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Tiger001
Parameter anzeigen
- Ursprรผnglicher Prompt
- score_9, score_8_up, score_7_up, masterpiece, ukiyo-e, woodblock print, 1girl, kitsune, fox girl, nine tails, animal ears, red and white fur, swirling hair, cherry blossoms, falling petals, waves, seigaiha pattern, stylized clouds, strong outlines, flat color, bold lines, traditional japanese art, vibrant colors, high contrast, paper texture, masterpiece, 8k.
- Modus
- flash
- Grรถรe
- 1104 x 1824
Prompt-Assistent
Verwendetes Modell und LoRA
รhnliche Bilder
Mehr anzeigenscore_9, score_8_up, score_7_up, masterpiece, ukiyo-e, woodblock print, 1girl, kitsune, fox girl, nine tails, fox ears, red and white fur, swirling hair, cherry blossoms, falling petals, waves, seigaiha pattern, stylized clouds, strong outlines, flat color, bold lines, traditional japanese art, vibrant colors, high contrast, paper texture, solo, from side, profile, looking back, head turned away, walking, tiptoes, one leg raised, hand on own hip, outstretched arm, sash, obi, kimono, wide sleeves, print registration marks, cartouche, vertical composition.
Seen in profile from a low side angle, a single kitsune girl crosses a stylised shoreline of curling seigaiha-patterned waves, her body angled away toward the right edge of the frame while her chin turns back over her shoulder. Her nine tails fan out behind her in a wide arc, alternating bands of red and white fur rendered as flat colour blocks with bold black keylines, each tail tip curling upward like brush flourishes; her fox ears stand tall on her crown, red at the base fading to white at the tips, the inner ear a single plane of vermilion. Her long hair sweeps forward past her cheek and streams out in swirling ribbon-spirals of black and deep red, so that the hair and the tails together weight the left half of the composition. She is caught mid-step on tiptoe, one geta lifted and the other bearing her weight, the raised foot's toes gripped against the wooden teeth; one arm is flung out to the right with the broad kimono sleeve billowing into a flat scalloped shape, and her hand rests lightly at her hip on the knotted obi. Her eye is a narrow black line under a lowered lid, gaze cast back across the wave line toward the viewer's side of the frame, mouth set in a small closed, faintly amused smile. She wears a white kimono with a red sash, its hem lifted by the sea wind, and the fabric pattern carries no ornament beyond the printed ground.
The world is closed and graphic rather than realistic: a band of stylised clouds in flat white and pale grey rolls across the top of the frame on inked outlines, cherry blossoms and loose petals fall diagonally from upper left through the middle distance, each blossom a crisp five-petal silhouette in pink and white against the darker sea, and they drift across the tails without ever touching them. The sea below is wholly decorative: stacked seigaiha arcs in indigo, deep blue and white, each row outlined in black, thickening toward the foreground. A narrow vertical title cartouche of illegible inked characters sits in the upper right corner, its lettering deliberately unreadable, curving nowhere and printed flat with the block. Palette is disciplined to vermilion red, white, indigo, black and a single pink for the blossoms, nothing else admitted. The print's light is flat and frontal by convention, with no directional shadow; depth comes only from overlaps of black line and the darker indigo weighting the lower edge. A single piece of physical truth anchors the sheet: the girl's geta teeth and the hems of the wave line all register a hair to the left of their black outlines, each colour plate printing a fraction off the keyblock, so the whole page breathes as an actual woodblock pull, and the paper tooth of the sheet shows through every flat area, its fibre and grain visible in the whites. Crisp, vibrant, decoratively alive.
Tiger001
score_9, score_8_up, score_7_up, masterpiece, ukiyo-e, woodblock print, 1girl, kitsune, fox girl, nine tails, fox ears, red and white fur, swirling hair, cherry blossoms, falling petals, waves, seigaiha pattern, stylized clouds, strong outlines, flat color, bold lines, traditional japanese art, vibrant colors, high contrast, paper texture, solo, from side, profile, looking back, head turned away, walking, tiptoes, one leg raised, hand on own hip, outstretched arm, sash, obi, kimono, wide sleeves, print registration marks, cartouche, vertical composition.
Seen in profile from a low side angle, a single kitsune girl crosses a stylised shoreline of curling seigaiha-patterned waves, her body angled away toward the right edge of the frame while her chin turns back over her shoulder. Her nine tails fan out behind her in a wide arc, alternating bands of red and white fur rendered as flat colour blocks with bold black keylines, each tail tip curling upward like brush flourishes; her fox ears stand tall on her crown, red at the base fading to white at the tips, the inner ear a single plane of vermilion. Her long hair sweeps forward past her cheek and streams out in swirling ribbon-spirals of black and deep red, so that the hair and the tails together weight the left half of the composition. She is caught mid-step on tiptoe, one geta lifted and the other bearing her weight, the raised foot's toes gripped against the wooden teeth; one arm is flung out to the right with the broad kimono sleeve billowing into a flat scalloped shape, and her hand rests lightly at her hip on the knotted obi. Her eye is a narrow black line under a lowered lid, gaze cast back across the wave line toward the viewer's side of the frame, mouth set in a small closed, faintly amused smile. She wears a white kimono with a red sash, its hem lifted by the sea wind, and the fabric pattern carries no ornament beyond the printed ground.
The world is closed and graphic rather than realistic: a band of stylised clouds in flat white and pale grey rolls across the top of the frame on inked outlines, cherry blossoms and loose petals fall diagonally from upper left through the middle distance, each blossom a crisp five-petal silhouette in pink and white against the darker sea, and they drift across the tails without ever touching them. The sea below is wholly decorative: stacked seigaiha arcs in indigo, deep blue and white, each row outlined in black, thickening toward the foreground. A narrow vertical title cartouche of illegible inked characters sits in the upper right corner, its lettering deliberately unreadable, curving nowhere and printed flat with the block. Palette is disciplined to vermilion red, white, indigo, black and a single pink for the blossoms, nothing else admitted. The print's light is flat and frontal by convention, with no directional shadow; depth comes only from overlaps of black line and the darker indigo weighting the lower edge. A single piece of physical truth anchors the sheet: the girl's geta teeth and the hems of the wave line all register a hair to the left of their black outlines, each colour plate printing a fraction off the keyblock, so the whole page breathes as an actual woodblock pull, and the paper tooth of the sheet shows through every flat area, its fibre and grain visible in the whites. Crisp, vibrant, decoratively alive.
Tiger001
score_9, score_8_up, score_7_up, masterpiece, ukiyo-e, woodblock print, 1girl, kitsune, fox girl, nine tails, fox ears, red and white fur, swirling hair, cherry blossoms, falling petals, waves, seigaiha pattern, stylized clouds, strong outlines, flat color, bold lines, traditional japanese art, vibrant colors, high contrast, paper texture, solo, from side, profile, looking back, head turned away, walking, tiptoes, one leg raised, hand on own hip, outstretched arm, sash, obi, kimono, wide sleeves, print registration marks, cartouche, vertical composition.
Seen in profile from a low side angle, a single kitsune girl crosses a stylised shoreline of curling seigaiha-patterned waves, her body angled away toward the right edge of the frame while her chin turns back over her shoulder. Her nine tails fan out behind her in a wide arc, alternating bands of red and white fur rendered as flat colour blocks with bold black keylines, each tail tip curling upward like brush flourishes; her fox ears stand tall on her crown, red at the base fading to white at the tips, the inner ear a single plane of vermilion. Her long hair sweeps forward past her cheek and streams out in swirling ribbon-spirals of black and deep red, so that the hair and the tails together weight the left half of the composition. She is caught mid-step on tiptoe, one geta lifted and the other bearing her weight, the raised foot's toes gripped against the wooden teeth; one arm is flung out to the right with the broad kimono sleeve billowing into a flat scalloped shape, and her hand rests lightly at her hip on the knotted obi. Her eye is a narrow black line under a lowered lid, gaze cast back across the wave line toward the viewer's side of the frame, mouth set in a small closed, faintly amused smile. She wears a white kimono with a red sash, its hem lifted by the sea wind, and the fabric pattern carries no ornament beyond the printed ground.
The world is closed and graphic rather than realistic: a band of stylised clouds in flat white and pale grey rolls across the top of the frame on inked outlines, cherry blossoms and loose petals fall diagonally from upper left through the middle distance, each blossom a crisp five-petal silhouette in pink and white against the darker sea, and they drift across the tails without ever touching them. The sea below is wholly decorative: stacked seigaiha arcs in indigo, deep blue and white, each row outlined in black, thickening toward the foreground. A narrow vertical title cartouche of illegible inked characters sits in the upper right corner, its lettering deliberately unreadable, curving nowhere and printed flat with the block. Palette is disciplined to vermilion red, white, indigo, black and a single pink for the blossoms, nothing else admitted. The print's light is flat and frontal by convention, with no directional shadow; depth comes only from overlaps of black line and the darker indigo weighting the lower edge. A single piece of physical truth anchors the sheet: the girl's geta teeth and the hems of the wave line all register a hair to the left of their black outlines, each colour plate printing a fraction off the keyblock, so the whole page breathes as an actual woodblock pull, and the paper tooth of the sheet shows through every flat area, its fibre and grain visible in the whites. Crisp, vibrant, decoratively alive.
Tiger001
o
okmyedelda
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แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
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kyramisu
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logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
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...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
1
...
Tofu
...
Tofu
2
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
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