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光差し込む聖堂の風景
まるでゲームの世界に迷い込んだような、神聖で美しい建築空間の一枚です。幾何学模様に落ちる陽だまりのコントラストがとても好きで、つい見入ってしまいました。気に入っていただけたら、いいねやフォローをお願いします！他にも素敵な風景を見つけたら投稿しますね。
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- 768 x 1280
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 5.5
- Negativ
- nsfw, long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts
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にーな
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katao
みか
穏やかな祈りのアート
みつまめ“かずひろ”あんみつ
l7
no humans, empty scene, no people, wide shot, from below, extreme wide shot, towering cave interior, colossal natural cavern, towering stone columns, dwarven fortress architecture, science fiction scale, massive wall-height door, door fills entire wall, vertical seam down center of door, split double door, stylized stone lock at door center, circular stone lock mechanism, relief carving of sun above trees, falling orange leaves in relief, orange-brown stone masonry, reddish-brown copper engraving, sun low on eastern horizon, pre-sunset sun, cold blue-green palette, turquoise monochrome, greenish-turquoise black, fine film grain, grain noise in shadows, organic grain particles in highlights, blurred vignette edges, tunnel vision on lit door, cross-processed film, expired film aesthetic, analog photography, low-key lighting, vast negative space above the door, deep perspective, atmospheric haze, no text
An extreme wide shot taken from a low vantage on the cave floor, tilted upward so the top of the door frame vanishes past the upper edge of the frame, placing the viewer as a small presence in a colossal natural cavern whose walls retreat into greenish-turquoise gloom. Tall stone columns rise in staggered rows on both flanks, their bases lost in shadow and their capitals merging with the dark ceiling, framing a central axis that runs straight to the massive door.
The door occupies the entire far wall, from floor to the unseen ceiling of the cavern: two slabs of orange-brown stone meeting at a single perfect vertical seam down the center, their surfaces segmented into recessed panels and thick carved pilasters. A dwarf-fortress rigor governs the joins — squared blocks, deep bevels, geometric bands — scaled up to science-fiction immensity, with no ornament that is not structural or carved. In the exact center of the seam sits a strange stylized stone lock, a heavy circular mechanism of interlocking plates and radiating grooves, protruding from the door plane so that a faint shadow rims it.
Beneath the lock, carved in low relief into the door face, the sun hangs low, not at zenith but close to the eastern horizon as if just before sunset, its disc flattened and bisected by a carved horizon line, long rays cut as thin flat ridges. Directly under it, the relief trees rise with their crowns opened, and individual orange leaves fall from the branches downward towards the lock, each leaf carved as a small shallow pocket. All engraving is cut in a reddish-brown copper shade against the orange-brown stone, the copper catching the light along the upper edges of every ridge and going dark in every groove.
Light comes from one direction only: a low, cold beam enters from off-frame near the floor on the left, raking across the cavern and striking the door face so the vertical seam casts a thin shadow line down the right slab, the lock's protrusion throws a short hard shadow to its right, and the carved sun's rays throw alternating slivers of light and dark. The relief trees are lit only on the sides facing the beam, their left flanks glowing copper, their right flanks swallowed in turquoise-black. The columns nearer the camera stand as near-black silhouettes with only their left edges picked out; the floor between camera and door is a plain expanse of cracked stone, its seams catching the same low light in thin broken lines that lead the eye to the threshold.
The palette is severely limited: cold blue-green-turquoise dominates the entire cave, the stone reads as desaturated teal, and the blacks are never neutral — they carry a greenish-turquoise cast, especially in the deep shadow between the columns and in the door's recesses. The only warmth admitted is the copper-red engraving and the muted orange-brown of the door stone, and even that warmth is cooled at its edges as the light falls off.
Fine film grain covers the whole image: in the dark columns and the shadowed ceiling it reads as textured noise, and in the lights along the door's copper edges and the lit floor seams it reads as small organic particles drifting through the exposure. The frame edges are slightly blurred and darkened in a vignette that tightens toward the door, so the door glows at the center of a tunnel-visioned view, the cavern walls softening and dissolving into grain at the borders. A single physical tell: a thin drift of dust hangs in the low beam, visible only where it crosses the light, thickening into a bright haze right before the door. Cold, monumental, quietly ominous.
lom731#0
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Winter joy in the snow
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anime
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miku
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reunited at last
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(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
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1
...
Tofu
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Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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