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Hilda Valentine Goneril, Claude von Riegan
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- Ursprünglicher Prompt
- fire emblem three houses, Claude von Riegan(timeskip),Hilda Valentine Goneril(timeskip)(harem outfit)(see-through),couple,Arabian castle,arabian palace,party,female dancers(see-through,harem outfit,face veil)are dancing,Claude and hilda are sitting and watching dance,hilda sitting on claude's lap
- Modus
- pro
- Größe
- 768 x 1280
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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s
character: hilda_valentine_goneril_(timeskip), claude_von_riegan_(timeskip), copyright: fire_emblem, fire_emblem:_three_houses
1girl, 1boy, couple, hilda valentine goneril \(timeskip\), claude von riegan \(timeskip\), pink hair, long hair, high ponytail, pink eyes, brown hair, short hair, green eyes, dark skin, see-through harem outfit, sheer harem outfit, bare midriff, sheer veil, hoop earrings, female dancers, multiple girls, dancing, arabian palace, arabian castle, party, from below, wide shot, dutch angle, night, warm lantern light, looking at another, grin
The camera looks up from low beside the marble dais of a vast Arabian palace hall: a wide, tipped dutch-angle view that pushes the two figures large in the foreground while the hall's gold-veined arches and honey-lit lanterns climb away behind them. At the left of the frame Hilda stands with her weight on her right leg and her left hip thrown out, one arm raised overhead and the other sweeping a sheer veil across her waist; her long pink hair is gathered in a high ponytail that swings out and catches the lantern light, its loose strands lifting with the motion of the music. Her see-through harem outfit is a lavender-and-rose bustier of sheer gauze over a firmer band, the fabric translucent enough that the lamplight glows through the layered chiffon of her low harem pants while leaving the strong silhouette of her hips and shoulders readable; a sheer veil drapes from her hair and coils down across her bare midriff, and gold hoop earrings swing at her ears. Her chin turns toward Claude, her pink eyes fixed on him, the corners of her mouth lifting in a lopsided smirk that dares him to keep up.
Beside her Claude stands angled toward her, shoulders loose, one black-gloved hand held out palm-up as though he has just offered her the floor and the other resting at his belt; his short brown hair is windswept from the turning dancers around him, his dark skin warm under the lanterns, and his green eyes are locked on Hilda's face, answering her smirk with a half-lidded grin. He is turned half away from the camera so the long yellow cape falls across his back in folds, its hem brushing the tiled floor; his gloves and the glint of his jewelry catch the light at the wrist and ear.
Around and behind the couple the party fills the hall: a ring of female dancers in see-through harem outfits spin in overlapping depths across the patterned floor, their sheer skirts and veils flaring out with their turns and streaming behind their raised arms, one nearer dancer caught mid-step at the right edge with her veil lifted by the air of her spin. Their bodies are caught in motion, soft and luminous through the gauze, mid-turn and mid-step rather than posed.
The only light comes from the hanging brass lanterns above and the cressets along the columns; their warm amber glow strikes the tops of shoulders, the crown of Hilda's head and the raised edges of veils, and the shadows pool beneath the dancers on the tiles and behind the archways where the dark is deepest. A single physical tell sells the air: the sheer veils lift away from the bodies in the same direction at once, drifting toward the open arcade and its cooler dark. The palette is confined to warm gold and amber light, honey stone, rose and lavender gauze, and the deep blue-black of the shadowed arches. Opulent, playful, warm.
Ser
kg
character: riju, copyright: the_legend_of_zelda:_breath_of_the_wild
pov, first-person view, 2girls, sitting together, riju \(the legend of zelda\), red hair, long hair, medium hair, green eyes, pointy ears, dark skin, gerudo princess outfit, circlet, hair ornament, bracelet, jewelry, blue lipstick, looking at viewer, light smile, half-closed eyes, head tilt, arm support, crossed legs, leaning toward viewer, night, open-air bedroom, gerudo village, desert, starry sky, moon, sandstone architecture, silk cushions, oil lamp, warm firelight, romantic, pov shot, intimate distance
The view is from the eye-line of someone seated cross-legged on the far side of the room, low cushion level, looking across a low sandstone ledge: Riju fills the near right of the frame, close enough that one knee and her forearm cross the bottom-right corner in foreshortening, seated on a broad flat divan of layered silk cushions at the open-air wall of her room, the wall behind and beside her simply gone — a wide unglazed arch of carved sandstone opening onto the desert night. She sits with her weight sunk into her left hip, right knee drawn up with the right foot tucked under the left thigh, torso turned three-quarters toward the viewer and tilted a little down and forward so her face is the warmest thing in the picture; her left hand rests flat on the cushion between them, palm down, fingers relaxed, and her right forearm drops across her raised knee, the hand hanging loose. Long red hair, tied back at the crown with her circlet and its hair ornament and falling past her shoulders in a heavy tail that spills forward over her left collarbone, some strands lifted and drifting in the dry night breeze coming off the dunes; the circlet's gold catches a hard small highlight on the left of her forehead, matching bracelets stacked at both wrists and layered gold jewelry at throat and hips over the midriff-baring gerudo princess outfit in deep teal silk with its embroidered hem bunched where her knee bends. Green eyes look back at the viewer under half-lowered lids, chin slightly dipped, a light closed-lip smile with a hint of blue-stained lipstick at the corner of her mouth, one brow a touch higher than the other; the tip of one pointed ear shows through the hair on her right side. Over her left shoulder the open arch frames a black-and-indigo desert night sky, the Gerudo Village below and behind her in silhouette — stacked flat-roofed sandstone blocks, stairs and parapets receding in warm-lit patches where other lamps burn, palm crowns dark against the sky, a distant dune ridge closing the horizon. A single shallow brass oil lamp stands on the low table between her and the viewer, its small flame at frame center-left; it is the only light source, throwing warm amber up onto her jaw, throat, collarbone and the underside of her circlet, while the backs of the cushions and the far room go to near-black, and the lamp's light on the sand outside reaches no farther than the ledge, so the desert beyond is dark. The sky overhead bristles with sharp stars; the cold blue of the night and the hot amber of the lamp split the palette between them, teal silk and gold caught in the middle. A thin drift of sand has blown over the doorsill and gathered against the inner edge of the ledge, bright on its top face where the lamplight reaches it. Quiet, close, charged.
Kevin G
2girls, two women, ((tickling)), 3/4 view, three-quarter angle, from side, private palace room interior, slim woman, pale skin, long dark purple messy hair, purple eyes, one eye closed, laughing, open-mouth laughter, squirming, arms tied behind her head, armpits exposed, purple strapless belly dancer top, gold trim, hanging gold fringe, gemstone accents, dark purple loose-fitting arabic pants, intricate hip belt, crescent moon charms, gold armlets, gold bracelets, purple face veil, gold floral hairpiece, glittering veil over shoulder, mature woman, slim, long dark red hair, brown eyes, tiara, emerald necklace, earrings, gold bracers, gold armlets, strapless black belly dancer top, black decorated loincloth, gold bracelets at wrists, licking armpit, hands on waist and armpit, leaning in, eye contact, ornate palace hall, mosaic floor, carved columns, warm lamplight, gold and violet palette, intimate, playful
The shot holds a ¾ angle, the camera set slightly off the purple-haired woman's right side and tilted down a touch, so both figures read in depth: she occupies the midground facing three-quarters toward the lens, her body twisting away while her chest opens toward the viewer, and the red-haired woman is closer, in profile, her shoulder cutting across the near side of the frame. The younger woman's arms are drawn up and back behind her head; a silk cord lashes her crossed wrists together behind her nape, elbows flared wide so both armpits are lifted bare above the gold-fringed edge of the purple top. Her weight has collapsed onto her back foot, that leg buckling, her free hip jutting; one eye squeezed shut in a hard squint while the other stays wide and wet, her mouth open on a shapeless laugh, breath catching, chin tipped up. The gold crescent charms on her hip belt swing out from her body with the squirm; the fringe below her top shivers and clatters against itself; the glittering veil from the floral hairpiece slides across her shoulder, its mesh catching the lamp as it moves.
The mature woman leans in on her left foot, the other leg braced back, her weight forward over the younger woman's flank. Her right hand buries its fingertips into the near armpit, nails denting the soft hollow above the strap; her left hand digs and kneads at the waist just above the hip belt, knuckles pressing a shallow crease into the flesh and releasing it. Her head is ducked low into the far armpit, lips parted against the skin, tongue flat on the taut underside of the raised arm; her brown eyes flick up sideways toward the young woman's face to watch the laugh break. The tiara sits slightly forward on her brow, the emerald drops at her ears swinging, the necklace falling into her open collar.
The room is an intimate private palace chamber: a low fringed divan behind them, a carved screen of pierced lattice throwing patterned shadow, deep violet hangings and a mosaic floor of gold tessera underfoot. One brass oil lamp at the left is the only light; it strikes the younger woman's pale skin from the side so the high armpit and the stretched waist glow while her back and the divan fall into warm brown shadow, and both women cast a single long doubled shadow across the mosaic. Palette pinned to violet and deep purple, black silk, dark red hair, and gold. Lazy, teasing, extravagant.
tklr
2girls, two women, ((tickling)), 3/4 view, three-quarter angle, from side, private palace room interior, slim woman, pale skin, long dark purple messy hair, purple eyes, one eye closed, laughing, open-mouth laughter, squirming, arms tied behind her head, armpits exposed, purple strapless belly dancer top, gold trim, hanging gold fringe, gemstone accents, dark purple loose-fitting arabic pants, intricate hip belt, crescent moon charms, gold armlets, gold bracelets, purple face veil, gold floral hairpiece, glittering veil over shoulder, mature woman, slim, long dark red hair, brown eyes, tiara, emerald necklace, earrings, gold bracers, gold armlets, strapless black belly dancer top, black decorated loincloth, gold bracelets at wrists, licking armpit, hands on waist and armpit, leaning in, eye contact, ornate palace hall, mosaic floor, carved columns, warm lamplight, gold and violet palette, intimate, playful
The shot holds a ¾ angle, the camera set slightly off the purple-haired woman's right side and tilted down a touch, so both figures read in depth: she occupies the midground facing three-quarters toward the lens, her body twisting away while her chest opens toward the viewer, and the red-haired woman is closer, in profile, her shoulder cutting across the near side of the frame. The younger woman's arms are drawn up and back behind her head; a silk cord lashes her crossed wrists together behind her nape, elbows flared wide so both armpits are lifted bare above the gold-fringed edge of the purple top. Her weight has collapsed onto her back foot, that leg buckling, her free hip jutting; one eye squeezed shut in a hard squint while the other stays wide and wet, her mouth open on a shapeless laugh, breath catching, chin tipped up. The gold crescent charms on her hip belt swing out from her body with the squirm; the fringe below her top shivers and clatters against itself; the glittering veil from the floral hairpiece slides across her shoulder, its mesh catching the lamp as it moves.
The mature woman leans in on her left foot, the other leg braced back, her weight forward over the younger woman's flank. Her right hand buries its fingertips into the near armpit, nails denting the soft hollow above the strap; her left hand digs and kneads at the waist just above the hip belt, knuckles pressing a shallow crease into the flesh and releasing it. Her head is ducked low into the far armpit, lips parted against the skin, tongue flat on the taut underside of the raised arm; her brown eyes flick up sideways toward the young woman's face to watch the laugh break. The tiara sits slightly forward on her brow, the emerald drops at her ears swinging, the necklace falling into her open collar.
The room is an intimate private palace chamber: a low fringed divan behind them, a carved screen of pierced lattice throwing patterned shadow, deep violet hangings and a mosaic floor of gold tessera underfoot. One brass oil lamp at the left is the only light; it strikes the younger woman's pale skin from the side so the high armpit and the stretched waist glow while her back and the divan fall into warm brown shadow, and both women cast a single long doubled shadow across the mosaic. Palette pinned to violet and deep purple, black silk, dark red hair, and gold. Lazy, teasing, extravagant.
tklr
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Tilith, the Goddess of Magical Star
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anime
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miku
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reunited at last
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(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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the ballerina
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