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View detailsLucy and Rebecca in Night City
I'm really captivated by the bond between Lucy and Rebecca from Cyberpunk: Edgerunners, and this piece captures that bittersweet connection perfectly. The neon-lit backdrop of Night City adds such a moody atmosphere to their embrace. If you enjoy this style, please hit like and follow for more of my anime art!
#Offene Kleidung#rote Augen#Leotard#Im Freien#lange Haare#Cyborg#grüne Haare#mehrfarbige Haare#Graue Haare#Jacke#Umarmung#Hoher Beinausschnitt#grüne Augen#mehrere Mädchen#Nacht#Umarmung von hinten#Lange Ärmel#schulterfrei#nackte Schultern#High-Leg-Leotard#Cropped-Jacke#Stadt#Weinend#Gebäude#Halb geschlossene Augen#schwarzes Hemd#Hüftschlitz#Rebecca#Lucy#Cyberpunk
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character: lucy_(cyberpunk), artist: keihh, yamazaki_jun, year_2024
1girl, solo, lucy_(cyberpunk), short hair, multicolored hair, bob cut, pastel hair, pink and white hair, multicolored eyes, blue eyes, red eyeliner, sharp eyeliner, black leotard, high-cut leotard, bare shoulders, off-shoulder jacket, white jacket, oversized jacket, sleeves past wrists, cyberpunk, cybernetic implants, glowing accents, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, smug, light smile, one eye shadowed, hand on own hip, leaning back, head tilt, wind, hair blowing, night city street, neon signage, atmospheric bloom, depth of field, cinematic lighting, cel shading, clean linework, no text, no watermark, no logo, no signature, no icons, clean image surface, empty signage surfaces, unmarked skin,
Seen from a low, tilted angle that throws the verticals of the alley off balance, the girl stands in the foreground at a three-quarter turn, hips cocked, weight riding on her back leg while the front foot rests on its toe. Her left hand sits flat on her own hip, fingers spread over the black high-cut leotard; her right arm hangs loose inside a sleeve that swallows the wrist entirely. An oversized off-shoulder jacket has slipped down both arms, baring her shoulders and collarbones, its collar riding behind her neck. Her short, pastel-toned bob is blown across her cheek by a draught funneling up the alley, some strands catching the neon rim, and she looks down the lens from under half-lowered lids with one brow faintly arched, a small closed-mouth smile pulling up at one corner. Behind her, the alley recedes in soft-focus layers -- rain-slick concrete, fire escapes, condensation-fogged panels -- and every sign and screen along it reads as pure abstract light, magenta and cyan smeared into shapes with no lettering, no symbol, no legible mark; the flat glass of the nearest display reflects her silhouette and nothing else. The key light is a cold blue neon tube high on the left wall, striking the left edge of her face, the ridge of her shoulder and the crinkled outer sleeve, hard-edged shadows falling across the right side of her jaw and down into the folds of the jacket; a warmer pink source from lower right fills the underside of her chin and the inside of her forearm with a soft bounce, and the darkest values sit in the alley mouth behind her and under the jacket hem. Bloom halos the tube and the distant screens, contrast stays balanced rather than crushed, and the palette holds to cool blue, magenta, off-white fabric and the black leotard, nothing else admitted. Rain has beaded on the outer fabric of the dropped sleeve but not on the skin of her bare shoulder, which stays dry under the overhang. Quiet, electric confidence.
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