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AI art "기사"
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기사

KI-Kunst „기사“ von 레몬 마이따 auf PixAI. Erstellt mit Tsubaki.3.

기사

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1boy, solo, white background, solid white void, medieval full plate armor, polished steel plate, articulated cuirass, pauldrons, rerebraces, vambraces, gauntlets, cuisses, poleyns, greaves, sabatons, great helm, flat-topped great helm, narrow eye slit, breathing holes, no visor raised, longsword, sheathed longsword, leather scabbard, sword belt at the hip, bishounen, slender build, tall lean frame, subculture bishounen aesthetic, noir style, high-contrast chiaroscuro lighting, hard rim light, deep black shadow, monochrome-leaning palette, from below, low angle, cowboy shot, three-quarter turn, looking to the side, head tilted down, weight on one leg, contrapposto, one gauntleted hand resting on the sword pommel, standing on one leg? no, standing, grounded stance, dramatic shadow cast to the right, glossy specular highlights on steel, cold key light from upper left The camera sits low and looks up at a single slender young man standing alone on an entirely empty, seamless white field — the white fills the whole frame behind and beneath him with no horizon, no floor line, no prop other than what he carries. He is turned three-quarters away toward the frame's right, chin dipped inside the great helm so the flat-topped crown of it tilts down and the narrow horizontal eye slit runs as a dark line beneath the brow band, the breathing holes punched in a neat row below it; the helm's lower edge meets the gorget flush at the base of the neck, hiding the face entirely and leaving only the jaw's silhouette suggestion inside the dark slit. The full plate closes over him in overlapping lames: the cuirass narrows at the waist, the pauldrons rise in rounded caps over each shoulder with the rerebraces and vambraces sliding under them, gauntleted fingers curled around the longsword's pommel at his left hip while the scabbarded blade hangs down along the outside of his thigh, its leather sheath strapped by a belt crossing the fauld, the chape near his knee. His weight is on the left leg, the right knee slightly bent, the right sabaton angled a few degrees out; the great helm's crown catches a hard specular glint from the key light at upper left, and where the plate turns away from that light the steel falls into deep, oily black. The only shadow in the image is the one he casts, thrown long and crisp to the lower right across the white, its edge sharpened by the low angle. Palette admits only polished steel greys, cold blue-white highlights, the near-black leather of the scabbard and belt, and the white ground; no other colour enters. Noir contrast does the rest — chiaroscuro modeled in the plate's facets, the helm's slit reading as a black bar. Still, poised, faintly menacing.
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Ursprünglicher Prompt
서브컬처 미소년(LD) 스타일과 느와르 스타일을 섞어서 흰배경에 중세식 풀 플레이트아머에 그레이트헬름 투구를 쓰고 옆에 롱스드를 차고있게 해줘
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

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AI artwork
l
full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
Lukas
AI artwork
l
full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
Lukas

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