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Traditionelle japanische Kleidung, Seiza
kaorushoujo
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
Erstellungsassistent
Agent
Mio.2
Minimale Eingabe, professionelles Ergebnis
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の
和風の家、畳のある部屋で正座している、桜の柄の薄いピンクの着物、まったりお茶を飲んでいる少女、近くに三毛猫が座っている、黒いショートヘア、デフォルメ、ジト目でこちらを見ている
のらねこ
d3
character: erika_(pokemon)
1girl, solo, erika (pokemon), short hair, dark brown hair, hairband, red hairband, brown eyes, eyelashes, japanese clothes, kimono, yellow kimono, wide sleeves, tea ceremony, making tea, kneeling, seiza, tea whisk, chasen, tea bowl, chawan, tea ceremony table, tatami, wooden house, bamboo, open door, window, garden, flowers, outdoors, from above, dutch angle, three-quarter view, looking down, looking at object, half-closed eyes, light smile, calm, warm light, depth of field
Shot from above at a slight dutch tilt over her left shoulder, three-quarter view down onto the tea ceremony table: a single woman with short dark brown hair held back by a red hairband kneels in seiza on the tatami of a traditional wooden-and-bamboo house, her right hip and outer knee bearing her weight, her left hand cupping a dark ceramic tea bowl steady against the mat while her right hand grips the bamboo whisk upright inside it, wrist angled, both elbows held close and low. She wears a yellow kimono with broad sleeves that fall away from her forearms as she reaches, the fabric pooling in a fan behind her knees; the collar sits square at her throat. Her chin is tipped down toward the bowl, lashes low in a faint closed-lip smile that just lifts one corner of her mouth, and she watches the whisk rather than the camera.
The low table sits in front of her, its lacquered edge crossing the lower third of the frame, with the tea caddy and a folded cloth set back along it. Behind her the house opens entirely: dark wooden posts and split-bamboo lattice slide back on both sides so that the room frames the garden, and a shoji window at her left catches the daylight on its paper. Beyond the open threshold lies her gym's garden — raked pale gravel, clipped shrubs, a stone lantern, and a low plum tree in bloom, pushed softly out of focus so the interior stays crisp.
A single low sun comes in from the garden side at her right, warm and raked, laying a bright band across the tatami and the tabletop, lighting the rim of the tea bowl and the near side of her cheek while the back of her neck and the inner corner of the room fall into cool shadow; the flat of the whisk throws a fine blurred shadow that quivers on the bowl's rim. Fine steam curls upward from the bowl and bends toward the open door, the one visible proof of the draught moving through the room. Palette held to yellow, straw, dark wood, garden green and the white of the gravel, warm and quiet. Tender, unhurried.
Dicavec3
和の伝統とメイド服の融合
ttlud4d4o3y0
d3
character: erika_(pokemon)
1girl, solo, erika (pokemon), short hair, dark brown hair, hairband, red hairband, brown eyes, eyelashes, japanese clothes, kimono, yellow kimono, wide sleeves, tea ceremony, making tea, kneeling, seiza, tea whisk, chasen, tea bowl, chawan, tea ceremony table, tatami, wooden house, bamboo, open door, window, garden, flowers, outdoors, from above, dutch angle, three-quarter view, looking down, looking at object, half-closed eyes, light smile, calm, warm light, depth of field
Shot from above at a slight dutch tilt over her left shoulder, three-quarter view down onto the tea ceremony table: a single woman with short dark brown hair held back by a red hairband kneels in seiza on the tatami of a traditional wooden-and-bamboo house, her right hip and outer knee bearing her weight, her left hand cupping a dark ceramic tea bowl steady against the mat while her right hand grips the bamboo whisk upright inside it, wrist angled, both elbows held close and low. She wears a yellow kimono with broad sleeves that fall away from her forearms as she reaches, the fabric pooling in a fan behind her knees; the collar sits square at her throat. Her chin is tipped down toward the bowl, lashes low in a faint closed-lip smile that just lifts one corner of her mouth, and she watches the whisk rather than the camera.
The low table sits in front of her, its lacquered edge crossing the lower third of the frame, with the tea caddy and a folded cloth set back along it. Behind her the house opens entirely: dark wooden posts and split-bamboo lattice slide back on both sides so that the room frames the garden, and a shoji window at her left catches the daylight on its paper. Beyond the open threshold lies her gym's garden — raked pale gravel, clipped shrubs, a stone lantern, and a low plum tree in bloom, pushed softly out of focus so the interior stays crisp.
A single low sun comes in from the garden side at her right, warm and raked, laying a bright band across the tatami and the tabletop, lighting the rim of the tea bowl and the near side of her cheek while the back of her neck and the inner corner of the room fall into cool shadow; the flat of the whisk throws a fine blurred shadow that quivers on the bowl's rim. Fine steam curls upward from the bowl and bends toward the open door, the one visible proof of the draught moving through the room. Palette held to yellow, straw, dark wood, garden green and the white of the gravel, warm and quiet. Tender, unhurried.
Dicavec3
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