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AI art "仲良し三人娘の卒業旅行" featuring #Bikini, #Dekolleté, #mehrere Mädchen and #Wange an Wange
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仲良し三人娘の卒業旅行

国籍も違う私たちが卒業旅行でリゾートへ。少しハメ外しちゃうかも?

#Dekolleté#mehrere Mädchen#Wange an Wange
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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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3girls, multiple girls, adult women, slim athletic build, toned arms, swimmer's physique, outdoors, outdoor swimming pool, pool edge, tiled poolside, elbows resting on tiles, leaning back against pool edge, forearms flat on the deck, upper back against tiles, standing in water, water at chest level, wet skin, wet hair, wet ponytail, glistening shoulders, water droplets, dripping hair, looking at viewer, inviting smile, warm smile, relaxed half-closed eyes, front view, eye-level camera, medium shot, close group of three, triangular composition, first woman on the left with light brown skin, long black hair in a high ponytail, white competition swimsuit, high-cut racing swimsuit with thin shoulder straps, second woman in the middle with brown skin, long black hair in a high ponytail, gold and red competition swimsuit, gold body with red side panels and red straps, third woman on the right with brown hair in a ponytail, red and grey competition swimsuit, red torso with grey side panels and grey straps, mature style, soft light, soft diffused daylight, no text Three adult women stand shoulder to shoulder in the shallow end of an outdoor swimming pool, seen straight on from a camera just above the waterline, the deck cutting a horizontal band across the bottom third of the frame. They are arranged in a slightly staggered row — the light brown-skinned woman on the left, the brown-skinned woman in the middle, the brown-haired woman on the right — each turned a few degrees inward toward the center so their shoulders overlap lightly and the group reads as one close unit. All three have their backs pressed to the tiled pool wall, elbows planted wide on the deck tiles behind them, forearms flat and palms hanging slack over the coping; their bodies angle backward into the wall so the chests open up and the chins lift slightly, water lapping at mid-chest and wetting the lower edge of each swimsuit. The left woman's hips rest against the wall with her weight sunk into her right hip; the middle woman stands square-backed and a little taller, one knee bent underwater; the right woman is tilted the furthest back, head tipped, one elbow taking more of her weight than the other. Their faces are lifted toward the lens, all three gazes landing directly on the viewer — the left woman with a slow closed-lip smile and lowered lashes, the middle woman with a wider open smile and a tilted chin, the right woman with a lopsided grin, one brow slightly raised. Their skin and hair are soaked: ponytails heavy and dark where the water has drawn them slick, stray wet strands clinging to temples and necks, droplets beading on collarbones and forearms and running down the tiles behind them. Faint halos of water ring each pair of shoulders where the surface is disturbed. Their suits are tight and wet, fabric darkening where it meets the waterline — the left woman's plain white racing suit with thin straps, the middle woman's gold suit broken by red side panels and red shoulder straps, the right woman's red suit paneled in grey along the flanks. The light is a soft, high, overcast-bright daylight falling from above and slightly left, so the tops of their shoulders, the crowns of their heads and the flat deck catch a broad sheen while gentle shadow pools under their chins, beneath their jaws and in the hollow between the three bodies. Behind them the far end of the pool and a low hedge dissolve into a soft, hazily bright background with no hard detail. Palette is restrained and cool — blue-green water, pale grey tile, the muted green of distant foliage — with the swimsuits providing the only saturated notes: white, gold-red, red-grey. Tiles at the waterline show a darker band just above the surface where the splash has wet them, and the ripples nearest the wall flatten into long soft curves. Mature, sunlit and quietly inviting.
Klodvig
AI artwork
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3girls, multiple girls, slim athletic build, brown hair, ponytail, pink and blue competition swimsuit, one-piece swimsuit, walking, outdoors, swimming pool, waving, one hand up, looking at viewer, inviting smile, closed mouth smile, pool edge, leaning forward, leaning towards edge, blonde hair, blonde ponytail, blue and gray competition swimsuit, dark brown skin, black hair, black ponytail, dark grey light grey and white competition swimsuit, wet, wet hair, wet skin, water droplets, looking at viewer, inviting smile, full body, wide shot, dutch angle, from side, from below, daylight, soft light, mature style, A low, gently tilted three-quarter view from the tiled pool deck, camera set below the standing woman's shoulder height so the water surface cuts a bright horizontal band across the middle of the frame. On the right of the picture the standing woman strides forward mid-step, her weight carried on her planted right foot while her left leg swings through, hips canted with the stride; her left arm is raised high and out to the side, palm open, caught at the outer arc of a wave, fingers spread, while her right arm hangs loose and relaxed with a slight bend. Her brown hair is pulled back into a tight ponytail that swings out behind her shoulder with the momentum of the walk. Her head is turned fully to the lens, chin level, warm brown eyes meeting the viewer directly, an inviting smile with the corners of the mouth lifted and lips just parted. The pink and blue competition swimsuit is a single high-cut one-piece, the pink panel sweeping diagonally across the chest and the blue panels raking down the flank to the hip. On the left of the picture the long turquoise pool recedes in perspective toward the upper left corner, its far coping a thin pale line; the water is a saturated aqua with a pale sky reflection broken into soft jagged highlights, and a faint white ladder rail stands at the near edge. At the pool edge the two women in the water lean forward onto the coping, both forearms flat on the warm tiles, chins up, shoulders just clear of the surface, their backs angled out of the water so the lean reads as a pull toward the deck rather than a slump. The nearer of the two, at the mid-left, is the blonde: her wet blonde ponytail is slicked dark at the crown and clumps into a heavy tail down her back, and her blue and gray competition swimsuit shows as a blue chest panel with gray side panels, the fabric clinging and beaded with droplets. Just behind and slightly to her left, the third woman has dark brown skin glossy with water, black hair drawn into a tight ponytail that sheds a thin runnel down her neck, and a dark grey, light grey and white competition swimsuit with a dark grey body, a broad light grey diagonal band and white piping at the straps. Both are looking toward the viewer, both wearing the same inviting, open-lipped smile, eyes crinkled at the corners. Sunlight comes from high and slightly behind camera-left, a broad soft hazy daylight: it lays a diffuse sheen along the standing woman's shoulder, the crown of her head and the raised forearm, and it makes the wet skin of the two in the pool shine while casting no hard-edged shadows on the deck. Where the leaning women's forearms press the coping, thin wet handprints darken the tiles and small rings of water spread out from their elbows across the pool surface, the only sharp edges in an otherwise soft frame. Palette held to the aqua of the water, the warm pale sand of the tile, the pink and blue of the standing suit and the gray-and-white family of the two in the pool; the deck occupies the lower right foreground and a broad band of empty water the upper left, so neither the standing figure nor the swimmers crowd the frame. Rendering in a mature style: restrained naturalistic anatomy, clean confident linework, soft gradient shading over defined muscle structure, no bloom, no noise, quiet warmth and effortless confidence.
Klodvig

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