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新山聡美(薬師まつり・御礼の儀式)

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Anything Goes Casual Posting Festival!

#Reife Frau #Traditionelle japanische Kleidung #halten #Schriftrolle #Junihitoe #Sound! Euphonium #Satomi Niiyama

Veröffentlicht: Nov 5, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, anime-style, official style, anime keyvisual, back view, looking back over shoulder to the right, a realistic and lifelike festival photograph depicting a woman dressed as Princess Shiduhata, wearing gorgeous Heian-period style attire, holding and reading a long scroll spread out with both hands at the traditional "Yakushi Matsuri" festival held in Kurihara City, Miyagi Prefecture. Set in a historical festival staging space, expressing an elegant and serene moment where the princess carefully reads an important document aloud. The woman's refined expression, traditional layered costume, and the long scroll held in both hands are the main focus, cherishing the festive splendor and graceful Heian-period ambiance. [Character LoRA Placement] The woman specified by this LoRA is the only woman acting as Princess Shiduhata in the Yakushi Matsuri. A married woman in her early 30s, with neat and refined long hair. Maintain the facial features and character modeling specified by the character LoRA, bestowing dignity and serenity befitting a Heian-period princess. The woman stands in the center of the frame, quietly reading the long scroll held in her hands and verifying its contents. There is only one LoRA woman, do not depict the same woman redundantly in another place. [Woman's Attire] The woman wears a luxurious layered princess attire reminiscent of Heian-period noblewomen. The costume features a gorgeous and refined color scheme combining pale wisteria, light pink, pink, vermilion, pale yellow, and fresh grass green. On the outermost layer, she wears a loose, long-sleeved robe primarily in pale wisteria and light pink. The outer robe is made of fine silk fabric, woven with delicate floral patterns and traditional botanical motifs on the surface. When catching light, it has a soft sheen, revealing the fine texture and patterns of the fabric. At the chest of the attire, numerous collars in pale yellow, light pink, and white are layered. The collars form a beautiful layer at the neck, creating a prestigious look befitting a princess. The outer robe is pale purple or pink, with several large circular patterns in orange or vermilion placed on the front panel. The circular patterns are drawn naturally on the robe fabric, appearing as a restrained decoration that is not overly regular. The sleeves are loose and large, long in shape spreading softly when the arms move. Inside the sleeves, yellow and fresh-green robes are layered, showing different colored fabrics from the cuffs. The entire attire has a multi-layered fabric structure, beautifully displaying color gradations and the spread of long sleeves. The woman's long hair naturally flows from the shoulders across the front of her chest and over her back, while maintaining the hair modeling specified by the character LoRA. The hair is black or deep brown with a soft gloss, with natural strands hanging on both sides of her face. The hairstyle maintains a neat and refined impression, without excessive hair ornaments or a large crown. Not a modern ponytail or short hair, but a style with long hair hanging down naturally. Makeup is understated, conveying a gentle beauty fit for a princess. Natural folds of layered fabric are visible on the attire from the shoulders, chest, sleeves, to around the waist, and the sleeve shapes do not collapse even when moving hands to hold the scroll. The colors, patterns, layered collars, and spreading sleeves of the attire are carefully depicted, avoiding modern kimonos, yukatas, or Western clothing. The character LoRA handles the person's facial features and shape, while the attire, hairstyle, hair ornaments, posture, and facial expression follow this description. [Scroll Shape and How It Is Held: Most Important] The woman holds with both hands a horizontally wide-spreading paper scroll tinted with light pink or pale wisteria. The scroll is spread horizontally as a single elongated piece of paper, stretching across from the woman's chest to around the upper abdomen. The paper is not a vertical book or booklet, but a traditional scroll with a wide horizontal width. The paper surface is wide horizontally, connecting naturally to the left and right edges. At one end of the scroll is a thin wooden core roller, while the paper on the opposite side curves softly, drooping slightly downward. The paper is thin and flexible, with natural sagging and gentle curves in the lifted portion. The woman supports both the left and right sides of the scroll with her respective hands. The left hand holds the left edge of the scroll, and the right hand securely supports the right edge of the scroll. Both hands are positioned slightly below chest height, holding it so the paper surface spreads horizontally in front of the woman's eyes. The left and right hands are placed apart, making the horizontal width of the scroll fully apparent. Both hands rest naturally on the paper edges and roller core, fingers gently supporting it so the paper does not drop. Not held with only one hand, and not hugging the scroll against the body. On the surface of the scroll, several vertical brush-calligraphy characters in pale ink wash or light brown are aligned. The characters are soft brushstrokes, as if written on old washi paper. The fine characters do not need to be completely legible, but priority is placed on having vertical brush characters characteristic of historical documents naturally aligned. The paper surface has slight fibrous textures and subtle uneven coloring, giving it the serene texture of an old scroll. Characters are written naturally on the paper, avoiding meaningless large symbols or flashy decorations. The scroll spreads horizontally in front of the woman's chest, fitting within the frame to its left and right ends. The paper does not hide the woman's face, positioned below her mouth, from the chest to around the upper abdomen. The central part of the scroll is nearly horizontal, with the left and right ends naturally slightly lowered while held by the hands. The scroll must not break halfway, split into multiple papers, or float in the air. It is clearly apparent that a single long scroll is spread open and being read with both hands. [Woman's Posture and Expression] The woman stands, holding the opened scroll in both hands, reading its content. Keeping her waist and body straight, she assumes an elegant and composed standing posture. Both elbows are lightly bent, both hands spread apart to support the scroll in front of her chest. Shoulders are relaxed in a natural and stable posture. The height of the hands holding the scroll is from the chest to the upper abdomen, at a position convenient for the woman to read the characters. The woman tilts her face slightly downward, casting her gaze near the center of the scroll. Her eyes are naturally directed downward as if following the characters on the paper, and her neck leans slightly forward. Her expression is gentle and focused, showing both the seriousness of carefully verifying the scroll's contents and a soft smile at the same time. Her mouth is naturally closed in an elegant and serene expression. Not looking at the camera, her attention is devoted to reading the scroll. The woman's body faces the scroll, viewed from a slightly diagonal angle by the camera. The face is close to frontal, but her gaze is directed toward the paper below. The hands holding the scroll, the paper surface, and the woman's face are visible simultaneously in a single frame. The fingers of both hands naturally support the paper, correctly depicting the number of fingers and joint shapes. Sleeves flare naturally toward the wrists, the luxurious fabric of the attire complementing the hand movements. [Background Festival Space] Behind the woman is a festive decorated space set up for the celebration. From the top of the frame to the background, large fabrics in purple, pale green, and yellow hang down. The cloths overlap horizontally and diagonally, having soft curves and sags. On the left is a pale purple cloth, in the center a bright light green cloth, and on the right a vivid yellow cloth, each occupying a large area. Soft weaves and natural wrinkles are visible on the cloth surfaces, creating a gorgeous background reminiscent of festival stage decorations. To the right rear of the woman, the walls and pillars of a building made of dark brown or grayish-brown wood are visible. The wood has natural grain and color variations aged over time, giving off the calm atmosphere of traditional architecture. At the top, parts of wooden beams and roofs are visible, with cloth decorations installed around them. The background is positioned at some distance, not obscuring the woman's face or the scroll. Pillars and beams should not overlap right behind the woman's head. While having vibrant colors, the background is arranged to complement the woman's attire and scroll. The purple, light green, and yellow cloths are clearly distinguishable from one another, with the dark color of the timber acting as an accent. No flashy signs or large crowds of people, expressed as a ceremonial festival setting for the princess to read the scroll. An imperial cart, ox-drawn carriage, or procession parading down the street must not appear in this scene. [Camera and Composition] Vertical 2:3 composition. The camera is placed slightly diagonally in front of the woman, shooting from eye level. A medium shot composition showing from the top of the woman's head to slightly below her waist, capturing her hair, face, shoulders, chest, wide sleeves, both hands, and the left and right ends of the scroll. The woman is placed alone in the center of the frame, depicted as the main

新山聡美(薬師まつり・御礼の儀式)

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