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Kylee Violette (Kiy Chan)

KI-Kunst von Kylee Violette (Kiy Chan) auf PixAI. Erstellt mit Tsubaki.3.

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
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Ursprรผnglicher Prompt
a male light brown wavy short hair and green eye vertical slit pupils as muscle male wearing a black pants and white shirt button with brown vests, when he picked her up in a princess carrier as a woman having a curly red hair longest and red eyes as wrapped her arms around on his shoulder, wearing a T-shirt and short pants as look beautiful woman
Modus
pro
GrรถรŸe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

Verwendetes Modell und LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.68k

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, muscular male, light brown hair, short hair, wavy hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, princess carry, carrying, holding another, long hair, curly hair, red hair, red eyes, arms around neck, hugging, white t-shirt, short pants, beautiful woman, hetero, cowboy shot, from side, profile, dutch angle, looking at another, eye contact, light smile, closed mouth, parted lips, outdoors, stone terrace, sunset, backlight, rim light, depth of field, atmospheric A dramatic three-quarter side view shot from a dutch angle, framed at cowboy shot, holds the two figures on a narrow stone terrace in the late afternoon. The man โ€” tall, broad-shouldered, built with heavy muscle through the arms and chest โ€” stands with his weight settled into his back heel and his hips angled away from the camera, the woman cradled across his forearms. His short, wavy light-brown hair lifts slightly at the temple in the breeze, and one lock falls across a heavy brow. His green eyes are narrowed, the vertical slit pupils contracting against the low sun as his gaze drops to her face; the corner of his mouth pulls into a small, closed-lipped smile. The white button-up shirt strains at the shoulder seam and pulls across his chest, every button done except the top, and the brown vest sits open, its hem riding up where his forearm supports her. The black pants crease at the hip from the weight shift, and his boots are planted wide on the uneven flagstones, the front foot braced just inside a seam. His arms are bent and locked beneath her โ€” one forearm under her shoulder blades, the other under the backs of her knees, his fingers spread to take the load, the knuckles pale where they press into the fabric of her clothes. She is turned three-quarters toward him, her long, curling red hair spilling over the crook of his supporting arm and down past his hip, the ends of it catching the low sun so the curls read amber at the edges. Her arms are wound around his shoulder and behind his neck, her forearms crossed over the back of his collar, one hand resting against the fabric of his shirt. Her red eyes are open and fixed on his, a bright smile just parting her lips, her chin tipped up. The plain white T-shirt stretches across her chest where his arm takes her weight, and the short pants ride up slightly at the thigh, her knees folded and her ankles relaxed. The two are pressed close, his shoulder against her ribs, her shoulder tucked under his chin. Behind them a low stone parapet and a run of dark cypress trees fall out of focus; the terrace is empty of other people. The setting sun sits low and behind the pair, so the light comes from over the man's right shoulder โ€” a strong warm rim raking the edge of his jaw, the top of his wavy hair, the curve of her red curls, and the top of her forearm, while the front of both faces is filled by a soft bounce off the pale stone, so their features stay readable. Their shadows stretch away toward the camera's left, long and hard-edged across the flagstones. The palette is warm stone and skin against the deep green of his eyes, the deep red of her hair and eyes, the brown of the vest and the white of the shirts โ€” nothing else admitted. The breeze moves her curls and the loose tail of his shirt, and a single strand of her hair rests across his collar. Intimate, golden.
Kylee Violette (Kiy Chan)
AI artwork
p
character: nami_(one_piece), copyright: one_piece 2girls, 1boy, 2boys, male focus, hug, forehead kiss, kiss, height difference, muscular, muscular male, brown hair, tousled hair, short hair, brown eyes, round eyewear, glasses, business casual, sharp suit, white dress shirt, open collar, dark blazer, dress pants, standing, leaning back, melting into embrace, eyes closed, blush, light smile, content, tender, orange hair, long hair, orange eyes, bare shoulders, jewelry, earrings, bracelet, cowboy shot, from side, profile, close-up, soft focus background, warm light, depth of field Side-on view at chest height, framed as a vertical cowboy shot that crops both figures just below the hips, so the embrace fills the frame across its width. On the left the man stands planted and tall, seen in near-profile: a bulky, heavily muscled build that strains the shoulders of a sharply tailored dark navy blazer, his short brown hair tousled and pushed back off his brow, round thin-rimmed eyeglasses catching a small arc of light on the near lens, warm brown eyes hidden behind closed lids. He is a full head taller. His chin is tipped down and his lips press flat and firm to the crown of her forehead, just above her brow line; his near hand cradles the back of her skull, fingers spread through her long orange hair, and his far arm bands low across her back, palm flat between her shoulder blades, drawing her in. On the right she stands with her weight surrendered onto her back foot, spine arched softly backward, head tipped up and tilted into the kiss so her throat is bared and her orange hair spills backward over his forearm in a loose, swinging fall. Her eyes are shut, lashes low, mouth parted in a small open exhale, a warm blush across both cheeks and the bridge of her nose. Both her hands are gathered loosely at his chest, fingers curled into the lapel of his blazer, knuckles resting against the dress shirt beneath. Her bare shoulders and the curve of her collarbone catch the light above a simply cut top, a slim bracelet at one wrist and small earrings at her ears. Their two bodies meet along one continuous line -- his chest to her cheek, his forearm to her back, her hip against his thigh -- and every contact compresses: the wool of his sleeve dimples where her hair presses it, his lapel bunches under her knuckles. Light comes from a single warm source at frame left, low and slightly behind the camera, so it rakes across his jaw, the rim of his glasses and the side of her face while the far side of both figures falls into soft shadow; a broad dim falloff behind them, no visible window or lamp, the background a smooth dark warm-grey sweep with the faintest suggestion of vertical depth, everything beyond the couple blurred to a soft haze. Palette is restricted to warm brown, navy, cream and the orange of her hair, her eyes and the blush -- nothing else admitted. A single strand of her hair lifts at her temple as his breath moves past it. Quiet, tender.
Paleoclast

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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