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MR. Beetle

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MR. Beetle

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character: yashiro_nene, peni_parker, copyright: marvel_rivals 2girls, yashiro nene, peni parker, from behind, back to viewer, looking back, head turned toward viewer, one eye closed, wink, mischievous grin, tickling, bare feet, giant feet, very large feet, huge feet, right hand on right foot, tickling big toe, left hand on left foot, tickling heel, long black hair, red eyes, yellow eyes, hair ribbon, school uniform, cream cardigan, black pantyhose, red bow, short black hair with blonde streaks, hairclip, white shirt, blue dress, bowtie, unbalanced posture, leaning forward, arms extended down, hanging fabric, from above, close-up on feet and hands, indoor floor, warm lamp light, playful, teasing The camera looks down from above and slightly behind Yashiro Nene's right shoulder: she fills the left half of the frame in true back view, her spine toward the viewer, her school-uniform blouse and cardigan pulled taut across her shoulders as she leans forward and down. Her head is twisted sharply back over her right shoulder so her face is turned toward the camera over the slope of her own back, chin lifted, one eye squeezed shut in a broad playful wink while the other red-and-yellow eye stays open and cuts sideways at the lens, a lopsided grin pulling one lip corner higher. Her long black hair swings forward with the turn and one strand crosses her cheek; a ribbon at the crown of her head lifts free of its knot. Both her arms reach down and away from her body: her right hand lands flat across the broad ball of Peni's right foot and her index finger is dug in against the great toe, nail grazing the nail; her left arm reaches farther down and left to where her fingers dig and curl into the rounded heel of Peni's left foot. Her weight is on her right leg, her left heel lifted off the floor, skirt and cardigan hem hanging forward with the lean. Peni Parker lies sprawled across the lower right of the frame, only her lower legs, her enormous bare feet and a slice of her dress in shot; the feet are absurdly oversized, each one nearly as long as Yashiro's forearm, soles pink and flushed with warm blood, toes splayed and curling, the skin creasing and bunching wherever fingers press. Peni's short black hair with blonde streaks and her hairclip sit far out of focus at the top-right edge, and one small hand of hers is visible clenched in the fabric of her blue dress. The compression of Yashiro's fingertips dents the soft pad of the big toe and the heel, and both feet jerk minutely away from the tickling contact — toe flexed, ankle twisted, big toe splayed wider than the others. The floor is a plain seamless pale wood surface with soft grain running diagonally to give depth; nothing else occupies the background but a dark blur of room falling out of focus behind. A warm lamp high on the right side is the only light source: it lays a soft highlight down the back of Yashiro's neck and shoulders, kicks a small wet gleam on Peni's toenails, and throws a short dense shadow of the leaning girl's torso and her outstretched arms onto the floor between the two pairs of feet. Palette of warm cream, black and dusty rose on Yashiro against the flushed pink of the soles, everything sinking into low amber shadow at the corners. Mischievous, ticklish glee.
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Ursprünglicher Prompt
Yashiro Nene haciéndole cosquillas a Peni Parker de Marvel Rivals en los pies grandes muy grandes gigantes de Peni, Yashiro está de espaldas a la pantalla, con su cabeza girada hacia la camara mientras giña el ojo de manera pícara, sus manos haciéndole cosquillas a los grandes pies de Peni (Mano derecha de Yashiro en el pie derecho, haciéndole cosquillas al dedo gordo del pie, Mano izquierda de Yashiro en el pie izquierdo, haciéndole cosquillas al Talón). Yashiro Nene es quien le hace cosquillas a Peni Parker, no Peni Parker a Yashiro Nene
Modus
pro
Größe
1104 x 1824
Sampling-Methode
Euler
Negativ
lowres, worst quality, low quality, bad anatomy, explicit
Prompt-Assistent

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Tsubaki.3 - AI Model cover image

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AI artwork
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character: yashiro_nene, peni_parker, copyright: marvel_rivals 2girls, yashiro nene, peni parker, from behind, back to viewer, looking back, head turned toward viewer, looking at viewer, one eye closed, wink, sly grin, mischievous smile, short hair, cream-colored hair, bob cut, red eyes, hair bow, black dress, white collar, long sleeves, black pantyhose, black shoes, leaning forward, reaching down, both arms extended downward, tickling, peni parker, black hair, red streaks, yellow streaks, short hair, hairclip, red and yellow hair ornament, wide-eyed, open mouth, laughing, tears in eyes, blush, white shirt, blue jacket, red bowtie, black skirt, black pantyhose, sitting on floor, giant feet, extremely large bare feet, barefoot, soles, toes, oversized feet, right foot raised, left foot planted, full body, wide shot, from side, low angle, interior, bedroom, wooden floor, warm lamplight, night, cozy, playful The camera sits low and to the side, wide enough to hold both girls and the absurd scale of the feet. Yashiro Nene stands with her back square to the viewer, her cream bob swinging as she bends sharply forward from the waist, hips pushed back, weight on her right leg with the left toe pivoting for balance. Her head is cranked around over her right shoulder toward the lens, chin nearly touching her shoulder, one eye squeezed shut in a broad sly wink while the open eye glints sideways at the viewer and the corner of her mouth hooks up. Her black dress pulls taut across her back with the movement, white collar sitting flat, long sleeves pushed to the wrist; her legs are sheathed in black pantyhose down into black shoes planted on the boards. Below and in front of her, Peni Parker sits sprawled back on the wooden floor, propped on both palms, her short black hair streaked red and yellow falling around a face split wide in helpless laughter, eyes squeezed to crescents with tears at the corners, cheeks flushed, red-and-yellow clip catching the light. She wears her white shirt tucked into a black skirt under an open blue jacket, red bowtie neat at the throat, black pantyhose running all the way down her legs — and then her feet: enormous, far out of proportion, each one longer than her own torso, bare soles turned up and out, toes curling and splaying in reflex. Yashiro's right hand is clamped on Peni's right foot where it rises near the lens, fingers dug in around the base of the huge big toe, the toe flexing away from the touch. Her left arm reaches across and low to Peni's left foot, fingertips pressed into the heel, thumb working the arch just above it. Both of Peni's feet flinch on contact: the right big toe curls hard, the left heel presses down into the floor so that the sole bunches and the toes fan wide. Contact points are exact — Yashiro's shoe edges on the boards, Peni's palms flat behind her, her hips and the backs of her thighs against the floor. A single warm lamp sits off-frame left, throwing soft yellow light across the top of Peni's bare feet and the back of Yashiro's cream hair, leaving the far corner of the room in deep shadow; the girls' bodies cast long soft shadows that stretch right across the floorboards. Palette is warm amber over cream, black, and the red-yellow flash of Peni's hair. Quiet cozy mischief.
MR. Beetle
AI artwork
mb
character: yashiro_nene, peni_parker, copyright: marvel_rivals 2girls, yashiro_nene, peni_parker, from behind, back to viewer, looking back, head turned toward camera, looking at viewer, one eye closed, wink, smug, mischievous grin, tickling, tickling feet, giant feet, extremely large feet, bare feet, toes, soles, right hand on right foot, fingers on big toe, left hand on left foot, fingers on heel, leaning forward, kneeling, arms extended downward, long black hair, hair ribbons, red eyes, yellow eyes, short hair with long side locks, smug lopsided smirk, full body, wide shot, low angle, from below foreshortening, two characters, playful, teasing Viewed from behind at a low angle, the camera sits near the floor so that the two enormous bare soles rear up in the foreground and dwarf everything above them: a girl with long black hair and short side locks kneels with her back squarely to the viewer, spine curved forward into the work, the dark hair falling down the back of her shoulders and the ribbon at her head catching a rim of light. Her head is turned back over her right shoulder toward the lens so that in profile we catch one eye half-squinched shut in a wink and the other, red-brown with a yellow glint, fixed straight on the viewer, a sly lopsided smirk pulling the corner of her mouth and one brow arched. Her right arm reaches out and down, the right hand pressed to the fat pad of the nearest giant right foot with the fingertips dug in under and around the big toe, the toe knuckle pushed slightly askew by the pressure; her left arm crosses lower and further away, the left palm cupped hard around the rounded heel of the other giant left foot, thumb hooked over the ankle bone, heel meat compressed and bulging between her fingers. The two colossal feet belong to a small figure sprawled on the floor beyond them, only her head and shoulders visible over the horizon of her own soles: short black hair with blonde streaks and red highlights, a hairclip and a ribbon in it, face crumpled with laughter, eyes squeezed shut and mouth wide open, one hand flung out to the side. Weight sits forward on the kneeling girl's knees and shins, toes of her own shoes braced under her, skirts and sleeves pulled back by the lean; the sprawled girl's white shirt and dark tights rumple where she twists. The room is a cool dim interior lit by a single soft light from the upper left, which rims the hair and shoulders of the kneeling girl in warm gold while the soles and the spaces between the toes fall into cool blue-grey shadow, a long soft cast shadow spreading from the feet toward the lower right corner; the palette is warm skin tones, black and white clothing, and cool blue-grey floor. A single small detail holds the physics: the heel meat of the left foot bulges out around the tickling fingertips exactly where the pressure is applied, the skin blanched white at the contact and flushing pink a finger's width away. Mischievous, playful.
MR. Beetle
AI artwork
mb
character: peni_parker, yashiro_nene, copyright: marvel_rivals character: yashiro_nene, peni_parker, copyright: marvel_rivals 2girls, yashiro_nene, peni_parker, from behind, looking back, head turned toward viewer, one eye closed, wink, playful mischievous grin, looking at viewer, tickling, bare feet, giant feet, enormous soles, oversized foot, toes, heel, right hand on right foot, tickling big toe, left hand on left foot, tickling heel, crouching, leaning forward, long black hair, red eyes, yellow eyes, ankle-length dark dress, ribbon at collar, peni parker, short black hair, red hair streaks, blonde streaks, white shirt, blue dress, neck ribbon, black pantyhose rolled off the feet, high tops set aside, bare soles, soles facing viewer, foreshortening, low angle, from below, close-up on hands and feet, warm indoor light, playful teasing, mischievous The camera sits low and close to the floor, angled upward from below and slightly to one side: in the foreground the towering pair of Peni's giant bare feet fill the right two-thirds of the frame, foreshortened so the nearest sole looms huge and the toes curl above eye level, the left sole angled a little away and turned so its rounded heel pushes toward the viewer. Peni's rolled-down black pantyhose bunch in a thick ring above each ankle, her high-top shoes lie toppled on the floor at the far edge, and her white-shirted, blue-dressed body recedes small and compressed in the upper background, legs stretched toward the lens, one knee bent, her hands braced on the floor behind her as she squirms; her short black hair with red and blonde streaks swings, her neck ribbon knocked askew, her face caught mid-laugh with wide eyes and a flushed grin, gaze fixed on the girl crouched at her feet. In the near foreground Yashiro Nene has her back square to the viewer, crouched low on her heels over the soles, her long black hair spilling down her back, her head twisted round over her right shoulder toward the camera so that one red-yellow eye meets the lens and the other is squeezed shut in a broad playful wink, a lopsided mischievous grin pulling one cheek up. Her right arm reaches forward to the right foot, fingertips digging and skittering at the big toe, which is bent back and splayed apart from its neighbours under the pressure; her left arm reaches lower and across to the left foot, the heel cupped in her palm while her fingers scrabble and scratch at the soft underside of the heel, the skin there denting and dimpling where she presses. Her dark ankle-length dress pools and creases around her crouched knees, one palm's weight shifted onto the balls of her feet, the contact points precise: fingers on toe pad, fingers on heel, knees hovering just off the floor. Warm low indoor lamplight comes from the left, throwing a long soft shadow of the giant feet across the boards and lighting the insteps and the undersides of the toes while the creases between them hold deep warm shadow; the palette stays warm honey, deep navy, cream and a single flash of red in her eyes and hair streaks. The skin of the soles creases genuinely where toes splay and heel compresses, dimpling under her fingertips, and a faint dusting of floor grit clings to the nearest sole. Teasing, sunlit mischief.
MR. Beetle

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3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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