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usermio0136

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copyright: fate_(series) bunny girl, black pantyhose, 1girl, solo, playboy bunny, leotard, black leotard, strapless leotard, fake animal ears, rabbit ears upright, white collar, bow tie, white cuffs, high heels, black footwear, standing, weight on one leg, tiptoes, arm up, hand reaching forward, outstretched arm, looking up, head tilt, from below, cowboy shot, dutch angle, :d, one eye closed, half-closed eyes, small smile, closed mouth, hair ornament, hairclip, short hair, black hair, purple hair, purple eyes, long sleeves? no, bare shoulders, bare arms, choker, confident, mischievous, traditional cel animation, early 2000s anime, hand-drawn anime Shot from below at a slight dutch angle in a cowboy-shot crop, a single petite bunny girl fills the right two-thirds of the frame, her body tipped forward on her toes so the low camera looks up along her legs. She balances on her left toe with the right heel lifted just clear of the floor, hips cocked to the left, her right arm thrown up and out toward the upper-left corner as if catching something above the lens, the fingers spread and curled mid-reach; her left hand rests flat against her own hip, thumb hooked under the leotard's edge, pressing the black fabric against the skin so the seam dimples. Her head tilts back and to her left, chin lifted, eyes cut up and sideways toward her own reaching hand, one eye squeezed shut and the other half-lidded, small closed-mouth grin pulled lopsided by the tilt. Short dark hair, deep violet in the shadows, swings away from her cheek and clips flat to one temple with a small dark hairclip; two tall white rabbit ears stand upright from the headband and lean back against her motion, the inner edge catching a bright rim. The costume is a strapless black leotard cut high on the hip, its satin sheen broken into a hard cel highlight along the collarbone and a second white streak down the thigh; a white wing collar with a small black bow tie sits at the throat, and white cuffs ring her wrists. Black pantyhose run unbroken from hip to toe, the mesh reading as a fine dot screen in the mid-tones and turning near-opaque black in the shadow under the hem; glossy black high heels finish the line, the lifted right shoe catching a pinpoint specular on its heel. No other jewellery anywhere on her, ears bare, throat carrying only the choker of the collar. The background is a flat, empty mid-violet studio field, a single smooth tone with one pale gradient bloom high in the upper-left where the light enters, deliberately bare so the figure carries every detail. Light comes from the upper left, cool and hard, throwing the cast shadow of both legs and the leotard's hem down onto an implied floor at the bottom edge and leaving the right side of her throat and the far side of her hip in a clean cel shadow with a hard, unblended border. The trousers of shadow under the reaching arm fall across the leotard; the pantyhose's mesh disappears into pure flat black at that boundary rather than blurring. Colour is held to black, white, deep violet and the flat violet ground, with skin and a warm ochre tint in the highlights the only other notes; flat fills, crisp ink outlines, limited cel palette, no gradients inside the shapes. Mischievous, effortlessly confident.
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Ursprünglicher Prompt
Fate/kaleid liner Prisma☆Illya女角色美游，服装黑丝袜女兔女郎，traditional cel animation、early 2000s anime、hand-drawn anime，
Modus
pro
Qualitäts-Tag
﹝Prompts﹞
Größe
1824 x 1104
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ス
character: kawashima_momo 1girl, solo, kawashima momo, short black bob cut, hair between eyes, black ribbon in hair, black eyes, rabbit ears, fangs, grey-framed under-rim semi-rimless eyewear, monocle over one lens, black leotard, bare shoulders, detached collar, black fishnet pantyhose, Vladimir Putin resemblance, stern heavy-lidded gaze, thin unsmiling mouth, pronounced brow, short blunt nose, square jawline, slight puffy cheek, side profile three-quarter turn, head turned to her right, chin lifted, straight-back formal posture, hands clasped low in front of her waist, shoulders squared, from below, close-up, dutch angle, dramatic upward key light, dark slate-green wall behind, aggressive vertical thrust of the camera. The camera sits low and tilted, looking up at her from hip height so the frame shears diagonally across the dark slate-green wall behind her; the view catches her from her sternum upward, head turned to her right in a three-quarter profile so the far cheek and the far ear sit just out of sight behind the near cheekbone. Every line of the face is angled toward the Putin likeness: the brow sits heavy and low with a flat horizontal crease, the eyes are dark and half-lidded beneath it, narrowed and steady, looking off past the left edge of the frame at nothing the viewer can see; the mouth is a thin closed line pulled slightly down at the near corner, no smile at all, the lips pressed as if she has just finished speaking and disapproves of the answer. The nose is short and blunt with a squared bridge; the jaw is broad and set; one cheek is faintly puffed, giving the likeness a touch of the familiar heavy-jowled look without turning it into a caricature. Her black bob falls straight and blunt to the jaw, one lock caught between her eyes, and the small black ribbon sits tucked at the crown above the near temple; the rabbit ears rise from behind that ribbon and stand up straight, faintly backlit so their inner surface glows a muted rose against the dark wall. Her glasses are grey-framed and under-rimmed, the lower edge of the frame catching the upward light; the monocle lens sits over her near eye on its thin chain, the glass throwing a small hard glint. The detached collar rings her bare throat, black against her skin, and the black leotard cuts across her shoulders; her shoulders are bare and squared, and below the frame edge the fishnet pantyhose is glimpsed only as a fine dark diamond mesh at the very bottom corner. Her hands stay clasped low in front of her waist, fingers laced, thumbs pressed together, knuckles pale where the grip tightens. A single hard light source stands low and to her left, angled steeply upward: it models the underside of her jaw, the near cheekbone, the underside of the glasses frame and the bridge of her nose, and it throws her long shadow up and back against the slate-green wall so the shadow climbs higher than she does. Everything above her brow and outside the light's cone drops into black; the wall behind is otherwise unlit. The palette holds to black, cold slate green, the pale cool cast of skin under the low key, and one dull rose glint inside the rabbit ears -- nothing else admitted. The monocle's reflection is a small bright smear smaller and softer than its source, and the fine mesh of the fishnet at the bottom edge bends and stretches along her thigh's curve. The mood is cold, imperious, faintly absurd.
スルミンサーシャ
#Girls und Panzer#Momo Kawashima
AI artwork
so
character: isuzu_hana 1girl, solo, isuzu_hana, long black hair, hair up, ahoge, black eyes, bunny girl outfit, black bunny suit, strapless leotard, white collar with black bow tie, cuffs, white cuffs, rabbit ears, black rabbit ears, pantyhose, black pantyhose, high heels, black high heels, nail polish, black nail polish, sexy pose, seductive, one knee raised, sitting on the floor, leaning back, arm support, head tilt, looking at viewer, faint lopsided smile, half-closed eyes, from above, cowboy shot, elegant, glossy The camera looks down at her from above, close and slightly off-axis, so her head and raised shoulder sit near the upper third of the frame and her legs and one bracing hand occupy the foreground. She sits low on a seamless matte charcoal studio floor, weight pitched back onto her right palm pressed flat to the ground behind her hip, her right elbow softly bent and the shoulder it belongs to rolled a little higher than the other; her left knee is drawn up with that heel planted, the black high heel tilted so its sole just lifts at the toe, and her right leg is folded to the side, its pantyhosed calf lying along the floor with the asphalt-toned shine of the sheen catching along its upper contour. Her hip is cocked out of the square, one shoulder dipped, chin lifted and turned about twenty degrees off the lens, and her gaze comes back to the viewer over that small turn, half-lidded and steady, one brow arched a fraction as if she's reading how this is being received. Her mouth holds a faint closed-lipped smile caught at one corner, not quite a smirk. Her free left hand rests along the top of the drawn-up knee, the long black nails of three fingers barely pressing the glossy black fabric, and the black nail polish on the thumb is a small precise glint against the leotard. The black bunny suit is a single strapless leotard of close-fitting glossy material that catches a long narrow highlight from her left clavicle down over the ribs and another along the sloped torso, and a white stiff collar sits around her throat closed at the front by a small black bow tie; matching white cuffs ring her wrists with a thin elastic edge compressed into the skin just above each bony wrist. The tall black rabbit ears rise from the band of her hair up, their base slightly tilted, one a touch more upright than the other, and their soft nap fuzzes along the lit upper edges. Her black hair is gathered up and away, with the long strands swept into the bun so the nape and jawline are left bare, and one short loose strand swings forward past her cheek where a soft breath of air lifts it; the thin coiled ahoge at her crown stands as the only unruly shape. The environment is reduced to almost nothing: a matte charcoal floor and a seamless dark grey sweep behind her that lifts very gradually toward the upper frame, so the subject-to-ground ratio is almost entirely subject, and the only topography is the slow curve of the backdrop and the hard line where heel, palm and thigh meet the floor. The light source is a single large softbox high and to her right, and it is the only source: it strikes the high side of her raised shoulder, her forehead, the near edge of her lifted knee and the upward-facing top of her drawn-up foot, while the far side of her face, the underside of her jaw, the hollow inside the raised knee and the space behind her hip fall into deep, clean shadow. She casts a long soft shadow back to her left and slightly behind, blurred at its edges, blocking up under her folded leg, and the floor carries one faint compressed shine where her bracing palm has pressed it. Palette is black, a lifted charcoal grey and a single cool white at collar, cuffs and the faint highlight edges of the glossy fabric, nothing else admitted. Mood: quietly confident, effortlessly alluring.
Sakura Ozaki
AI artwork
ss
character: andou_(girls_und_panzer) 1girl, solo, full body, andou \(girls_und_panzer\), black hair, medium hair, long hair, hair between eyes, brown eyes, rabbit ear hairband, black bunny ears, black bow hairband, black latex bunny outfit, black leotard, detached collar, black bowtie, black pantyhose, black high heels, latex, shiny, standing, contrapposto, hand on own hip, other arm extended out to the side, head tilt, looking at viewer, one eye closed, smug, ;d, open mouth, from below, dutch angle, cowboy shot framing widened to full body, seamless studio sweep, dramatic single spotlight The camera looks up at her from a low angle, tilted a few degrees off level so the vertical of her body runs diagonally across the frame, and her whole figure from the soles of her shoes to the tips of her ears sits inside the frame with a narrow margin above and below. She stands in a strong contrapposto: weight carried on her right leg, right hip pushed out, left knee bent and turned slightly inward, shoulders counter-rotated to the right. Her right hand rests flat on her own right hip, fingers spread over the black latex there and pressing a shallow dent into the glossy surface; her left arm is flung out and slightly down from her shoulder, hand open, palm forward, as if she has just finished a ta-da gesture. Her head tips toward her left shoulder. Both brown eyes are open and aimed straight down the lens, one brow lifted, one corner of her mouth pulled up in a lopsided smirk with the tip of her tongue showing between her teeth - a smug, teasing look that knows exactly what the low camera is doing. The black rabbit-ear hairband sits high on her black hair, ears standing erect and slightly splayed, catching the light along their front edges; her black bow hairband bows to one side above her ear, and the fringe between her eyes has swung a little with the head tilt. The black latex leotard is pulled taut over her torso and hips, its high-cut leg openings riding up her hipbones, the detached collar and black bowtie cinched at her throat right under her chin, and the black pantyhose sheath her legs seamlessly down into black high heels. The latex reads as the focus and gets the detail budget: broad hard highlights running down the front of her chest and thighs, a thin crisp rim of reflected light tracing her silhouette from below, deep black shadows folding into the creases at her waist, armpits and the back of her raised knee. The low lamp sits somewhere in front and below the frame, so the undersides of her jaw, the insides of her forearms and the soles of her shoes fall into shadow while the glossy fabric throws a second, tighter highlight back down toward it; a soft cast shadow pools on the seamless floor directly beneath her and stretches slightly behind her heels. Behind her the studio sweep drops into a smooth gradient from a cool grey at her feet to near-black at the top of the frame, absolutely empty and uncluttered, with no other object in the shot. The palette is strictly black latex, black hair, black hose, warm skin and one hot white specular streak, nothing else admitted. Bold, glossy, effortlessly cocky.
Suto Sara

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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