, its hem lifted and held a hand's-width away from his body by the mass of his thighs so that the underside of the skirt opens to the lens: the camera looks straight up into that dark, softly shadowed inner cone, and the open skirt frames the upshot like the mouth of a bell. His torso fills the upper half of the picture, the athletic, heavily muscled build straining the white fabric at the waistband, shoulders so broad they nearly touch both edges of the frame, arms bent with both hands set on his hips so the elbows push out wide and the forearms show corded veins under the light. His head is tipped slightly down toward the lens: short cropped dark hair, a neatly trimmed dark goatee outlining the chin, a rugged, blocky jaw and heavy brow, and the face is completely stoic -- flat mouth, level brows, eyes fixed steadily down the camera axis with no smile and no flinch, his stillness the only soft thing in the frame. The single hard light source is a cool overhead fixture directly above him: it rims the crown of his head and the tops of his shoulders white, drops a bright band across the top of the skirt, darkens the underside of the skirt into deep shadow, and throws a short foreshortened shadow of his legs onto the concrete behind him; the background is a plain unlit grey wall with nothing else in it. The palette is white skirt, black hair and shoes, warm skin, cool grey ground, nothing else. The masculine, broad-shouldered, hard-muscled frame read against the delicate white pleats and the slender heels is the whole point of the picture. Stark, deadpan, quietly absurd.
honey bee
AI artwork
hb
1boy, solo, bara, extremely muscular male, burly, broad shoulders, mature male, maid outfit, maid headdress, short skirt, flouncy skirt, ruffled skirt, white apron, white stockings, thighhighs, standing, covering chest, arms crossed over chest, hands on chest, embarrassed, blush, heavy blush, looking down, looking at viewer, from below, low angle, mansion background, grand foyer, ornate interior Viewed from a steep low angle looking up, a towering, heavily muscled man stands rigidly in the center of an opulent mansion foyer, paralyzed with embarrassment. His burly, broad-shouldered frame stands with thick muscular thighs pressed self-consciously together on the polished wooden floor. His thick, veined arms cross tightly over his broad torso, massive hands clutching his own shoulders and upper chest in a desperate bid to cover himself. The fitted black maid dress strains taut against his immense pectoral muscles and wide lats, contrasting sharply with a delicate, flouncy white apron and a short ruffled skirt that flares high over his thick quads. A dainty white frilled maid headdress perches awkwardly atop his short dark hair, while opaque white stockings hug the contours of his massive calves and thighs tightly. A deep crimson blush burns across his rugged, square-jawed face from his cheekbones to the tips of his ears; his thick brows knit together and his wide, mortified eyes dart downward to meet the viewer's gaze as his mouth wavers in humiliation. From high above, a grand crystal chandelier casts warm amber illumination down across his broad frame, carving defined shadows beneath his crossed forearms and exaggerating the sharp pull-lines in the strained fabric of his bodice, framed by soaring classical columns and gilded mansion archways in the background. Flustered mortification.
honey bee

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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