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AI art "カチカチ山の戦い"
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カチカチ山の戦い

山間の風が心地よいロケーションで、兎と狸がぎゅっと抱き合う微笑ましいイラストを描きました。毛並みの質感や力強い抱擁から伝わる温もりが、私の心をとても癒してくれます。この温かい世界観が気に入ったら、いいねやフォローで応援していただけると嬉しいです！

キ

キノコ

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2 animals, rabbit, tanuki, no humans, animal focus, mountain, rocky mountain path, grappling, wrestling, tumbling, dead serious struggle, frantic, desperate, mid-action, dynamic pose, from side, low angle, dutch angle, close-up, foreshortening, motion blur on dust, grass, rocks, rabbit with long upright ears, brown fur, white fluffy tail, indigo cotton vest tied with hemp string, tanuki with dark eye mask markings, plump body, thick striped tail, tan coarse hemp kimono jacket, teeth gritted, narrowed eyes, glaring at each other, ears flattened back, fur bristling, dust cloud, scattered pebbles, pine branches, overcast mountain light, cold blue-green palette against warm earth browns, woodblock-print texture, desperation A low, tilted dutch-angle close-up from the side, camera almost at ground level on a rocky mountain path, so the two animals loom large in the foreground and the slope falls away behind them. The rabbit and the tanuki are locked chest to chest, bodies twisted into a single writhing knot in the center of the frame: the rabbit has reared up on its hind legs, one long hind foot braced against a protruding root, both forepaws clamped around the tanuki's shoulders, its long ears swept flat back by the force of the lunge. The tanuki is heavier and lower, plump belly pressed forward, one paw gripping a fistful of the rabbit's indigo vest at the collar while the other shoves against the rabbit's chest, its thick striped tail flung out behind for balance and kicking up a fan of dust. Their faces are shoved close together, teeth bared, jaws set, each glaring straight into the other's eyes with brows drawn and nostrils flared in a dead-serious, frantic struggle; neither looks at the camera. Contact points are explicit and compressed: paw on shoulder, paw on vest collar, paw on chest, hind foot on root, tail sweeping the dirt. The indigo vest is wrenched askew and its hemp string pulled taut across the ribs; the coarse tan hemp jacket wrinkles and rides up at the shoulders. Fur bristles along both spines, loose dust and grit hang in the air around them, and a few pebbles skid away from the scuffle. The environment is a mountainside: uneven rock, tufts of mountain grass and pine scrub, a splintered root breaking the ground, and steep grey-green ridges receding into mist far behind, deliberately simplified into large soft shapes. The only light is a cold, overcast mountain sky, flat and diffuse, dropping a soft shadow directly beneath the tangle and leaving the far ridges pale and hazy. The palette is disciplined: cold blue-greens and misty greys in the mountain, warm earth browns and the indigo of the vest and the tan of the hemp jacket in the animals, nothing else admitted. Everything carries a woodblock-print texture -- flat colour blocks, crisp carved edges, faint paper tooth -- and the dust reads as a fine halo of bright specks where it catches the weak sky. Frantic, dead serious.
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Ursprünglicher Prompt
日本昔話のカチカチ山のウサギとタヌキが山で、必死に取っ組みあいしてる
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1104 x 1824
Negativ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.39k

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Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就
#zetaCollab
AI artwork
Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就
#zetaCollab

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