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まんまん
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- Ursprünglicher Prompt
- iroha(samurai showdown),black hair,short hair,tsurime ,, samurai showdown art style,samurai spirit art style.. ,.The image features flat coloring, and a simple clean white background, anime coloring, incredibly_absurdres, official art style, sharp focus, anime screencap and game cg style, clean lineart and cel shading, cinematic depth, ,((Anime screencap)), (Anime coloring:1.4), source_anime
- Modus
- pro
- Größe
- 1104 x 1824
- Sampling-Methode
- Euler
- Negativ
- lowres, worst quality, low quality, bad anatomy, explicit
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Verwendetes Modell und LoRA
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copyright: boruto:_two_blue_vortex
tall female, single figure, solo, kunoichi, bandeau top, kimono, large breasts, t pose, arms stretched out, legs apart, limbs separate, full body, white background, anime figurine, from below, dutch angle, slight foreshortening, standing on one leg weight shift, head tilt, looking at viewer, one eye closed, lopsided smirk, bare ears, hair unadorned at the crown, long dark hair, high ponytail, sharp angled bangs, dark eyes, slender muscular build, long legs, strapless bandeau chest wrap, short open kimono jacket slipped off both shoulders, wide sleeves hanging free, sash tied at the waist, bare midriff, bare arms, bare shoulders, bare legs, bare feet, toes gripping the ground, fingers spread, palm faces toward the camera, absorbent white sweep, seamless white studio sweep
A single tall kunoichi seen from a low camera angled slightly off-axis in a mild dutch tilt, in a true T-pose: both arms stretched straight out to the sides at shoulder height, palms flat and fingers spread with the palms angled just enough toward the lens to read, legs planted well apart, feet flat and toes gripping, the weight settled on her left leg while the right hip drops a fraction so the stance is not a symmetrical mannequin. Her chin is tipped a little down and her head tilts toward her left shoulder; her right eye is shut in a lazy wink and the left looks straight down the lens under a lopsided smirk pulling one corner of her mouth. Long dark hair is pulled into a high ponytail that swings out to her left, and the sharp angled bangs cut across her brow; her ears are bare and the crown of her head carries no ornament. She wears a strapless bandeau wrap pulled tight across a large bust, its top edge a clean horizontal line, and over it a short open kimono jacket — wide sleeves hanging free of her outstretched arms, the collar slipped back off both shoulders, the sash knotted at her waist — leaving bare shoulders, bare arms, a bare midriff and bare legs down to bare feet. Every limb is held clear of the body: no arm crosses the torso, no hand touches the hip, no thigh overlaps its neighbour, and daylight passes visibly between legs, arms and waist so the silhouette separates cleanly for another renderer to read. The light is a broad, even studio key from the front and slightly above her eye line, one soft fill from the left; it fills her throat and collarbones, puts a narrow shadow under the bust and along the inner edge of each sleeve, and drops only a small soft contact shadow beneath her feet — nowhere else on the pure white seamless sweep, which stays empty to the frame edges. Palette is white ground against warm skin tone, the black-and-deep-indigo kimono cloth with a faint pale pattern, and the plain off-white of the wrap; detail budget sits on the face, the spread hands, the crisp edges where the bandeau meets skin, and the cloth tension at the sash knot. Even, measured, quietly confident.
Mister reference maker
copyright: boruto:_two_blue_vortex
tall female, single figure, solo, kunoichi, bandeau top, kimono, large breasts, t pose, arms stretched out, legs apart, limbs separate, full body, white background, anime figurine, from below, dutch angle, slight foreshortening, standing on one leg weight shift, head tilt, looking at viewer, one eye closed, lopsided smirk, bare ears, hair unadorned at the crown, long dark hair, high ponytail, sharp angled bangs, dark eyes, slender muscular build, long legs, strapless bandeau chest wrap, short open kimono jacket slipped off both shoulders, wide sleeves hanging free, sash tied at the waist, bare midriff, bare arms, bare shoulders, bare legs, bare feet, toes gripping the ground, fingers spread, palm faces toward the camera, absorbent white sweep, seamless white studio sweep
A single tall kunoichi seen from a low camera angled slightly off-axis in a mild dutch tilt, in a true T-pose: both arms stretched straight out to the sides at shoulder height, palms flat and fingers spread with the palms angled just enough toward the lens to read, legs planted well apart, feet flat and toes gripping, the weight settled on her left leg while the right hip drops a fraction so the stance is not a symmetrical mannequin. Her chin is tipped a little down and her head tilts toward her left shoulder; her right eye is shut in a lazy wink and the left looks straight down the lens under a lopsided smirk pulling one corner of her mouth. Long dark hair is pulled into a high ponytail that swings out to her left, and the sharp angled bangs cut across her brow; her ears are bare and the crown of her head carries no ornament. She wears a strapless bandeau wrap pulled tight across a large bust, its top edge a clean horizontal line, and over it a short open kimono jacket — wide sleeves hanging free of her outstretched arms, the collar slipped back off both shoulders, the sash knotted at her waist — leaving bare shoulders, bare arms, a bare midriff and bare legs down to bare feet. Every limb is held clear of the body: no arm crosses the torso, no hand touches the hip, no thigh overlaps its neighbour, and daylight passes visibly between legs, arms and waist so the silhouette separates cleanly for another renderer to read. The light is a broad, even studio key from the front and slightly above her eye line, one soft fill from the left; it fills her throat and collarbones, puts a narrow shadow under the bust and along the inner edge of each sleeve, and drops only a small soft contact shadow beneath her feet — nowhere else on the pure white seamless sweep, which stays empty to the frame edges. Palette is white ground against warm skin tone, the black-and-deep-indigo kimono cloth with a faint pale pattern, and the plain off-white of the wrap; detail budget sits on the face, the spread hands, the crisp edges where the bandeau meets skin, and the cloth tension at the sash knot. Even, measured, quietly confident.
Mister reference maker
copyright: boruto:_two_blue_vortex
tall female, single figure, solo, kunoichi, bandeau top, kimono, large breasts, t pose, arms stretched out, legs apart, limbs separate, full body, white background, anime figurine, from below, dutch angle, slight foreshortening, standing on one leg weight shift, head tilt, looking at viewer, one eye closed, lopsided smirk, bare ears, hair unadorned at the crown, long dark hair, high ponytail, sharp angled bangs, dark eyes, slender muscular build, long legs, strapless bandeau chest wrap, short open kimono jacket slipped off both shoulders, wide sleeves hanging free, sash tied at the waist, bare midriff, bare arms, bare shoulders, bare legs, bare feet, toes gripping the ground, fingers spread, palm faces toward the camera, absorbent white sweep, seamless white studio sweep
A single tall kunoichi seen from a low camera angled slightly off-axis in a mild dutch tilt, in a true T-pose: both arms stretched straight out to the sides at shoulder height, palms flat and fingers spread with the palms angled just enough toward the lens to read, legs planted well apart, feet flat and toes gripping, the weight settled on her left leg while the right hip drops a fraction so the stance is not a symmetrical mannequin. Her chin is tipped a little down and her head tilts toward her left shoulder; her right eye is shut in a lazy wink and the left looks straight down the lens under a lopsided smirk pulling one corner of her mouth. Long dark hair is pulled into a high ponytail that swings out to her left, and the sharp angled bangs cut across her brow; her ears are bare and the crown of her head carries no ornament. She wears a strapless bandeau wrap pulled tight across a large bust, its top edge a clean horizontal line, and over it a short open kimono jacket — wide sleeves hanging free of her outstretched arms, the collar slipped back off both shoulders, the sash knotted at her waist — leaving bare shoulders, bare arms, a bare midriff and bare legs down to bare feet. Every limb is held clear of the body: no arm crosses the torso, no hand touches the hip, no thigh overlaps its neighbour, and daylight passes visibly between legs, arms and waist so the silhouette separates cleanly for another renderer to read. The light is a broad, even studio key from the front and slightly above her eye line, one soft fill from the left; it fills her throat and collarbones, puts a narrow shadow under the bust and along the inner edge of each sleeve, and drops only a small soft contact shadow beneath her feet — nowhere else on the pure white seamless sweep, which stays empty to the frame edges. Palette is white ground against warm skin tone, the black-and-deep-indigo kimono cloth with a faint pale pattern, and the plain off-white of the wrap; detail budget sits on the face, the spread hands, the crisp edges where the bandeau meets skin, and the cloth tension at the sash knot. Even, measured, quietly confident.
Mister reference maker
copyright: boruto:_two_blue_vortex
tall female, single figure, solo, kunoichi, bandeau top, kimono, large breasts, t pose, arms stretched out, legs apart, limbs separate, full body, white background, anime figurine, from below, dutch angle, slight foreshortening, standing on one leg weight shift, head tilt, looking at viewer, one eye closed, lopsided smirk, bare ears, hair unadorned at the crown, long dark hair, high ponytail, sharp angled bangs, dark eyes, slender muscular build, long legs, strapless bandeau chest wrap, short open kimono jacket slipped off both shoulders, wide sleeves hanging free, sash tied at the waist, bare midriff, bare arms, bare shoulders, bare legs, bare feet, toes gripping the ground, fingers spread, palm faces toward the camera, absorbent white sweep, seamless white studio sweep
A single tall kunoichi seen from a low camera angled slightly off-axis in a mild dutch tilt, in a true T-pose: both arms stretched straight out to the sides at shoulder height, palms flat and fingers spread with the palms angled just enough toward the lens to read, legs planted well apart, feet flat and toes gripping, the weight settled on her left leg while the right hip drops a fraction so the stance is not a symmetrical mannequin. Her chin is tipped a little down and her head tilts toward her left shoulder; her right eye is shut in a lazy wink and the left looks straight down the lens under a lopsided smirk pulling one corner of her mouth. Long dark hair is pulled into a high ponytail that swings out to her left, and the sharp angled bangs cut across her brow; her ears are bare and the crown of her head carries no ornament. She wears a strapless bandeau wrap pulled tight across a large bust, its top edge a clean horizontal line, and over it a short open kimono jacket — wide sleeves hanging free of her outstretched arms, the collar slipped back off both shoulders, the sash knotted at her waist — leaving bare shoulders, bare arms, a bare midriff and bare legs down to bare feet. Every limb is held clear of the body: no arm crosses the torso, no hand touches the hip, no thigh overlaps its neighbour, and daylight passes visibly between legs, arms and waist so the silhouette separates cleanly for another renderer to read. The light is a broad, even studio key from the front and slightly above her eye line, one soft fill from the left; it fills her throat and collarbones, puts a narrow shadow under the bust and along the inner edge of each sleeve, and drops only a small soft contact shadow beneath her feet — nowhere else on the pure white seamless sweep, which stays empty to the frame edges. Palette is white ground against warm skin tone, the black-and-deep-indigo kimono cloth with a faint pale pattern, and the plain off-white of the wrap; detail budget sits on the face, the spread hands, the crisp edges where the bandeau meets skin, and the cloth tension at the sash knot. Even, measured, quietly confident.
Mister reference maker
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