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nyx222
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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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- Ursprünglicher Prompt
- 1girl, close angle, black hair, grey eyes, jacket, gloves, torn clothes, pantyhose, shorts, thighhighs, fingerless gloves, torn pantyhose, black gloves, black shorts, blunt bangs, single leg pantyhose, sidelocks, torn thighhighs, high-waist shorts, single thighhigh, short hair, black thighhighs, crop top, black pantyhose, glowing eyes, several desiccated male bodies lie on the floor in the background, safehouse background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, neutral expression, observant look, seductive pose,
- Modus
- pro
- Größe
- 1104 x 1824
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent
Verwendetes Modell und LoRA
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artist: ratatatat74
1girl, solo, close angle, black hair, short hair, blunt bangs, sidelocks, grey eyes, glowing eyes, beautiful face, neutral expression, observant look, seductive look, seductive pose, jacket, crop top, transparent cleavage window, black high-waist shorts, black fingerless gloves, torn clothes, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, single thighhigh, torn thighhighs, white outline, several desiccated male bodies, lying on floor, background, safehouse background, volumetric lighting, ominous lighting, depth of field, from above, looking at viewer, head tilt, weight on one leg, hand on own hip, dutch angle, cowboy shot,
The camera looks down on her from a steep three-quarter angle, the floor of the safehouse falling away behind her into shallow-focus haze. She stands with her weight sunk into her left leg, right knee loose and slightly crossed inward, hips canted so one hipbone rides high above the waistband of the high-waist black shorts. Her right hand rests flat on that hip, fingers splayed over the black fabric; the black fingerless glove cuts off at the knuckles, leaving bare fingertips that press dimples into the shorts. Her left arm hangs loose and slightly back, knuckles brushing the seam of the jacket. The jacket hangs open off both shoulders over the black crop top, its hem short enough that a band of bare midriff shows above the shorts, and the transparent cleavage window runs a clear panel down the chest, revealing skin beneath and catching a hard specular highlight along its edge. Her chin is tipped down, blunt bangs cutting a straight black line across her brow, sidelocks framing her jaw, and her glowing grey eyes angle up at the viewer through the fringe -- pupils small, lids half-lowered, the mouth flat and closed, giving nothing away. A slim white outline traces her whole silhouette, brightest along the outer edge of the jacket and the crown of her head, separating her from the dark behind.
Her right leg is sheathed in black pantyhose that has been ripped open at the knee and thigh in long diagonal runs, the nylon webbing at the tears lighter and thicker than the surrounding fabric; that same leg carries no thighhigh, so the pantyhose runs unbroken to her foot. Her left leg wears a single black thighhigh pulled high, its top edge torn and frayed into loose loops that sag away from the skin, and the pantyhose underneath is laddered with thin runs descending toward the ankle. The stocking bands bite slightly into the thigh, and a faint crease of compression shows above each band.
Behind her, in the soft-focus depth of the safehouse, several desiccated male bodies lie sprawled on the concrete floor at broken angles, limbs loose, torsos sunken, their forms reduced to grey-brown masses with the light picking out a ribcage, a jaw, a splayed hand. They are out of focus and lower in frame than her, never competing with her face. The room itself is bare concrete and stripped fixtures, a crooked shelving unit and a dead fluorescent tube along one wall, all pushed back into blur.
The light comes from a single hard source above and behind her, backlighting the crown of her hair and blowing out the volume it cuts through the dusty air, while her face sits in cool shadow lit only by the faint upward glow of her own eyes and a thin cyan rim tracing her cheekbone, the jacket collar and the edge of the torn thighhigh. Shadows drop away from her toward the camera in long dark wedges, and the bodies behind catch only the top edges of their forms. Palette: black, cold concrete grey, dead brown, with a single vibrant electric-cyan accent in the eye glow and rim light, nothing else admitted. Sharp cel-shaded edges, hard high-contrast shadow breaks, cinematic wide-angle consequence that stretches her near leg toward the lens. Malevolent, quietly menacing.
nyx222
n2
artist: ratatatat74
1girl, solo, close-up, cowboy shot, from below, dutch angle, short black hair, blunt bangs, sidelocks, glowing grey eyes, beautiful face, malevolent seductive look, flirting, lidded eyes, lopsided smirk, head tilted down, looking at viewer, black jacket, jacket sleeves pushed to the elbow, black crop top, black high-waist shorts, black fingerless gloves, torn clothes, black pantyhose, torn pantyhose, single leg pantyhose, black thighhighs, torn thighhighs, single thighhigh, white outline, several desiccated male bodies lying on the floor in the background, safehouse background, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, dark techwear palette, depth of field, wide angle lens
The camera sits low and close, tilted a few degrees off level, so the girl's hips loom in the lower foreground and her face reads slightly foreshortened above them. She is caught mid-turn toward the lens: weight sunk into her right leg, left knee bent and rolled inward, hip pushed out, one shoulder dropped lower than the other. Her right hand hangs at her hip with the fingers loosely hooked into the waistband of the high-waist shorts, the bare fingertips emerging from the black fingerless gloves; her left hand lifts to her mouth, knuckle pressed against her lower lip, the glove's torn cuff riding at the wrist. Her chin is tipped down and her eyes are rolled up under half-lowered lids, glowing grey and lit from behind as much as from the front; the smirk pulls one corner of her mouth higher than the other and her nostrils flare slightly with a slow breath. Her short black hair swings against one cheek, blunt bangs lying straight across the brow, sidelocks brushing the jaw. The jacket hangs open over the black crop top, one sleeve shoved to the elbow and one falling loose, its hem and shoulders scuffed and split. Below the high-waist waistband the black pantyhose cover only her left leg and the black thighhigh only her right, both shredded at the knees and inner thighs into ragged horizontal tears with pale skin showing through the runs; the opposite leg is bare from the shorts hem down, and the crop top's hem floats clear of the waist.
Behind her the safehouse interior falls into shallow focus: a low concrete room with a stained mattress edge at the left, a bare caged bulb, water-stained plaster, a doorframe half out of the crop. Several desiccated male bodies lie on the floor across the background, mummified and collapsed in loose heaps, ribs sharp under papery skin, one arm flung out, a jaw hanging slack, their shapes soft and dimmed by the depth of field so they read as a rank behind her. The single overhead bulb is the only source: it throws a hot pool on the girl's shoulders and hair while the rear of the room sinks into cold darkness, and it lays a thin cold rim along her arms and the edge of her jaw. A white outline traces her silhouette cleanly against that murk. The palette holds to black, grey, bone-white skin and a single sickly amber from the bulb. Fine dust hangs in the air, and where her right pantyhose is torn the nylon has laddered upward from the knee in straight taut threads rather than bunching. Quiet menace, effortlessly mean.
nyx222
n2
artist: ratatatat74
1girl, solo, close-up, from below, dutch angle, looking down at viewer, black hair, short hair, blunt bangs, sidelocks, grey eyes, glowing eyes, glowing grey eyes, beautiful face, seductive look, half-closed eyes, lidded eyes, malevolent smirk, lopsided grin, flirting, head tilted down, chin lowered, black jacket, open jacket, black crop top, transparent cleavage window down center of crop top, black high-waist shorts, black fingerless gloves, black pantyhose, single leg pantyhose, torn pantyhose, single black thighhigh on opposite leg, torn thighhighs, torn clothes, torn fabric edges, safehouse background, several desiccated male bodies on floor, white outline, volumetric lighting, ominous lighting, depth of field, dramatic backlighting, high contrast, sharp cel-shading, rim lighting, dark moody palette with a single hot accent, desaturated interior, cold blue-grey shadows, sickly warm key light, cinematic perspective, wide angle lens,
From a low, off-axis dutch-angle close-up, tilted up at her as she leans over the lens, one shoulder dropped and her weight set on her left leg with the right knee cocked inward: a young woman with short blunt-cut black hair and two straight sidelocks framing her face looks straight down into the camera. Her chin is lowered, so the low angle catches her from beneath the jaw, her grey eyes raised almost to the top of their lids; the pupils are the only bright thing in the frame, lit from within and throwing a faint cold glow onto her cheekbones and the underside of her bangs. One brow is lifted, the mouth pulled into a slow lopsided smirk on one side, showing a sliver of teeth, entirely amused. Her near hand, black-fingered glove gripping the jacket's open lapel, pushes the collar back off her collarbone; the other hand hangs loose at her hip, glove fingers splayed, thumb hooked into the high waistband of the shorts at navel height. The jacket is unzipped and hangs open on both sides, its shoulder seam torn and one cuff split along the forearm; beneath it the black crop top ends high on the ribs, and a narrow vertical panel of sheer fabric runs down the centre of the chest, transparent enough to show the skin and shadow behind it, its edges stitched flat. Her high-waisted black shorts sit up at the natural waist, a row of matte buttons catching a hard glint from the side. Below them the legs are deliberately mismatched: on the left leg black pantyhose runs full length from waist to ankle, torn open in a ragged horizontal gash across the shin and a laddering run climbing the thigh; on the right leg a single black thigh-high ends at mid-thigh with a torn scalloped edge, leaving the skin above the band bare, and a long vertical rip splits the thigh-high down the outside of the knee. The floorboards of the safehouse sit close to the lens, foreground blurred into soft shapes: several desiccated male bodies lie on the floor behind her and to either side, leathery skin drawn tight over bone, ribs standing through, jaws slack, one arm flung out past a fallen chair leg, their dry outlines still and grey-brown under the low light. Dust and the barest lift of dried flakes catch the volumetric beam that cuts down from a broken high window and a single hanging bulb to her right, rimming her hair and shoulder in a hard white edge and pushing the safehouse deep into cold blue-grey darkness on the other side; there, and along the near floor, a crisp white outline traces her silhouette and the broken edges of her clothes so she detaches from the background. The corridor behind her falls off fast into shallow depth of field, its crates and stripped walls dissolving out of focus. Everything is sharp cel-shaded high-contrast anime rendering, drained of colour except for the hot accent of the bulb, the sickly warmth on her skin and the cold grey fire of her eyes. Quietly predatory, effortlessly cruel.
nyx222
1girl, black eyes, thick fluttering eyelashes, black hair, afro, wolf cut, narrow eyes, blank expression, full lips, layered hair, hair falling over face, off-shoulder black knit top, short tight black skirt, sheer black knee-high tights, large breasts, crossed arms, lifeless eyes, looking at viewer, close-up, unrest, darksoft cinematic atmosphere, mgong_style, 2000s moe-style, soft cinematic atmosphere, warm natural lighting, muted colors, gentle contrast, painterly texture, soft highlights, subtle shadows, slightly dreamy, cozy mood, polished illustration style
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(mai)
Winter joy in the snow
FriddaTiss
kyramisu
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
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푸른 물결 속의 신비로운 소녀
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X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
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❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
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reunited at last
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₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
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Tofu
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₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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